Speeding Towards the Future through the Past: Landscape, Movement and National Identity

2014 ◽  
Vol 40 (1) ◽  
pp. 23-38 ◽  
Author(s):  
Arnar Árnason ◽  
Sigurjón Baldur Hafsteinsson ◽  
Tinna Grétarsdóttir ◽  
Kristinn Schram ◽  
Katla Kjartansdóttir
2020 ◽  
pp. 217-248
Author(s):  
Roma Bončkutė

SOURCES OF SIMONAS DAUKANTAS’S BUDĄ SENOWĘS-LËTUWIÛ KALNIENÛ ĨR ƵÁMAJTIÛ (1845) The article investigates Simonas Daukantas’s (1793–1864) BUDĄ Senowęs-Lëtuwiû Kalnienû ĩr Ƶámajtiû (The Character of the Lithuanian Highlanders and Samogitians of the Old Times, 1845; hereafter Bd) with regards to genre, origin of the title, and the dominant German sources of the work. It claims that Daukantas conceived Bd because he understood that the future of Lithuania is closely related to its past. A single, united version of Lithuanian history, accepted by the whole nation, was necessary for the development of Lithuanian national identity and collective feeling. The history, which up until then had not been published in Lithuanian, could have helped to create the contours of a new society by presenting the paradigmatic events of the past. The collective awareness of the difference between the present and the past (and future) should have given the Lithuanian community an incentive to move forward. Daukantas wrote Bd quickly, between 1842 and May 28, 1844, because he drew on his previous work ISTORYJE ƵEMAYTYSZKA (History of the Lithuanian Lowlands, ~1831–1834; IƵ). Based on the findings of previous researchers of Daukantas’s works, after studying the dominant sources of Bd and examining their nature, this article comes to the conclusion that the work has features of both cultural history and regional historiography. The graphically highlighted form of the word “BUDĄ” used in the work’s title should be considered the author’s code. Daukantas, influenced by the newest culturological research and comparative linguistics of the 18th–19th centuries, propagated that Lithuanians originate from India and, like many others, found evidence of this in the Lithuanian language and culture. He considered the Budini (Greek Βουδίνοι), who are associated with the followers of Buddha, to be Lithuanian ancestors. He found proof of this claim in the language and chose the word “būdas” (character), which evokes aforementioned associations, to express the idea of the work.


2012 ◽  
Vol 44 (2) ◽  
pp. 321-323 ◽  
Author(s):  
Sondra Hale

How can scholars of Sudan now write about the landmass still called “Sudan”? What do we mean when we use the word? How can the name, which denotes a whole, encompass the fragments that make up its official boundaries? For the last several years, events in Sudan have been changing more rapidly than we Sudanists can analyze them or than Sudanese themselves can process them. Now, in its truncated form, delineating national identity—always problematic in the past—becomes far more complex. Considering extant cultural flows of art, language, customs, and religion, the dividing lines are, at best, dubious. A number of events are transpiring at the moment of writing this brief essay that have changed and will continue to change the future of not just one country but now two. For example, nothing is resolved in Darfur (in western Sudan), with peace talks stalled, more violence being perpetrated by the northern central government and its proxies, guerilla groups proliferating and battling among themselves, and a probable link among some Darfur groups and South Sudan forces.


Author(s):  
Stefanie Van de Peer

In Palestine, it is hard to find resident women filmmakers as the Palestinian people are so dispersed in exile throughout the world, and finding the means to make films inside the Occupied Territories is extremely difficult. Mai Masri, a Palestinian resident in Lebanon, was the first woman to start to make films about Palestinians in refugee camps throughout the Middle East. She is one of the pioneers of Palestinian documentary and especially of the trend that has become dominant in Palestinian filmmaking: a focus on children’s experience of Palestine. Her films illustrate how the struggle for a national identity in Palestine is often mixed with the struggle for personal, physical freedom. Motherhood, wifehood and womanhood are politicised identities in Palestine. In her earliest films such as Children of Shatila (1998) and Frontiers of Dreams and Fears (2001), she offers up children’s perspectives to illustrate the politicisation of even the most unlikely participants in the struggle against oppression. A child’s perspective is portrayed as a struggle with the past and the future that is on-going, as the child represents the hope as well as the hopelessness of the Palestinian cause.


2021 ◽  
pp. 231-261
Author(s):  
Małgorzata Gumper

The uncomfortable situation of Poles in Lithuania is, among other things, the effect of Lithuanian historical education. Excerpts from the textbook on the history of Lithuania show diametrical differences in contemporary ideas about the past of both nations. Shared heroes are useful to overcome prejudices of the previous century (which affect the image of 1385-1795). One of them is Michał Kleofas Ogiński, Lithuanian nobleman, a political activist during the last years of the Polish-Lithuanian Commonwealth and two decades after its collapse. He has the rank of a great national hero in Lithuania and Belarus but is valued in Poland above all because of his piano compositions. The analysis of fragments of his work Memoirs about Poland and Poles helps us to regard a representative of the noble nation from a different perspective. It makes us aware of the cohesion of Polish and Lithuanian national identity at the turn of the 19th century, helps us to appreciate the heritage of the past and offers a chance to build positive relations between us. Rectifying a distorted vision of history is a prospect for a mature partnership now and in the future.


2019 ◽  
pp. 68-85
Author(s):  
Timm Sureau

Hope, understood as a “temporal reorientation of knowledge” (Miyazaki 2004, 5), enacts and changes the future as a precipitate of interaction (Crapanzano 2003, 6). During South Sudan’s independence, an epochalist hope was directed towards an end of the miseries associated with Sudanese rule and government officials of the new state tried to inscribe this hope into symbols. Their idea was to create a strong relation between those symbols of hope and a new national identity, in order to bridge the epochalist anticlimax that necessarily followed the initial moment of independence. Via the examination of two examples of hope from South Sudan, and through scrutiny of the symbols of the flag and the anthem, I describe that hope in the future of South Sudan as it existed in 2011, the symbols and the nation building attempts. I conclude by returning to Frantz Fanon’s warnings against European models and an analysis of how those who follow them fall in the old trap of nationalism, an identity construction that necessarily includes and excludes. In the case of South Sudan this collapsed the country back into an old nightmare of ethnic factionalism, long-standing forms of exploitation with new beneficiaries, and new, violent, forms and acts of exclusion.


2013 ◽  
pp. 144-152
Author(s):  
P. Yamchuk

In the Ukrainian reality of the twenty-first century. The search for the dominant spiritual and national identity is one of the leading places. The dialogue between Catholicism, which is represented by the spiritual phenomenon of the Vatican, and by Ukraine, one of the countries not only of the Greek Catholic, but also of the Orthodox tradition, with a distinct national-cultural specificity, is, in our opinion, the semiosphere where the answers to many challenges of the present and the future. But such answers are difficult to find if the sine era et studio does not analyze the key trends in the development of the Ukrainian Orthodox Church by examining it, without looking back at the stereotypes of the identification of Ukrainian spiritual thinking and being with the imperially secular tradition. The most suitable method for this task is the comparative methodology, which examines the basic ideological characteristics of the ideological world of Orthodox thinkers - from Ivan Vyshensky and to thinkers and spiritual prophets of the Second Cathedral of the UAOC.


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