scholarly journals Arnold Schwarzenegger’s viral video politics

2021 ◽  
pp. 1-6
Author(s):  
Odin O’Sullivan
Keyword(s):  
2019 ◽  
Vol 49 (1) ◽  
pp. 135-150
Author(s):  
Diane Negra

In this article I consider how registers of weather media carry/convey cultural information, specifically how texts about extreme weather articulate with investment in a supposed post-recession restored normality marked by the Irish government's commitment to deregulated transnational capitalism. I maintain that, in a process of cross-cultural remediation, sensationalist codes of US weather media that discursively manage awareness of systemic climate problems are just starting to infiltrate the Irish broadcasting environment. In early December 2015 RTÉ’s Teresa Mannion covered a strong gale, Storm Desmond, amidst inclement conditions in Salthill, Co Galway. Modelling the kind of ‘body at risk’ coverage consummately performed by US Weather Channel personnel, Mannion could barely speak over the lashing rain and strong winds in a dramatic broadcast that quickly became a viral video. This article analyses the fascination with Mannion's piece and its memetic, and attends to the nature of the pleasure taken in her on-camera discomfiture and the breach of gendered territory committed by Mannion at a time when national popular culture in Ireland is under increased obligation to identify and explain climate change-related extreme weather.


2011 ◽  
Vol 55 (6) ◽  
pp. 733-748 ◽  
Author(s):  
Kristin English ◽  
Kaye D. Sweetser ◽  
Monica Ancu
Keyword(s):  

2020 ◽  
Vol 1529 ◽  
pp. 032014
Author(s):  
Nor’izah Ahmad ◽  
Nurul Naimah Rose ◽  
Aida Shakila Ishak ◽  
R. Pratiba Chettiar
Keyword(s):  

2011 ◽  
Vol 40 (2) ◽  
pp. 241-259 ◽  
Author(s):  
Tom Broxton ◽  
Yannet Interian ◽  
Jon Vaver ◽  
Mirjam Wattenhofer
Keyword(s):  

2016 ◽  
Vol 22 ◽  
Author(s):  
Amber Davisson

This essay looks at the viral video "Rebel Girl," released in 2015, which was produced by fans of Hillary Clinton. Following the trajectory of the video, one can see the potential for fan mashups to make arguments that subvert dominant narratives of public memory and, conversely, the way the way mainstream media moves to subsume outsider voices.


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