Tsitsi Dangarembga and the Zimbabwean Pain Body

2020 ◽  
Vol 32 (4) ◽  
pp. 445-447 ◽  
Author(s):  
Rosemary Chikafa-Chipiro
Keyword(s):  
2011 ◽  
Vol 39 (03) ◽  
pp. 232-233
Author(s):  
Arild Aambø
Keyword(s):  

Wasafiri ◽  
2007 ◽  
Vol 22 (2) ◽  
pp. 57-62 ◽  
Author(s):  
Caroline Rooney
Keyword(s):  

Author(s):  
Carolyn Martin Shaw

This chapter examines the functioning of the feminist NGO Associated Women of Zimbabwe (AWZ) to highlight varieties of feminism and the influence of a political and economic crisis on a feminist organization in Zimbabwe at the turn of the twenty-first century. After providing a brief history of AWZ, the chapter considers its experiences to demonstrate how women consciously organize to fight sexism in Zimbabwean society. It then explores AWZ's role in the political process as it advocated for women and promoted women's civil rights in the context of increasing political competition, electoral violence, and a declining economy. It also discusses cosmopolitan feminism in Zimbabwe and the relationship between AWZ and the state—especially in relation to the politics of inclusion, state-sponsored violence, and economic decline; explains how an organization that once stood against government lost its edge, even as government became more oppressive; and analyzes the fiction of Zimbabwean novelist Tsitsi Dangarembga. The chapter concludes by showing what happens to an NGO dependent on international donors when the money stream begins to dry up.


2021 ◽  
pp. 117-155

A focus on shame and the feminine, considering how female characters and shame are linked in order to address both explicitly female concerns as well as how those concerns can stand in for larger societal issues. The chapter revisits elements from Le vieux nègre et la médaille and Les Bouts de bois de Dieu but concentrates much more on Une si longue lettre by Mariama Bâ, A River Between by Ngugi wa Thiong’o, The Joys of Motherhood by Buchi Emecheta, Nervous Conditions by Tsitsi Dangarembga, short stories by Ama Ata Aidoo, and Half a Yellow Sun by Chimamanda Adichie.


2019 ◽  
Vol 7 (11) ◽  
pp. 13
Author(s):  
Sulagna Panda

Womanhood has been a complex concept as compared to woman. As human being we have been a part society, community where we have been stratified as per our roles. The hitch between female and male based upon their roles has been common and along with the external fights this internal fight of sexes has been a matter of everyday. Feminism as a movement has been originated long ago and simultaneously successful in rendering woman her position. When Tsitsi Dangarembga speaks of the condition of Zimbabwean women, she makes Tambu as the mouth-piece, who sees her mother and many other women who have been crushed under the burden of womanhood. The male members with their own ideas have shown their unwarranted biasness in the disguise of a husband, father and son. In Tambu's house, the family patriarch Babamukuru controls everything. His wife Magiuru though seldom resents his influence and power but goes through the internal anguish while his daughter Nyasha as a person is filled with contradictions who feels resentment as the only means. In Nervous Condition, these women are trapped because they are born as woman. Their sex determines their roles, behavior, what profession they should go for, which school they should opt and even whether they should be allowed to go to school. Tambu is allowed to go to school only after the death of her brother. In case of Nyasha, her father Babamukuru is a misogynist, who has a lot of contempt and prejudice for women. He is exposed to foreign culture as he has been to England but he still adheres to his own traditionalist ideas. Though his wife has a master degree, but he feels a woman is incomplete without her domestic chores, loyalty and obedience towards her husband. The condition is apprehensive where the women witness the reluctance of the society to see them in a new position. Those who are trapped like Tambu’s mother and Maiguru believe that their status is predetermined. But when it comes to the free-willed Nyasha, Tambu and Lucia they have different opinions. They choose their own paths to keep themselves away from the trap of womanhood. These assumptions of womanhood are more gender biased than being related to biology. So, these are less predestined and more designed.


Sign in / Sign up

Export Citation Format

Share Document