The New Politics of the Handmade: Craft, Art and Design

2021 ◽  
pp. 1-3
Author(s):  
Janis Jefferies
Keyword(s):  
Art And Design ◽  
New Politics

Visual culture

2021 ◽  
Author(s):  
India Lewis
Keyword(s):  
Visual Culture ◽  
Possible Worlds ◽  
Final Section ◽  
Art And Design ◽  
New Politics ◽  
The Past ◽  
Curatorial Practice ◽  
Contemporary Writing ◽  
Space Architecture ◽  
Inside Out

Abstract This chapter addresses books published in the field of visual culture in 2020, and is divided into three sections: 1. Curatorial Practice; 2. Thinking About Space; and 3. The New Craft. The books under review cover a range of subjects within their specialities but reflect general trends in contemporary writing and study in the field of visual culture. The first section looks at publications that examine curatorial practice (In the Meantime: Speculations on Art, Curation, and Exhibitions, by Jens Hoffman; Museums Inside Out: Artist Collaborations and New Exhibition Ecologies by Mark W. Rectanus); the second section examines books that describe theories of space (Architecture and Ekphrasis: Space, Time and the Embodied Description of the Past by Dana Arnold; Construction Site for Possible Worlds, edited by Amanda Beech and Robin Mackay); and the third and final section examines publications about craft and its ethics (The New Politics of the Handmade: Craft, Art and Design, edited by Anthea Black and Nicole Burisch).

Social innovation for modified consumption by means of the school subject Art and craft

2019 ◽  
Vol 2 (1) ◽  
Author(s):  
Anita NEUBERG
Keyword(s):  
General Education ◽  
Primary Schools ◽  
Social Innovation ◽  
School Subject ◽  
Art And Design ◽  
The Core ◽  
Causal Mechanisms ◽  
The Subject

In this paper I will take a look at how one can facilitate the change in consumption through social innovation, based on the subject of art and design in Norwegian general education. This paper will give a presentation of books, featured relevant articles and formal documents put into context to identify different causal mechanisms around our consumption. The discussion will be anchored around the resources and condition that must be provided to achieve and identify opportunities for action under the subject of Art and craft, a subject in Norwegian general education with designing at the core of the subject, ages 6–16. The question that this paper points toward is: "How can we, based on the subject of Art and craft in primary schools, facilitate the change in consumption through social innovation?”

Review: New Politics, New Union?

2009 ◽  
Vol 67 (First Serie (1) ◽  
pp. 110-112
Author(s):  
Michael Keating
Keyword(s):  
New Politics

National Institute of Art and Design named after Kamoliddin Behzod

2019 ◽  
Vol 5 (4) ◽  
pp. 104-108
Author(s):  
Dilzoda Alimkulova
Keyword(s):  
20Th Century ◽  
Art And Design ◽  
Avant Garde ◽  
History Of ◽  
20Th Century Art

The art of Uzbekistan of the first decade of 20th century (1920-30s) is worthily recognized as the brightest period in history of Uzbek national art. We may observe big interest among the artwork which was created during the years of Independence of Uzbekistan towards the art of 20th century and mainly it may be seen in form, style, idea and semantics. Despite the significant gap between the 20th century art tendencies and Independence period, there is very big influence of avant-garde style in works of such artists as Javlon Umarbekov, Akmal Ikramjanov, Alisher Mirzaev, Tokhir Karimov, Daima Rakhmanbekova and others.

Facts Between Pictographs and Photographs in Lester Beall's Rural Electrification Posters, 1937-1941

2015 ◽  
Vol 60 (1) ◽  
pp. 17-38
Author(s):  
Michael J. Golec
Keyword(s):  
Social Reality ◽  
Rural Electrification ◽  
Art And Design ◽  
Photographic Images ◽  
Governmental Agencies ◽  
Works Of Art ◽  
The Future ◽  
The U.S

In analysing Lester Beall's posters for the U.S. government between 1937-1941, Michael Golec demonstrates the twofold character of facts in art and design appearing even when they are applied to guarantee distinct messages. Commissioned by the governmental agencies to develop a series of posters to increase the electrification of rural farms, Beall introduces pictograms in his first series to represent electrification as “facts of the future.” Its simple forms facilitate the travelling of this facts without loss of their integrity. The same holds true for the use of photographic images for the second campaign of 1939. Following the revaluation of photography as a means for the documentation of social reality, as represented by the FSA photographers under the guidance of Roy Stryker, the medium served here as the authentication of facts. Golec holds, that Beall by reducing the complexity of the photographic images, to create a pictorial integrity of his posters, even despite of the use of a seemingly documentary medium, reinforces the ambivalent factual character of the pictures. So, paradoxically by heightening the communicative character of the design and hence stressing the idea of facts as integral realities outside of artworks, Beall's posters reveal the ambiguous character of pictorial facts creating their own specific qualities. Golec concludes, that facts in works of art and design have a twofold character resulting from their belonging to different spaces, which although meant to accomplish and address different facts, inevitably travel, overlap and bleed into each other. Thus oddly these facts refer or represent reality and simultaneously are a thing made (factum) that present and hold their own pictorial reality.

The 'Low-Tech' Elec Year: Viral Videos Shape A New Politics

2008 ◽  
Vol 19 (1) ◽  
pp. 16-17 ◽  
Author(s):  
Judy Bachrach
Keyword(s):  
New Politics
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