Artillery scout: the story of a forward observer with the U.S. Field Artillery in World War I

2018 ◽  
Vol 9 (3) ◽  
pp. 378-380
Author(s):  
Timothy Heck
Keyword(s):  
Author(s):  
Thomas I. Faith

This book documents the institutional history of the Chemical Warfare Service (CWS), the U.S. Army organization responsible for chemical warfare, from its origins in 1917 through Amos A. Fries's departure as CWS chief in 1929. It examines the U.S. chemical warfare program as it developed before the nation began sending soldiers to fight in France during World War I; the American Expeditionary Force's experiences with poison gas on the Western Front; the CWS's struggle to continue its chemical weapons program in a hostile political environment after the war; and CWS efforts to improve its public image as well as its reputation in the military in the first half of the 1920s. The book concludes with an assessment of the CWS's successes and failures in the second half of the 1920s. Through the story of the CWS, the book shows how the autonomy of the military-industrial complex can be limited when policymakers are confronted with pervasive, hostile public opinion.


1977 ◽  
Vol 41 (3) ◽  
pp. 125
Author(s):  
Thomas M. Camfield
Keyword(s):  

2009 ◽  
Vol 9 (3) ◽  
pp. 15-21
Author(s):  
adam greenhalgh

During the 1920s the image of dairy cows in a pastoral setting was a complex, ideologically-charged motif. The cow was one of American artist Yasuo Kuniyoshi's (1889––1953) signature iconographic emblems at this time. This article briefly assesses autobiographical, geographic, stylistic, and symbolic meanings the subject held for the artist before considering Cows in Pasture (1923, Corcoran Gallery of Art) alongside contemporaneous imagery and rhetoric employed by the U.S. dairy industry and the U.S. Department of Agriculture in the decade following World War I, when milk was being marketed as the perfect food for future generations of Americans. Considering Kuniyoshi's penchant for creating images that engage with dairy advertisements that incorporated idyllic images of America's rural past inflected with nationalist ideology and Christian religious iconography complicates prior interpretations of his images of cows.


2013 ◽  
pp. 82-107 ◽  
Author(s):  
Eric Bonds

Despite widespread beliefs that the United States has not used chemical weapons since the distant past of World War I, this study suggests a more complicated history by examining U.S. use of herbicides and incapacitating gases in the Vietnam War and its use of herbicides in the "War on Drugs." This article places such use of toxic violence within a context of U.S. hegemony, by which U.S. officials have used contested forms of violence to secure geopolitical goals, but have also been pressured to comply with humanitarian norms or-when there is a gap between norms and state policy-to do legitimating work in order to maintain domestic and international consent. Based on case study analysis of archival and secondary sources, this article identifies three main techniques U.S. officials use to legitimate contested forms of violence. These techniques are defensive categorization, humanitizing discourse, and surrogacy.


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