Reshaping approaches of architectural heritage devastated through bombing: case study of Generalštab, Belgrade

Author(s):  
Tamara Popović ◽  
Jelena Marić ◽  
Eva Vaništa Lazarević
Belleten ◽  
2012 ◽  
Vol 76 (276) ◽  
pp. 673-690
Author(s):  
Giorgio Gasco

The beginning of restoration works on a scientific base in Turkey dates back on 1933 when a specific committee for the protection of monuments (Anıtları Koruma Komisyonu) was officially appointed by the Ministry of Education. The preliminary working phase, carried on under the direction of this committee, was soon distinguished by the clear attempt to visualize the results in order to cast the monuments as national icons. The present paper's aim is to discuss this process of visualization focusing on the case study of a series of works realized in Edime from 1933 to 1944. Apart from the historical value of monuments included in the protection program, the study explores the ideological side of these works stressing their value as a pioneering enterprise of a modem nation that celebrated its emerging culture in the protection and preservation of monuments as a sign of progress and civilization. Edirne's restoration works in fact arouse a great deal of interest in the national press, becoming the best show-case for the effort of the Ministry. By this point of view the study focuses on the key-role played by the Turkish Historical Society in the construction of a visual narrative in the attempt to disseminate the result of these works. In particular the efforts of the Turkish Historical Society in advertising the scheduled interventions found their outlet in the editing of a set of postcards displaying Edirne's historical buildings. The result is a series of powerful images in which a number of buildings are re-casted as the first cultural-historical assets of the Turkish nation. The construction of this visual material was set according to a powerful aesthetic format, clear and instantly recognizable, in order to assure an immediate public reception of the historical heritage of the country. The collection of these images stands as a prime contribution in the construction of the national identity of the country thanks to the production of a collective visual heritage, that, on the ground of an effective popular aesthetics, was able to feature the idea of nation as a landscape of monuments.


2021 ◽  
Author(s):  
Fatiha Imane Mahcar ◽  
Belkacem Takhi

Algeria has a rich urban and architectural heritage, which presents regional specificities. Once the ksour was a symbol of balance and perfect harmony with its environment, unfortunately today they no longer reflect their former function. The Ksourian architecture, including that of Laghouat is a prestigious heritage of high value; it is the testimony of genius knowledge and the capacity of their occupants to adapt to the difficult environment. The housing is considered the essential core of this architecture it represents the entire composition of the ksar, its design is inspired by the immediate environment and respects ancestral social values. It is characterized by a simple architecture and simple construction techniques which are based on the construction in load-bearing walls, the construction materials used are local materials of great resistance and less expensive. This study addresses the theme revaluation of heritage, particularly our case study ksar El-Haouita which has experienced a neglecting and depopulation due to several factors. The ksar El-Haouita is among the most famous ksour located in the south of Algeria and exactly in the region of Laghouat. It is built with simple materials and techniques of construction. The construction materials used are local materials like stones and lime found in the environmental surroundings of the ksar. The aim of this study is to identify the major causes of the degradation of ksar, also to preserve ksar El-Haouita through specific operations and to improve the tourist attractiveness of ksar El-Haouita in order to promote heritage, to convert it back into sustainable Saharan tourism. Our study based in the first place; on a theoretical underpinning which contains the notions that have a relation with our theme, the problematic and the envisaged objective, then a presentation of ksar followed by a morphological analysis accompanied by identification of the problems to identify the phenomena of damage and its disfigurement. The last step is to treat an aspect for the development of ksar, this aspect is devoted to the restitution of the defensive system (doors, ramparts, ramparts of houses and towers) of the ksar, through a diagnostic and several operations like (rehabilitation and reconstruction). The aim result of this study is to show that the revaluation of the ksar is a very vast operation and proposes interventions that allow the preservation of the ksar and also to understand the elements that help the success of interventions and to put some of the parameters considered as reference elements and basic principles for the operations on the ksar and among these operations it is (the case study, which is the restitution of the defensive system of ksar El-Haouita).


Author(s):  
Marco Vitali ◽  
Roberta Spallone ◽  
Francesco Carota

In this chapter are developed some considerations about the heuristic potentialities of parametric digital modeling as a tool for analyzing and interpreting architectural heritage. Observed that the parametric thinking in architecture could be recognized almost from the origin, new parametric modeling software allows to verify the design criteria of the past. On the basis of previous studies on Baroque vaulted atria, this chapter develops, using parametric modeling tools, a real vocabulary of shapes and their possible combinations, suggested by the architectural literature of the time and the survey of about seventy atria in Turin. This method has been tested on the case study of the lunettes dome in the atrium of Palazzo Carignano.


2020 ◽  
Vol 9 (6) ◽  
pp. 379 ◽  
Author(s):  
Eleonora Grilli ◽  
Fabio Remondino

The use of machine learning techniques for point cloud classification has been investigated extensively in the last decade in the geospatial community, while in the cultural heritage field it has only recently started to be explored. The high complexity and heterogeneity of 3D heritage data, the diversity of the possible scenarios, and the different classification purposes that each case study might present, makes it difficult to realise a large training dataset for learning purposes. An important practical issue that has not been explored yet, is the application of a single machine learning model across large and different architectural datasets. This paper tackles this issue presenting a methodology able to successfully generalise to unseen scenarios a random forest model trained on a specific dataset. This is achieved looking for the best features suitable to identify the classes of interest (e.g., wall, windows, roof and columns).


Slavic Review ◽  
2012 ◽  
Vol 71 (4) ◽  
pp. 745-765 ◽  
Author(s):  
Andreas Schönle

In this article Andreas Schönle explores the treatment of ruins in the Romantic period, in particular the propensity toward holistic reconstruction, rather than preservation of architectural heritage. He argues that the Romantic disregard of extant heritage harks back to the Sentimentalist infatuation with the fleetingness of life and dramatization of loss, that this melancholy feeling stoked a sense of national victimization, and that it legitimated an imaginary reinvention of the past and the constructedness of collective memory. The Church of the Tithe in Kiev serves as a case study illustrating that the Romantic commitment to totality has resulted in the significant destruction of architecture. Depictions of its ruins in travel accounts and in the writings of Vadim Passek and Andrei Murav'ev evidence a marked desire to exacerbate the sense of loss rather than to describe and valorize the remains. This disregard of heritage reprises the Sentimentalist infatuation with melancholy prominently deployed by Nikolai Karamzin. A comparison with Eugène Viollet-le-Duc in France and Augustus Pugin in England indicates that in Russia the invention of a national style of architecture required a much more radical imposition upon the historical landscape.


2020 ◽  
Author(s):  
Fernando Rocha ◽  
Sara Moutinho ◽  
Cristiana Costa ◽  
Slavka Andrejkovičová ◽  
Luis Mariz ◽  
...  

<p>The possibility of using geopolymers to fill gaps/lacunae in glazed ceramic tiles (azulejos) has been studied. Since the 15<sup>th</sup> century, glazed ceramic tiles are characteristic elements of the Portuguese architectural heritage and their use as external rendering elements has made them prone to degradation. On the other hand, civil construction is a sector with a high consumption of natural resources and CO<sub>2 </sub>emissions. In order to respond a necessary increase of sustainability in conservation/restoration processes, it is important to create/use sustainable repair materials that also ensure compatibility and durability of interventions. Geopolymers were studied as a potential sustainable and compatible repair material. Two commercial metakaolins ARGICAL-M 1200S and ARGICAL-M 1000 were used as precursors in geopolymer pastes and tested. The purpose of this research was to assess the potential of geopolymers in the restoration of the glazed ceramic tiles, both in the filling of gaps and the bonding of ceramic fragments. The physical, chemical and mineralogical analyses of these materials were performed. Additionally, in order to evaluate possible use in conservation interventions, tile lacunae filling, glazing reintegration and bonding of ceramic fragments were studied. Several tests were performed in order to analyse the compatibility and durability of the designed geopolymers and the ceramic/geopolymer system. The results suggest that the geopolymers had a better performance in the bonding of ceramic fragments and can have potential to be applied in the conservation and restoration of tile facades. Thus, as a general conclusion, it was possible to develop sustainable materials to apply in conservation of buildings facades.</p>


Author(s):  
U. Herbig ◽  
G. Styhler-Aydın ◽  
D. Grandits ◽  
L. Stampfer ◽  
U. Pont ◽  
...  

The appropriate restoration of architectural heritage needs a careful and comprehensive documentation of the existing structures, which even elaborates, if the function of the building needs special attention, like in museums.<br><br> In a collaborative project between the Universitas Gadjah Mada, Yogyakarta, Indonesia and two universities in Austria (TU Wien and the Danube University Krems) a restoration and adaptation concept of the Affandi Museum in Yogyakarta is currently in progress. It provides a perfect case study for the development of a workflow to combine data from a building survey, architectural research, indoor climate measurements and the documentation of artwork in a challenging environment, from hot and humid tropical climate to continuous threads by natural hazards like earthquakes or volcanic eruptions. The Affandi Museum houses the collection of Affandi, who is considered to be Indonesia's foremost Expressionist painter and partly designed and constructed the museum by himself. With the spirit of the artist still perceptible in the complex the Affandi Museum is an important part of the Indonesian cultural heritage. Thus its preservation takes special attention and adds to the complexity of the development of a monitoring and maintenance concept.<br><br> This paper describes the ongoing development of an approach to a workflow from the measurement and research of the objects, both architectural and artwork, to the semantically enriched BIM Model as the base for a sustainable monitoring tool for the Affandi Museum.


Sign in / Sign up

Export Citation Format

Share Document