North Country Life in the Eighteenth Century: The North East, 1700-1750.Edward Hughes

1954 ◽  
Vol 60 (1) ◽  
pp. 102-102
Author(s):  
Sylvia L. Thrupp

1953 ◽  
Vol 6 (2) ◽  
pp. 208 ◽  
Author(s):  
H. J. Habakkuk ◽  
Edward Hughes




2004 ◽  
Vol 40 ◽  
pp. 266-277
Author(s):  
Andrew Holmes

Ulster Presbyterians in the eighteenth and nineteenth centuries formally dealt out retribution, repentance and reconciliation through church discipline administered by Kirk sessions and presbyteries. These institutional structures had given Presbyterians an organizational framework that enhanced their geographical concentration in the north-east of Ireland. Hitherto, historians of Presbyterianism in Ireland have taken the view, often based on evidence from the period before 1740, that discipline was effective, broad in its coverage, and hard yet fair in its judgements, claims made all the more remarkable as the north-east had the highest illegitimacy rates in Ireland during the period under consideration. It has been argued that though the system largely survived the eighteenth century, it collapsed at the turn of the nineteenth because of a loss of morale among Presbyterians after the failure of the 1798 rebellion in which many thousands of them had taken part.



2012 ◽  
Vol 31 (2) ◽  
pp. 219-238
Author(s):  
Mary Pryor

The lives and work of eighteenth-century Scottish artists John and Cosmo Alexander, father and son, were dedicated to the Jacobite cause. They were men of a culture that was distinct to their own region, that of the north-east of Scotland, which from the late fifteenth century had been centred on the university circles of Aberdeen. In microcosm, the experiences of those in these circles reflected the oscillating tests of faith and fealty of that era. Assumed to be Catholics, and from a family which numbered at least one priest among its number, between them the Alexanders survived the turbulent times of the eighteenth-century Jacobite Risings. Both were wanted men after the 1746 Battle of Culloden. Drawing on local evidence, this paper explores the religious, political and social landscape surrounding the works with an Aberdeen connection produced by both John and Cosmo Alexander. All can be seen to demonstrate that the enduring bonds of faith and fealty, which, perforce, may not always have been openly displayed, could be reinforced through the subtle deployment of the painted image.



2021 ◽  
pp. 122-162
Author(s):  
Crawford Gribben

This chapter explores the revival in 1859 of religious enthusiasm in the north-east counties of Ireland. The effect of the 1859 revival was that the communities of Irish protestants became both more denominationally diverse and more politically united. Protestants who have not been brought together by the economic compulsion of the penal laws were instead combined by the powerful effects of evangelical faith and by fears about the possibility of home rule. In the same period, Catholic religion was similarly transformed. While never promoting the emotionalism that characterized the revivalist piety of the evangelicals, the Catholic ‘devotional revolution’ drew upon several generations of changes in popular belief and behaviour to promote, in the aftermath of the potato famine, catechism, regular confession, and weekly mass attendance. The power of these religious communities became increasingly important at home. In the early nineteenth century, the complexities of the ancien régime were radically simplified, as the multiple identities of the eighteenth century gave way to the differentiation of Catholics and nationalists versus Protestants and unionists.





Author(s):  
Kelsey Jackson Williams

This chapter assesses the cultural impact of the works of scholarship discussed here. Were they read and, if so, by whom? Using subscription lists, it argues that not only were these texts widely received throughout and furth of Scotland but that their reception allows us to trace the culture of the north-east exporting its own traditions to Scotland at large in a crucial, but subsequently forgotten, moment of cultural and intellectual upheaval. This in turn is placed within the wider context of Early Enlightenment reading, within and beyond the nation. Finally, the conclusion reiterates the arguments of the book as a whole and looks towards the end of the eighteenth century and the fate of Early Enlightenment thought.



2010 ◽  
pp. 299-318
Author(s):  
Konrad Kazimierz Szamryk ◽  

This article is the first part of an analysis focusing on the vowel system of Krzysztof Kluk’s description of phonetic characteristics, based on his handwritten homilies. Kluk was a priest/scientist who lived in the eighteenth century in Ciechanowiec, a small town located on the border of Mazowsze and Podlasie. The author divides the vowel system into two groups, distinguishing features that are consistent with a nationwide standardized language of the second half of the eighteenth century, and other linguistic features that do not fit in the standard literature of the period. In the opinion of the author, the second features have a lot in common with the Polish language of the Eastern Borderlands (especially the north-east), and are layered with regional variations of Polish-language eighteenth-century literature.



Author(s):  
Walter Scott

‘It was early in a fine summer’s day, near the end of the eighteenth century, when a young man, of genteel appearance, having occasion to go towards the north-east of Scotland, provided himself with a ticket in one of those public carriages which travel between Edinburgh and the Queensferry...’ So begins Scott’s personal favourite among his novels, in characteristically wry and urbane style, as a mysterious young man calling himself ‘Lovel’ travels idly but fatefully toward the Scottish seaside town of Fairport. Here he is befriended by the antiquary Jonathan Oldbuck, who has taken refuge from his own personal disappointments in the obsessive study of miscellaneous history. Their slow unravelling of Lovel’s true identity will unearth and redeem the secrets and lies which have devastated the guilt-haunted Earl of Glenallan, and will reinstate the tottering fortunes of Sir Arthur Wardour and his daughter Isabella. First published in 1816 in the aftermath of Waterloo, The Antiquary deals with the problem of how to understand the past so as to enable the future. Set in the tense times of the wars with revolutionary France, it displays Scott’s matchless skill at painting the social panorama and in creating vivid characters, from the earthy beggar Edie Ochiltree to the loqacious and shrewdly humorous Antiquary himself. The text is based on Scott’s own final, authorized version, the ‘Magnum Opus’ edition of 1829.



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