Debating translanguaging

Author(s):  
Juan Eduardo Bonnin ◽  
Virginia Unamuno

Abstract In this article, we discuss the concept of translanguaging by showing how theoretically unhelpful it is to account for language dynamics among Indigenous speakers leading revitalization projects in the Southern Cone of Latin America. We show how clear-cut distinctions between Spanish and Indigenous languages are crucial for minority speakers’ socio-political struggles against Spanish cultural, political, and social hegemony. We open our discussion by reviewing the different definitions of translanguaging in sociolinguistics and applied linguistics. We examine how the term sometimes overlaps with other previously established concepts such as code-switching and code-mixing and show the importance of inscribing any concepts in the historical and socio-political context in which they are used. We illustrate how Indigenous peoples’ understanding of multilingualism challenges linguists’ discourse on translanguaging. Our analysis aims at prompting scholars to reflect on the ideologies and practices we describe here to understand and attend more responsibly to Indigenous peoples’ political concerns.

1986 ◽  
Vol 9 (1) ◽  
pp. 55-82
Author(s):  
Beata Schmid

In this paper, I have shown that Joshi's (1982) framework of codeswitching constraints can largely be applied to Swedish-English code-switches. I feel qualified to conclude that Joshi's claims concerning the non-switchability of closed class items and matrix language and embedded languages are held up by the Swedish- English data. The need for corresponding categories proved to be less clear-cut than originally proposed by Woolford (1983) and others. It seems that optimal switching conditions are given if the categories, rules and metarules correspond in the two languages. Apparently, however, it is also possible to switch if the node admissibility conditions for the matrix language only are met, as was shown by code-switched sentences containing RPs. This requires that the speaker has a clear sense of which language is the host and which is embedded. Rules from the embedded language only are not acceptable. This calls for some sort of determination strategy by the parser. I found no evidence for determining Lm at any specific point in the sentence, except at the topmost S. Rather, the judgments by code-switchers that a sentence “comes from” one language seems to coincide with the fact that the resulting sentence is based on the rules from that language. Other than that, the matrix language is determined by the communicative context as a whole.The data involving RPs also seemed to indicate that RPs are not separate ategories, but are NPs, introduced by a “de-slashing” rule (Sells 1984). If they were separate categories, this would be evidence for there being no need for category equivalence. In this case, we would have to explicitly state all other cases which require category equivalence (the majority of cases), which is undesirable.


Author(s):  
Balogun Sarah ◽  
Murana Muniru Oladayo

This article attempts a comparative analysis of code-switching and code-mixing in the Nigerian music industry, using the lyrics of Flavour and 9ice as a case study. Although the English language is the national language in Nigeria and the language used by most of the musicians for the composition of their songs, and due to the linguistic plurality of Nigeria, most of these musicians tend to lace their songs chunks of words and phrases from their mother tongue or at least one of the three major languages in Nigeria, which are Hausa, Igbo, and Yoruba. The Markedness Model by Myers-Scotton (1993) is used as the framework to interrogate the switching and mixing in the codes used by these selected musicians and we find that while most code-switching is done in three languages – English, Nigerian Pidgin and the artist’ first language (mother tongue)  – their mother tongue plays the prominent role. Code-switching or code-mixing in these songs, therefore, becomes a depiction of the Nigerian state with its diverse languages and it provides the links between the literates and the illiterates thereby giving the artiste the popularity desired. The study concludes that the unique identity created by code-switching and code-mixing in the Nigerian music industry has a positive influence on music lovers, helping artists to achieve wide patronage and reflecting the ethnolinguistic diversity of the Nigerian nation.


Author(s):  
Tommaso Raso

A partir da análise de 13 entrevistas com italianos cultos residentes na cidade de São Paulo, há pelo menos 20 anos, apontam-se numerosos aspectos linguisticos que são afetados pela interferência e pela erosão no contato com o português brasileiro.  Além do léxico e dos mecanismos do code-switching e do code-mixing, a erosão é apontada em vários aspectos morfossintáticos, tais como o uso do artigo  para indicar a referência, a redução das formas pronominais do verbo, os usos do gerúndio, a ordem das palavras e as formas para expressar a estrutura informativa do enunciado.


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