Report on the collections of Natural History made in the Antarctic regions during the Voyage of the ‘Southern Cross.’ London: the Trustees of the British Museum. Pp. 344, pls. liii. 1902

1902 ◽  
Vol 10 (60) ◽  
pp. 517-519
1960 ◽  
Vol 92 (12) ◽  
pp. 891-897
Author(s):  
Eugene Munroe

The purposes of this paper are: (1) to validate a considerable number of lectotype selections made in the course of a revisional study of the Scopariinae, and (2) to give, for the convenience of students, a list of Meyrick holotypes and lectotypes in the collection of the British Museum (Natural History), which now contains the types of all but five of the large number of species described by Meyrick in this group. The Hawaiian species have been omitted as volume 8 of Zimmerman's Insects of Hawaii gives full particulars of the type material of Hawaiian Scopariinae, including Zimmerman's lectotype selections.


1989 ◽  
Vol 63 (6) ◽  
pp. 955-955
Author(s):  
William J. Zinsmeister

During the course of fieldwork by a joint Argentine-American expedition to Seymour Island (Elliot et al., 1975) during the austral summer of 1974-1975, a number of brachiopods were collected from the Late Eocene La Meseta Formation. A representative collection of these brachiopods was sent to E. F. Owen, Department of Palaeontology, British Museum (Natural History) for study. Owen (1980) published a revision of the brachiopods from Seymour and nearby Cockburn Islands. The study was based on material collected by W. N. Croft of the Faulkland Islands Dependencies Survey (now British Antarctic Survey) and the material which I sent.


1922 ◽  
Vol 59 (7) ◽  
pp. 309-310
Author(s):  
H. Neville Hutchinson

Plate XIV shows two photographs of a model I have recently made in order to show the outward aspect of Peloneustes philarchus, a pliosaur from the Oxford Clay. It is based on the complete mounted skeleton now in the British Museum (Natural History), Cromwell Road, a part of the well-known Leeds collection. This skeleton has a length of 10 ft. 6 in., and my model is 23 in. long, so the scale is roughly about 1:5. No other museum possesses a mounted skeleton of this genus, the nearest thing to which is the Trinacromerum, described as a Cretaceous plesiosaur by Dr. S. W. Williston in his work on Water Reptiles of the Past and Present, Chicago, 1915, where a restoration is shown on p. 89, fig. 42. The specimen is in the Museum of the University of Kansas. This same Leeds collection has given us two fine mounted skeletons of the genus Cryptoclidus, of the family Elasmosauridæ, and now we have also this fine mounted skeleton of Peloneustes, which belongs to the Pliosauridae. Hence it is now possible for geologists to see at a glance the chief characteristics of these two families, and my hope is that this model may be of some use to students of Palæontology. In making the model I have had the advantage of much valuable assistance from my friend, Mr. E. Godwin, an accomplished sculptor, without whose assistance I doubt if it could ever have been completed; for when I attempted to model the head I found a task that was beyond my power to accomplish properly, not having had any training in the art of sculpture.


2020 ◽  
Vol 47 (2) ◽  
pp. 236-253
Author(s):  
Wu Huiyi ◽  
Zheng Cheng

The Beitang Collection, heritage of a seventeenth- and eighteenth-century Jesuit library in Beijing now housed in the National Library of China, contains an incomplete copy of Pietro Andrea Mattioli’s commentary on an Italian edition of Pedanius Dioscorides's De materia medica (1568) bearing extensive annotations in Chinese. Two hundred odd plant and animal names in a northern Chinese patois were recorded alongside illustrations, creating a rare record of seventeenth-century Chinese folk knowledge and of Sino-Western interaction in the field of natural history. Based on close analysis of the annotations and other contemporary sources, we argue that the annotations were probably made in Beijing by one or more Chinese low-level literati and Jesuit missionaries during the first two decades of the seventeenth century. We also conclude that the annotations were most likely directed at a Chinese audience, to whom the Jesuits intended to illustrate European craftsmanship using Mattioli’s images. This document probably constitutes the earliest known evidence of Jesuits' attempts at transmitting the art of European natural history drawings to China.


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