This chapter examines the selective usage of history, relics and practice to
reconstruct specific versions of the past. The open-air Beamish Museum
in Durham, UK and the historical theme parks in Hangzhou and Kaifeng,
China are used as comparative case studies to unpack first, how ‘heritage’
is conceptualised in each context, and second, how particular versions
of the past are selected, (re)invented, disseminated and consumed for
contemporary purposes. Set within a theoretical framework of ‘living
heritage’ and an analytical framework of the overlapping themes of
authenticity, identity and national pride, tourism and education, the
chapter examines the different ways in which the appropriation of cultural
heritage takes place at each site. In doing so, we draw attention to the
disparate interpretations of conservation practice and the idea of ‘living
heritage’ in the UK and China and debate their continued relevance in
the contemporary heritage discourse.