Challenging Gender Hierarchies in Narratives of the Nation: Representations of Women in Zintgraff and the Battle of Mankon and Hard Choice

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Naomi Epongse Nkealah ◽  
Olutoba Gboyega Oluwasuji

Ideas of nationalisms as masculine projects dominate literary texts by African male writers. The texts mirror the ways in which gender differentiation sanctions nationalist discourses and in turn how nationalist discourses reinforce gender hierarchies. This article draws on theoretical insights from the work of Anne McClintock and Elleke Boehmer to analyse two plays: Zintgraff and the Battle of Mankon by Bole Butake and Gilbert Doho and Hard Choice by Sunnie Ododo. The article argues that women are represented in these two plays as having an ambiguous relationship to nationalism. On the one hand, women are seen actively changing the face of politics in their societies, but on the other hand, the means by which they do so reduces them to stereotypes of their gender.

Author(s):  
Endang Sri Maruti

<p>Learning paramasastra (grammar), especially paramasastra Java, in the SBC between two poles. On the one hand, learning grammar is important to determine how the students' understanding of the Java language, on the other hand grammar learning integrable in four aspects already existing skills in the curriculum. Determination of the polemical stance in the face of an important thing to do, so that the teacher can determine the approach to be used in learning.</p><p> </p><p><strong>Keywords</strong>: approach, learning, paramasastra, the Java language</p>


Author(s):  
Hugh H. Benson
Keyword(s):  
The One ◽  

This chapter presents a reading of Plato’s Euthyphro, Apology, and Crito. These dialogues, in which Plato depicts the weeks leading up to Socrates’s last day, are replete with various philosophical explorations. Among those explorations is the question of how to live our lives. On the one hand, Socrates is clear and straightforward. We should live the examined life—making logoi and examining ourselves and others in order to determine whether we are as wise as we think we are, and we should live the virtuous life. This is how Socrates lives his life. On the other hand, the examined life undercuts, or at least should undercut, the confidence with which he seeks to live the virtuous life. It may help bring some stability to the general principles by which he lives his life, but it can do so only defeasibly and without certainty.


2019 ◽  
Vol 5 (1) ◽  
pp. 311-331
Author(s):  
Suwei Wu ◽  
Alan Cienki

AbstractAn increasing number of studies are being devoted to the investigation of what aspects of grammar, and of events, expressed in speech are coordinated with gesture. However, previous studies have focused on gesture use in relation to either transitivity or event properties, without considering how these factors interact. In this study, we consider how gesture use relates to transitivity when the type of event in the causativeinchoative alternation is considered, and also how gesture use relates to properties of the events when the type of transitivity is considered. We found various relations both between gesture use and transitivity on the one hand, and between gesture use and certain properties of events on the other hand. Whereas some of the results contrast with the findings in previous studies about the relation between gesture and transitivity, other results obtained actually reinforce and complement some previous findings. The results concerning event properties and gesture also add to previous studies about which properties of certain motor-spatial events relate to gesture and how they do so. The study thus provides a more nuanced understanding of the relation between gesture and language.


1971 ◽  
Vol 7 (2) ◽  
pp. 125-140 ◽  
Author(s):  
Donald Evans
Keyword(s):  
The Face ◽  

For Ian Ramsey, talk about God raises many philosophical problems:‘If we are not to use anthropomorphic concepts like love, power, wisdom, we cannot talk about God; but if we do use them, how do we manage to talk of God and not man?’ (MJGC152)‘Believers wish on the one hand to claim that he (God) is indescribable and ineffable, and yet on the other hand to talk a great deal about him. Nay more, when they speak of God they say that he is transcendent and immanent, im passible yet loving, and so on. But if we speak like this, are we talking significantly at all? Here is the Falsification Problem: What kind of talk can this talk about God be, if it permits us to use such conflicting descriptions of God and to continue to use these descriptions in the face of any and all empirical phenomena?’ (RL 13–14).


2017 ◽  
Vol 11 (1) ◽  
pp. 118-133
Author(s):  
Nataša Lah

Throughout the entire literary oeuvre of Miroslav Krleža we are faced with a great number of credible descriptions, describing real historic events, or real artists and artworks belonging to the rich resources of European art history. By applying a cryptographic method of incorporating descriptions into his texts, Krleža on the one hand hid his sources, while on the other also revealed them. He hid them in the tissue of fictional texts, and unmasked them using a key work only those familiar with the source could identify. We term this method the use of “belletristic cryptograms”, and can further categorise it into thematic subgroups of concealed artwork descriptions, naming this whole method the use of hidden ekphrasis. The choice of artworks Krleža describes in his work is comprehensive, diverse and each described differently. Since we are dealing with literary texts, descriptions are often used in the function of a wide array of interpretative strategies of depiction; in some aspects, they are used as a mere glimpse into a piece of art with the goal of visually associating, evoking or minutely symbolizing the incorporeal frame of an artist’s mind or of the wider social context. In other aspects, the artworks are richly and meticulously presented with regard to their importance and credibility as they, according to Krleža, possess an “ethical intelligence” and “ethical conscience”. Only Krleža’s prose is researched here, and this is done on two levels. We take a look at examples where real art is incorporated into fictional texts in order to determine the significance and meaning of a certain dialogue, mise-en-scène or situation. This is most commonly found in the author’s plays, novels and novellas. On the other hand, we can trace a completely opposite method by which artworks enter these texts, where, due to their historic determination and already established worth/status, they thus re-enter reality, as seen from the perspective of Krleža’s life and work, so as to yet again test art history’s credibility through the matrix of contemporaneity. This approach is most often found in Krleža’s essays, critiques and diary entries.


Author(s):  
Sylvie De CHACUS

The present study aimed to measure the link between representations of money, ethnolinguistics affiliations and the nature of corruption among agents and users of public services. The numerous legal mechanisms put in place have produced limited results without big effects. Thus, this survey raises the problem of the persistence (obstinacy) of corruption in spite of the multiple efforts taken various levels (institutional, national, and international). The sample of the study consists, on the one hand, of 100 users of public services chosen at random at the Directorate of Treasure and Public Accounting (DGTCP) and at the General Directorate of Taxes and Domains (DGID) in Benin. And on the other hand, of 50 agents in public service; identified in the two directorates according to their contact with the users in the exercise of their functions. Two different questionnaires were used to collect data on the two targets (of agents). The results from the correlation and regression analysis confirm the existence of a significant link between the representation of money, ethnolinguistics affiliations of the agents and users of public services and the behavior of corruption. The results of this research will allow authorities at various levels to better understand the behavior of corruption of the agents and users of public service and it will also be of use in the drafting of measures that aim at changing people’s behavior for an effective and productive fight against corruption.


Upravlenie ◽  
2019 ◽  
Vol 7 (1) ◽  
pp. 96-104
Author(s):  
Ekaterina Tettsoeva

The purpose of the article is to identify the general situations emerging in the practice of road carriers and importing companies that relate to increased risk of damage and destruction of the goods and also to delivery delays because of the mismatch between the transport packaging which is provided by foreign suppliers of construction materials and the goods itself. The article gives pride of place to the recommendations on minimizing of the risks that are connected with transport and consumer packaging of construction materials delivered in Russia from abroad by truck. It has been noted noted that in the face of declining of effective demand for commercial and residential real estate one of the most widespread ways to reduce the costs of construction and, as a result, real estate value is cutting procurement expenditures. The author draws attention to the fact that one of the reasons for occurrence of additional expenses at the stage of procurement of the goods for construction needs could be total or partial incompatibility between, on the one hand, packing and wrapping materials and, on the other hand, both the materials carried and vehicles that are planned to transport the cargo. The article considers the features of general nomenclature groups of imported from Europe construction materials, gives the detailed analysis of the characteristics of the transport and consumer packaging and also the wrapping used in the process of its transportation. The author suggests the algorithm of coordinated actions of suppliers, buyers, local carriers from countries of consignment and logistics operators, which could be applied for reducing of the quantity of the incidents during the logistics handling connected with packing.


2020 ◽  
Vol 20 (1) ◽  
pp. 293-303
Author(s):  
Rafał Adamus

SummaryThe study discusses new legislative anti – crisis solutions adopted in Poland in connection with the COVID – 19 pandemic. The Polish legislator decided to introduce the so-called simplified restructuring procedure. This happened in the face of the expectations of both the jurisprudence of law and practice. On the one hand, the simplified restructuring procedure (the fifth independent type of restructuring procedure for an entrepreneur in Poland) allows for a quick, cheap and simplified conclusion of an arrangement with creditors outside the court, then approved by the court. On the other hand, the opening of such proceedings gives the debtor protection against enforcement at the creditor‘s request and against bankruptcy at the creditor‘s request. This procedure can be a testing ground for the concept of informalisation and acceleration of restructuring procedures.


2019 ◽  
Vol 6 (1) ◽  
pp. 205395171985153 ◽  
Author(s):  
Patricia de Vries ◽  
Willem Schinkel

This paper discusses prominent examples of what we call “algorithmic anxiety” in artworks engaging with algorithms. In particular, we consider the ways in which artists such as Zach Blas, Adam Harvey and Sterling Crispin design artworks to consider and critique the algorithmic normativities that materialize in facial recognition technologies. Many of the artworks we consider center on the face, and use either camouflage technology or forms of masking to counter the surveillance effects of recognition technologies. Analyzing their works, we argue they on the one hand reiterate and reify a modernist conception of the self when they conjure and imagination of Big Brother surveillance. Yet on the other hand, their emphasis on masks and on camouflage also moves beyond such more conventional critiques of algorithmic normativities, and invites reflection on ways of relating to technology beyond the affirmation of the liberal, privacy-obsessed self. In this way, and in particular by foregrounding the relational modalities of the mask and of camouflage, we argue academic observers of algorithmic recognition technologies can find inspiration in artistic algorithmic imaginaries.


Author(s):  
Sandra Bott ◽  
Janick Marina Schaufelbuehl

This chapter illustrates how Switzerland aimed to redefine its neutrality in international relations in the first half of the 1970s. On the one hand, Switzerland maintained its traditional Cold War maxims of armed defense, neutrality, and solidarity. On the other hand, in the face of détente and the perception of a new global context, the Swiss Federal Council, inspired by the Federal Political Department, embarked on a more active foreign policy that aimed to rebrand Swiss neutrality by renewing “goodwill” and trust toward it. Although this reorientation was not entirely successful, it was driven by a profound distrust of previous alliance systems and the process of détente, which eventually led Switzerland to a more globally oriented and defensive posture in international relations.


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