This book examines the oeuvre of Theo Angelopoulos, whose films are deeply immersed in the historical experiences of his homeland, Greece, while the international appeal of his work can be attributed to his firm commitment to modernism as a formal response to the crises and failures of world history in the twentieth and twenty-first centuries. It considers some of the main themes in Angelopoulos' filmography, including the crisis of representation and the force of mediation; the question of representing history and how to come to terms with the past; the failures of the utopian aspirations of the twentieth century; issues of forced political or economic migration and exile; and the persistence of history in a supposedly post-historical present. This introduction discusses the lack of critical attention that Angelopoulos' cinema has received in the Anglophone scholarship and provides a historical overview of Angelopoulos' modernist cinema. It also summarises the individual chapters that follow.
