Legibility and the Politics of Ethnic Classification of the Population in the National Census of Mauritius: A Statist Perspective

2021 ◽  
Vol 27 (2) ◽  
pp. 128-148
Author(s):  
Sheetal Sheena Sookrajowa
Inner Asia ◽  
2002 ◽  
Vol 4 (1) ◽  
pp. 149-165
Author(s):  
Shih-Chung Hsieh

AbstractYih-fu Ruey was one of the most important ethnologists in the history of anthropological development in China and Taiwan. Ruey's kind of ethnology can be divided into ethnic classification of China, ethnography of minority peoples, and ethnohistory of the non-Han group in the Southwest. Ruey had very limited ‘standard’ field records in contacting people's daily lives, but did have full experiences of travelling historical southwestern China through literature reading.


Author(s):  
Tian Lan ◽  
Jens Kandt ◽  
Paul Longley

Analysis of changing patterns of ethnic residential segregation is usually framed by the coarse categorisations of ethnicity used in censuses and other large-scale public sector surveys and by the infrequent time intervals at which such surveys are conducted. In this paper, we use names-based classification of Consumer Registers to investigate changing degrees of segregation in England and Wales over the period 1997–2016 at annual resolution. We find that names-based ethnic classification of the individuals that make up Consumer Registers provides reliable estimates of the residential patterning of different ethnic groups and the degree to which they are segregated. Building upon this finding, we explore more detailed segregation patterns and trends of finer groups at annual resolutions and discover some unexpected trends that have hitherto remained unrecorded by Census-based studies. We conclude that appropriately processed Consumer Registers hold considerable potential to contribute to various domains of urban geography and policy.


Author(s):  
Shelina Khalid Jilani ◽  
Hassan Ugail ◽  
Ali Maina Bukar ◽  
Andrew Logan

2002 ◽  
Vol 61 (4) ◽  
pp. 1163-1203 ◽  
Author(s):  
Charles Keyes

On a visit to a northern province in the 1950s, Hô Chí Minh, who had spent many years during the war with the French living with upland peoples in northern Vietnam, asked local authorities how many ethnic groups were found within the province. Professor Đang Nghiêm Van, the doyen of ethnologists in Vietnam, has written that President Ho received the following response:The “scientific” project of ethnic classification undertaken for political purposes in Vietnam beginning in 1958 was comparable directly (and not unrelated) to a similar project undertaken in China in the 1950s.


Author(s):  
James C. Harris

Although intellectual disability has been recognized since antiquity, interest in its classification did not develop until the nineteenth century, when it became apparent that intellectual disability is not one homogeneous category, as was previously thought, but has many causes. Moreover, it became apparent that intervention could be beneficial and that interventions might be tailored for specific disorders. Early authors prepared the way for modern efforts to differentiate specific conditions that differ in both etiology and pathology, yet all result in intellectual disability. Some attempts were misguided. J. Langdon Hayden Down, in his ethnic classification (1866; Jordan, 2000), sought to classify based on the physical appearance of the individuals he examined. His goal was to absolve parents of self-blame for the handicap by emphasizing a constitutional basis for their child’s disorder. He proposed an “ethnic classification,” suggesting that the various forms of intellectual disability represented regressions to stereotypical racial forms (e.g., mongoloid, Aztec). Although he later abandoned this unfortunate idea, he continues to be known for it. Still, he is credited with drawing scientific attention to the syndrome bearing his name (Jordan, 2000) and for suggesting that the best classification is one based on etiology. Subsequently, he anticipated current efforts at classification by describing three major groups: (1) congenital, which included microcephalic, macrocephalic, hydrocephalic, epileptic, and paralytic types; (2) developmental, with a vulnerability to mental breakdown with stress during a developmental crisis; and (3) accidental (caused by injury or illness). Later, William Weatherspoon Ireland (1877), in his textbook on intellectual disability, suggested 10 subdivisions. Among these are genetous (congential), microcephalic, epileptic, eclamptic, hydrocephalic, paralytic, traumatic, inflammatory, cretinism, and idiocy by social and physical deprivation. In 1880, tuberous sclerosis complex was identified by Désiré-Maglione Bourneville (1880), who established that intellectual disability might result from brain pathology. Subsequently, many other intellectual disability syndromes were recognized. Thus began a new era, with investigators searching for clearly defined disorders associated with intellectual disability; these were commonly named after their discoverers. It was an era when intellectual disability syndromes were beginning to be recognized, but medicine had little to offer therapeutically.


Heredity ◽  
1966 ◽  
Vol 21 (4) ◽  
pp. 695-697 ◽  
Author(s):  
J Langdon ◽  
H Down

Science ◽  
1974 ◽  
Vol 185 (4147) ◽  
pp. 283-283 ◽  
Author(s):  
T. E. Reed

2018 ◽  
Vol 30 (3) ◽  
pp. 92-104
Author(s):  
Barbara Illés

The objective of the current paper is defining of the notion of fine art of the Roma minority with an overview of its short history as for the largest population of ethnicity who more than six centuries living in Hungary. Apart from the definition of Roma Art, I am discussing the processes of change and the self-representation of the present, mainly from the aspect of the artist, the ethnic classification of Roma identity through self-confessions. I set up the Roma Art scene based on traditions, then the Modern Hungarian-Roma Fine Arts that emerged from it, and finally define the categories of Professional Fine Art in relation to each other and to their association with Hungarian Fine Art and European Gypsy Art and Universal Art. Apart from the interpretation of Roma Art, the study offers an opportunity for contemporary artists to get more accurate and detailed knowledge and to understand and evaluate their works more closely and sophisticated.


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