Complete and defective agreement in Kutchi

2014 ◽  
Vol 14 (2) ◽  
pp. 243-288
Author(s):  
Stefan Keine ◽  
Trupti Nisar ◽  
Rajesh Bhatt
Keyword(s):  
The Other ◽  
Other Hand ◽  
The Subject ◽  
Stark Contrast ◽  
Verbal Agreement ◽  
And Gender ◽  
Split Ergativity ◽  
Do So

We describe and analyze the previously undocumented verbal agreement system of Kutchi (Indo-Aryan). We argue that Kutchi instantiates a novel type of split ergativity. First, it exhibits an aspect split in that agreement in non-perfective clauses behaves on a par with agreement in intransitive perfective clauses, in stark contrast to transitive perfective clauses. A striking property of Kutchi is that these asymmetries manifest themselves in the richness of agreement. In the former configurations, the verb agrees with the subject for person, number and gender. In the latter, on the other hand, agreement is systematically defective and reliable fails to cross-references certain φ-features. In addition to this aspect split, Kutchi displays a person split: While the verb normally agrees with the subject, it surprisingly fails to do so in transitive perfective clauses with a 1st person subject. Instead, it is the object that triggers agreement in these configurations, likewise in a defective manner. We will argue that these agreement asymmetries are syntactic in nature rather than morphological. Our analysis builds on, and extends, previous work by Laka (2006) and Coon (2010).

scholarly journals 'The Shadow of One’s Own Head' or The Spectacle of Creativity

2017 ◽  
Vol 3 (3) ◽  
pp. 685
Author(s):  
Susanne Valerie Granzer
Keyword(s):  
The Other ◽  
Crucial Aspect ◽  
Life And Death ◽  
Intimate Connection ◽  
Artistic Experience ◽  
Other Hand ◽  
The Subject ◽  
And Gender ◽  
The One

When acting, the actor/actress experiences a complex regime of signs in his/her body, mind, mood and gender. These signs are both disturbing and promising. On the one hand, the act of creativity makes a wound obvious which has been incarnated within man. It tells him/her that he/she is not the sole actor of his/her actions. On the other hand, precisely this way acting on stage becomes an event. The act of this event reveals a way of be-coming in which one acts while at the same time being passive, in which the actor/actress is both agent and patient of his/her own performance. This complex artistic experience catapults actors/actresses into an open passage, into an in-between where they are liberated from the illusion of being the sole actors of their performances. One might even say that by this turn an actor/actress experiences a change, an “anthropological mutation” (Agamben). Or, to have it differently: the artist suffers a kind of “death of the subject”.It is remarkable that this loss of the predominance of subjectivity is a crucial aspect of acting which may affect the audience in a particularly intensive way. Why? Perhaps because it updates an extremely intimate connection between audience and actors/actresses which vicariously reflects the in-between of life and death. A passage by which life presents itself as itself? Life – by its plane of immanence?

scholarly journals XXXIII.—On Superposition

1864 ◽  
Vol 23 (3) ◽  
pp. 471-473 ◽  
Author(s):  
Philip Kelland
Keyword(s):  
Quarterly Journal ◽  
The Other ◽  
Other Hand ◽  
The Subject ◽  
Do So

In my former paper on the subject, I selected the following problem:—From a given square, one quarter is cut off, to divide the remaining gnomon into four such parts that they shall be capable of forming a square.The gnomon is, I assume, incapable of being formed into a square by being cut into three parts, and consequently the number of different ways in which it can be so formed, by cutting it into four parts, must be very limited. But, to show the fertility of the method of superposition, I exhibited the solution of the problem in twelve different manners. Many of these, no doubt, have much that is in common, whilst, on the other hand, some (such as the 12th) differ in every feature from the rest. I had thoughts of following up my plea for the study of the old geometry, by exhibiting the solutions of the 47th proposition of Euclid's first book in their beautiful variety. I have indeed temptation to do so. The modification which I gave of the demonstration of this proposition in the notes to my edition of Playfair's Geometry (edition 1846, p. 273), has had the honour of being exhibited in two different mechanical forms. The first by two rotations without sliding, whereby the two squares on the sides, when placed together, are converted into the square on the hypothenuse; the second, by two transpositions (slidings) without rotation, whereby the same change is effected The former is obvious enough, and could have escaped nobody. The latter is described by Professor De-Morgan in the “Quarterly Journal of Mathematics,” vol. i. p. 236.

scholarly journals Memento and the Embodied Fabula: Narrative Comprehension Revisited

2015 ◽  
Vol 11 (1) ◽  
pp. 93-110
Author(s):  
Steffen Hven
Keyword(s):  
The Other ◽  
Narrative Comprehension ◽  
Other Hand ◽  
Unique Manner ◽  
Cinematic Experience ◽  
The Subject ◽  
The One ◽  
Do So

Abstract Although Christopher Nolan’s Memento (2000) has been the subject of numerous critical examinations, the unique manner in which the film’s reverse-chronological dramaturgy interweaves the spectators’ cognitive-analytical attempts to ensure causal-linear coherency together with a corporal-affective sensation of temporal loss remains underexplored. This I believe is due to the inability of prevalent narratological terms of cutting across the current divide and uniting on the same conceptual plane the cinematic spheres of the cognitive-analytical, evaluative, and interpretative, on the one hand, with the visceral, haptic, and sensory-affective, on the other hand. As an attempt to carve out a conceptual ground where these key facets of the cinematic experience can be unified in a nonhierarchical and nonreductive manner, I propose an embodied reconceptualization of the cognitive-formalist concept of the fabula. In order to do so, however, it is necessary to dispute a series of dominant assumptions about cinematic spectatorship and narrative comprehension that automatically come with this narratological concept.

Challenging Gender Hierarchies in Narratives of the Nation: Representations of Women in Zintgraff and the Battle of Mankon and Hard Choice

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Naomi Epongse Nkealah ◽  
Olutoba Gboyega Oluwasuji
Keyword(s):  
The Other ◽  
Literary Texts ◽  
Gender Differentiation ◽  
Hard Choice ◽  
Other Hand ◽  
Gender Hierarchies ◽  
The Face ◽  
The One ◽  
Representations Of Women ◽  
Do So

Ideas of nationalisms as masculine projects dominate literary texts by African male writers. The texts mirror the ways in which gender differentiation sanctions nationalist discourses and in turn how nationalist discourses reinforce gender hierarchies. This article draws on theoretical insights from the work of Anne McClintock and Elleke Boehmer to analyse two plays: Zintgraff and the Battle of Mankon by Bole Butake and Gilbert Doho and Hard Choice by Sunnie Ododo. The article argues that women are represented in these two plays as having an ambiguous relationship to nationalism. On the one hand, women are seen actively changing the face of politics in their societies, but on the other hand, the means by which they do so reduces them to stereotypes of their gender.

Women-Friendly Policies being adopted by Organizations: An Innovative aspect

2016 ◽  
Vol 3 (01) ◽  
Author(s):  
Shlesha Singh ◽  
Mrinalini Pandey
Keyword(s):  
Sexual Harassment ◽  
Glass Ceiling ◽  
Gender Stereotype ◽  
The Other ◽  
Family Responsibilities ◽  
Other Hand ◽  
The Family ◽  
Workplace Barriers ◽  
Women In The Workforce ◽  
And Gender

Organizations are these days realizing the importance of women in the workforce and to tap that talent, organizations are now-a-days putting extra efforts. Workplaces were designed keeping men in mind and which has been intercepting women from continuing the competitive jobs and career along with the family responsibilities. On the other hand, there are various workplace barriers which are adding to the other problems. Women face several barriers at the workplace like sexual harassment, glass ceiling and gender stereotype.

Euthyphro, Apology, and Crito

2019 ◽  
pp. 117-140
Author(s):  
Hugh H. Benson
Keyword(s):  
The Other ◽  
Other Hand ◽  
Virtuous Life ◽  
The One ◽  
Do So

This chapter presents a reading of Plato’s Euthyphro, Apology, and Crito. These dialogues, in which Plato depicts the weeks leading up to Socrates’s last day, are replete with various philosophical explorations. Among those explorations is the question of how to live our lives. On the one hand, Socrates is clear and straightforward. We should live the examined life—making logoi and examining ourselves and others in order to determine whether we are as wise as we think we are, and we should live the virtuous life. This is how Socrates lives his life. On the other hand, the examined life undercuts, or at least should undercut, the confidence with which he seeks to live the virtuous life. It may help bring some stability to the general principles by which he lives his life, but it can do so only defeasibly and without certainty.

Applied Anthropology in 1860

1942 ◽  
Vol 1 (3) ◽  
pp. 19-32
Author(s):  
H. Barnett
Keyword(s):  
British Columbia ◽  
Church And State ◽  
Applied Anthropology ◽  
The Other ◽  
Public And Private ◽  
Other Hand ◽  
The Subject ◽  
Long Life

Much has been written of William Duncan, "the Apostle of Alaska", who came to the coast of northern British Columbia in 1857 as a missionary to the Tsimshian Indians. Although he deplored it, in the course of his sixty years' residence in this area controversy raged around him as a result of his clashes with church and state, and his work has been the subject of numerous investigations, both public and private. His enemies have called him a tyrant and a ruthless exploiter of the Indians under his control; and there are men still living who find a disproportionate amount of evil in the good that he did, especially during the declining years of his long life. On the other hand, he has had ardent and articulate supporters who have written numerous articles and no less than three books in praise of his self-sacrificing ideals and the soundness of his program for civilizing the Indian.

On Research and Other Matters

1922 ◽  
Vol 26 (140) ◽  
pp. 325-330
Author(s):  
S. Heckstall Smith
Keyword(s):  
British Empire ◽  
Air Force ◽  
The Other ◽  
Other Hand ◽  
Secretary Of State ◽  
The Press ◽  
The Subject ◽  
Stimulation Of

If the thought of another war troubles you, then don't read this article. If you would rather say to yourself as the Secretary of State said to the Air Conference, “ There won't be another war for ten years, so why worry? ” then no doubt you will think with him that it is better to let other nations have alk the bother and expense of trying to advance; after all, we are jolly fine fellows and can soon pick up. If, on the other hand, you have imagination which gives you a nasty queasy sensation when you think of what might be, then perhaps the following notes, albeit disjointed and mostly stale, may at least conjure up in you thoughts of your own on the subject. This is all that is needed to help, our advancement in the air–the stimulation of spoken and written thoughts by the British nation, for if every taxpayer in the British Empire says “ Air Force,” then the Press and Parliament will say it too.

An Archaic Vase with Representation of a Marriage Procession

1880 ◽  
Vol 1 ◽  
pp. 202-209
Author(s):  
Cecil Smith
Keyword(s):  
Archaic Period ◽  
The Other ◽  
Other Hand ◽  
Greek Vases ◽  
The Subject

The vase which forms the subject of this memoir has been thought worthy of publication, both because it belongs to a type of which we have as yet but few examples, and also on account of the peculiar interest attaching to the design painted upon it. Its probable age can only be a matter of conjecture, as some of the vases of the class to which it belongs have been considered by archaeologists to be late imitations of the archaic, while on the other hand the internal evidence of the painting would seem to assign it to a place among the earliest class of Greek vases. It is figured on Plate VII.It is a circular dish with two handles, 3 inches high by 11¾ inches diameter, composed of a soft reddish clay of a yielding surface; the painting is laid on in a reddish brown, in some parts so thinly as to be transparent, and in other parts has rubbed away with the surface, so that it has acquired that patchy appearance generally characteristic of vase pictures of this type. The drawing, though crude and in parts almost grotesque, is executed with great spirit and freedom of style,—and thus could hardly have been the work of a late provincial artist—while in the shape of the column and of the wheel of the cart, in the prominent nose and chin which admit of no distinction between bearded and beardless faces, and in the angular contour of the human figures, we recognise features peculiar to an archaic period of art.

Productivity of French and Dutch (semi-)copular constructions and the adverse impact of high token frequency

2021 ◽  
Author(s):  
Niek Van Wettere
Keyword(s):  
Frequency Distribution ◽  
The Other ◽  
Adverse Impact ◽  
Frequent Type ◽  
Token Frequency ◽  
Semantic Classes ◽  
Other Hand ◽  
The Subject ◽  
The One

Abstract This paper examines the productivity of the subject complement slot in a set of French and Dutch (semi-)copular micro-constructions. The presumed counterpart of productivity, conventionalization in the form of high token frequency, will also be taken into account in the analysis of the productivity complex. On the one hand, it will be shown that prototypical copulas generally have a higher productivity than semi-copulas, although there are some semi-copulas that can rival the productivity of prototypical copulas. On the other hand, it will be demonstrated that high token frequency is in general detrimental to productivity, on the level of the entire subject complement slot and on the level of the different semantic classes. However, the shape of the frequency distribution also seems to play a role: multiple highly frequent types are in my data more detrimental to productivity than one extremely frequent type, although the semantic connectedness of the types in the distribution might also be an explanatory factor.

Sign in / Sign up

Export Citation Format

Share Document