Edge Computation in Human Vision: Anisotropy in the Combining of Oriented Filters

Perception ◽  
1995 ◽  
Vol 24 (6) ◽  
pp. 603-622 ◽  
Author(s):  
Tim S Meese ◽  
Tom C A Freeman

Above threshold, two superimposed sinusoidal gratings of the same spatial frequency (eg 1 cycle deg−1) and equal contrasts, and with orientations balanced around vertical, usually look like a compound structure containing vertical and horizontal edges. However, at large plaid angles (ie large differences between component orientations) and low plaid contrasts there is a tendency for the stimulus to appear as two overlapping gratings (component structure) with obliquely oriented edges. These dependencies of perceived spatial structure in plaids are incompatible with an edge-coding scheme that uses only circular filters to compute zero-crossings, but instead support the idea that different oriented filters can (compound percept) or cannot (component percept) be combined before edges are represented. Here, further evidence is presented in support of this hypothesis. Two-component plaid stimuli had plaid angles of 45° or 90°, and a range of plaid orientations (ie a range of orientations around which the plaid components were balanced). Observers indicated whether each stimulus was perceived as a compound or component structure for a range of plaid contrasts. In addition to angle and contrast effects, perceived spatial structure was also found to depend on plaid orientation: compound structures were perceived more often when the plaid components were balanced around the cardinal axes of the retina. It is suggested that the principles governing the combination of oriented-filter outputs might be learnt during the development of the visual system by using a Hebb-type rule: coactivated filters are more likely to combine their outputs when activated on future occasions. Given the prominence of vertical and horizontal orientations in a carpentered environment, this simple rule promotes a network that combines filters balanced around cardinal axes more readily than oblique axes, in agreement with the results.

Perception ◽  
1996 ◽  
Vol 25 (3) ◽  
pp. 255-277 ◽  
Author(s):  
Tim S Meese ◽  
Mark A Georgeson

Above threshold, two superimposed sinusoidal gratings of the same spatial frequency (eg 1 cycle deg−1), of equal moderate contrast (eg C1 = C2 = 6%), and with orientations of ±45°, usually look like a compound structure containing vertical and horizontal edges (ie a blurred checkerboard). These feature orientations are very different from the dominant filter orientations in a wavelet-type (eg simple-cell) transform of the stimulus, and so present a serious challenge to conventional models of orientation coding based on labelled linear filters. Previous experiments on perceived structure in static plaids have led to the view that the outputs of tuned spatial filters are combined in a stimulus-dependent way, before features such as edges are extracted. Here an adaptation paradigm was used to investigate the cross-channel interactions that appear to underlie the spatial-filter-combination process. Reported are two aftereffects of selective adaptation: (i) adaptation to a 1 cycle deg−1 plaid whose component orientations are intermediate to those in a 1 cycle deg−1 test plaid ‘breaks’ perceptual combination of the components in the test plaid; (ii) adapting to a 3 cycles deg−1 plaid whose component orientations match those in a 1 cycle deg−1 test plaid facilitates perceptual combination of the components in the test plaid. The results are taken as evidence that spatial channels remote from those most responsive to a test plaid play a crucial role in determining whether the test plaid segments or coheres perceptually.


2000 ◽  
Vol 486 (1-2) ◽  
pp. 71-76 ◽  
Author(s):  
Pierre Gauron ◽  
Basarab Nicolescu

1973 ◽  
Vol 13 (11) ◽  
pp. 2139-2143 ◽  
Author(s):  
Robert V. Lange ◽  
Claude Sige ◽  
Sidney Stecher

1989 ◽  
Vol 2 (6) ◽  
pp. 593-607 ◽  
Author(s):  
A. B. Saul ◽  
M. S. Cynader

AbstractCat striate cortical neurons were investigated using a new method of studying adaptation aftereffects. Stimuli were sinusoidal gratings of variable contrast, spatial frequency, and drift direction and rate. A series of alternating adapting and test trials was presented while recording from single units. Control trials were completely integrated with the adapted trials in these experiments.Every cortical cell tested showed selective adaptation aftereffects. Adapting at suprathreshold contrasts invariably reduced contrast sensitivity. Significant aftereffects could be observed even when adapting at low contrasts.The spatial-frequency tuning of aftereffects varied from cell to cell. Adapting at a given spatial frequency generally resulted in a broad response reduction at test frequencies above and below the adapting frequency. Many cells lost responses predominantly at frequencies lower than the adapting frequency.The tuning of aftereffects varied with the adapting frequency. In particular, the strongest aftereffects occurred near the adapting frequency. Adapting at frequencies just above the optimum for a cell often altered the spatial-frequency tuning by shifting the peak toward lower frequencies. The fact that the tuning of aftereffects did not simply match the tuning of the cell, but depended on the adapting stimulus, implies that extrinsic mechanisms are involved in adaptation effects.


The article deals with the trends of historical dynamics of linguistic and cognitive characteristics of the concept Canada in English-Canadian poetic texts of the 18th–21st centuries. This research deploys a complex semantic and cognitive analysis of its lexical-semantic nominative means of poetic texts. As a result specific features of national, cultural and author’s knowledge encoded in the poetic texts are identified and classified. The lexical nominative means of the concept Canada are viewed in terms of two groups of nominative means: direct and figurative. All the nominations are classified according to several criteria. Direct and figurative nominative means of the concept Canada variously characterize physical, geographical, territorial, demographic, social, political, historical, and cultural features of the Canadian state. The variability in priority of thematic nomination groups of the concept Canada in different historical periods of the statehood formation reveals the influence of the extralingual factors on the authors’ selection of nominative means of the concept Canada. The concept Canada combines the features of both a literary, cultural and a toponymic concept. It has been modeled as a complex two-component structure that includes a sensory-notional and a figurative component. Historically conditioned transformations of the structural components of the concept Canada is interpreted in terms of its invariant and diachronically variable linguistic and cognitive characteristics. During three periods of Canadian history, the transformations of the structural components of the concept Canada reveal themselves as either the hierarchic shifts of the literary concepts-slots in the sensory-notional component or as the variability of the set of conceptual metaphors in its figurative component.


2005 ◽  
Vol 96 (1) ◽  
pp. 107-108 ◽  
Author(s):  
Alan Bedford ◽  
J. D. Henry ◽  
J. R. Crawford

The two-component structure of anxiety and depression items of the short form Personal Disturbance Scale, reported in an earlier clinical study of 480 adult psychiatric patients, was substantially replicated in a large nonclinical sample of 758 adults.


Perception ◽  
1995 ◽  
Vol 24 (11) ◽  
pp. 1257-1264
Author(s):  
Shigeru Ichihara ◽  
Kenji Susami

Three experiments on temporal-discontinuity detection were carried out. In experiment 1, temporal-discontinuity thresholds were measured for sinusoidal gratings by the use of the double-staircase method. A sinusoidal grating was presented twice successively. The subject judged whether or not an interval was present. The temporal-discontinuity threshold increased as the spatial frequency of the grating increased, but decreased as the contrast of the grating increased. In experiment 2, contrast-modulated gratings were used instead of the sinusoidal grating. The temporal-discontinuity threshold increased as the carrier frequency increased, and the threshold for each contrast-modulated grating was similar to that for the no-modulation (sinusoidal) grating whose contrast was the same as the maximum local contrast of the contrast-modulated grating. In experiment 3, temporal-discontinuity thresholds were measured for low-contrast (3%) sinusoidal gratings. The thresholds were very low, even for such low-contrast gratings. These results suggest that the low-spatial-frequency channels are not involved in detecting the modulation frequency of the contrast-modulated grating. Rather, the local contrast seems to be the determinant of the detection of the contrast-modulated grating itself.


Author(s):  
Xiangyang Xu ◽  
Qiao Chen ◽  
Ruixin Xu

Similar to auditory perception of sound system, color perception of the human visual system also presents a multi-frequency channel property. In order to study the multi-frequency channel mechanism of how the human visual system processes color information, the paper proposed a psychophysical experiment to measure the contrast sensitivities based on 17 color samples of 16 spatial frequencies on CIELAB opponent color space. Correlation analysis was carried out on the psychophysical experiment data, and the results show obvious linear correlations of observations for different spatial frequencies of different observers, which indicates that a linear model can be used to model how human visual system processes spatial frequency information. The results of solving the model based on the experiment data of color samples show that 9 spatial frequency tuning curves can exist in human visual system with each lightness, R–G and Y–B color channel and each channel can be represented by 3 tuning curves, which reflect the “center-around” form of the human visual receptive field. It is concluded that there are 9 spatial frequency channels in human vision system. The low frequency tuning curve of a narrow-frequency bandwidth shows the characteristics of lower level receptive field for human vision system, the medium frequency tuning curve shows a low pass property of the change of medium frequent colors and the high frequency tuning curve of a width-frequency bandwidth, which has a feedback effect on the low and medium frequency channels and shows the characteristics of higher level receptive field for human vision system, which represents the discrimination of details.


Sign in / Sign up

Export Citation Format

Share Document