Social change and popular culture: seminal developments at the interface of race, sport and society

2009 ◽  
Vol 13 (1) ◽  
pp. 59-71 ◽  
Author(s):  
Harry Edwards
2008 ◽  
Vol 63 (2) ◽  
pp. 197-222 ◽  
Author(s):  
Katherine Mullin

Abstract This essay argues that the complex political resonances of Henry James's The Princess Casamassima (1886) can be further elucidated through closer critical attention to one of its more marginal characters, the shop-girl Millicent Henning. Ebullient, assertive, and, for many early reviewers, the novel's sole redeeming feature, Millicent supplies the novel with far more than local color. Instead, James seizes on a sexual persona already well established within literary naturalism and popular culture alike to explore a rival mode of insurrection to that more obviously offered elsewhere. While the modes of revolution contemplated by Hyacinth Robinson and his comrades in the Sun and Moon public house are revealed to be anachronistic and ineffectual, Millicent's canny manipulation of her sexuality supplies her with an alternative, effective, and unmistakably modern mode of transformation. The novel's portrait of ““revolutionary politics of a hole-and-corner sort”” is thus set against Millicent's brand of quotidian yet inexorable social change.


1975 ◽  
Vol 4 (5) ◽  
pp. 568
Author(s):  
Henry Etzkowitz ◽  
R. Serge Denisoff ◽  
Richard A. Peterson

Author(s):  
David McDonald

This chapter addresses the paradox that, despite its prevalence in national and global cultures, sport fails to receive due attention from historians interested in the problem of “modernity.” Yet, the history of sport’s rise to its current place in popular culture, combined with its boundedness as phenomenon, serves as a powerful lens on the intersecting processes that historians have identified as the hallmarks of this modernity—economic transformation, urbanization, the invention of “traditions,” and the construction of coexisting and disparate identities, not to mention broader vectors of social change encompassed in the parallel projects of domestic amelioration and the colonial “civilizing mission,” along with their nationalist and globalist or neoimperial successors. The chapter offers a broad overview in the career of sport as reflections of modernizing processes that have long interested historians while suggesting that sport’s history also complicates many of these historical perspectives.


2021 ◽  
Author(s):  
Kimia Rashidisisan

Introduction The historical canon of poetry is predominantly male. The historical domain of policy making and politics is predominantly male. In the digital age, however, where the means to share or publish one’s thoughts and views is available to almost anyone, the strict gatekeeping of literature and political discourse is no longer upheld. The phenomenon of instapoetry, poetry published to Instagram, is an example of a social media platform being used by women to bring poetry into popular culture, and, by that means, address political issues surrounding womanhood. By addressing issues of female oppression, sexual assault, and race through poetry, female instapoets wield political power by raising awareness about these issues and influencing and mobilizing their young and female demographic to instigate social change. Rupi Kaur, a famous Canadian-Indian instapoet with 4 million Instagram followers, is an exemplar of the intersection of poetry, social media, and politics. Kaur’s female-centred content reaches millions of people and speaks to healing by way of self-help. Through her words and illustrations, readers are encouraged to think about the politics of being a woman today.


Author(s):  
Robert G. Weiner

There are many types of villains in society and popular culture. There is the villain that is pure evil. There is the villain that is motivated by revenge. There is also at times the hero turned villain. However, one of the most interesting villains is the villain that is a catalyst for political or social change, a necessary evil. This type of villain has a certain brutal honesty of character. They recognize that through their actions, no matter the cost to morality or humanity, that society may become a better place. In many ways they could be a misguided hero. The best example of this is the Kingpin. He is the pinnacle of the villain who understands his role as an agent of change, a villain who believes the ends justify the means, which in a sense makes him good.


Author(s):  
Sarah Mcfarland Taylor

This chapter explores the way in which consumption itself has come to be seen as a center of meaning and value in the United States today, and looks at shopping malls as places that are potentially sacred centers for this activity. It suggests that to use the language of “religion” or the “sacred” to represent shopping and consumer culture is to assert a kind of “common sense” ideology about both the nature of religion and the nature of shopping. The fact that popular culture has become the primary site for “naturalizing” the conflation of religion, markets, and consumption, while also a key site for critiquing this convergence, speaks to the central role popular culture plays in the contested power and politics that both reinforce hegemony and call for social change.


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