The Protestant Calendar and the Vocabulary of Celebration in Early Modern England

1990 ◽  
Vol 29 (1) ◽  
pp. 31-52 ◽  
Author(s):  
David Cressy
Keyword(s):  
Political Culture ◽  
Early Modern ◽  
Old Testament ◽  
Early Modern England ◽  
Early Modern Europe ◽  
Current Time ◽  
Traditional Calendar ◽  
The Past ◽  
Gunpowder Plot ◽  
Stuart England

Under Elizabeth and the early Stuarts the English developed a relationship to time—current time within the cycle of the year and historical time with reference to the past—that set them apart from the rest of early modern Europe. All countries followed a calendar that was rooted in the rhythms of ancient Europe and that marked the passage of time by reference to the life of Christ and his saints. But only in England was this traditional calendar of Christian holidays augmented by special days honoring the Protestant monarch and the ordeals and deliverances of the national church. In addition to regulating the seasons of work and worship, the calendar in England served as a reminder of the nation's distinctiveness, of God's mercies, and of England's particular religious and dynastic good fortune. Other Protestant communities, most notably the Dutch, enjoyed a comparable myth of historical exceptionalism—a replay of the Old Testament—but no other nation employed the calendar as the English did to express and represent their identity. Early modern England, in this regard, had more in common with modern America, France, or Australia (with Independence Day, Bastille Day, Australia Day, etc.), than with the rest of post-Reformation Europe.This article deals with changes in calendar consciousness and annual festive routines in Elizabethan and Stuart England. It examines the rise of Protestant patriotism, and the shaping of a national political culture whose landmarks were royal anniversaries, the memory of Queen Elizabeth, and commemoration of the Gunpowder Plot. It opens a discussion on the vocabulary of celebration and the degree to which festivity was sponsored and orchestrated in the interest of national consolidation or partisan position. And it will show how calendrical observances that at first helped unite the crown and nation became contentious, politicized, and divisive.

European Historiography in English Political Culture

2016 ◽  
Author(s):  
Nicholas Popper
Keyword(s):  
Political Culture ◽  
Early Modern ◽  
Early Modern England ◽  
Historical Study ◽  
Early Modern Europe ◽  
New Methods ◽  
Empirical Information ◽  
Methods And Techniques ◽  
Interpretive Model ◽  
English Politics

Historical study flourished in early modern Europe, as scholars and counselors adapted venerable genres and modes of analysis and devised new methods and techniques. Their works intended to advance political ends by augmenting their readers’ strategic acumen, familiarizing them with recent events, or deciphering broad providential patterns at work. Early modern England witnessed the importation of every significant form of historical work produced in this period, and these methods came to occupy a central, if variegated, place in its political culture. Above all, the interpretive model of ‘politic history’ and the techniques of continental antiquarianism became powerful ways to intervene in English politics, and editions, translations, and adaptations were disseminated by those both endorsing and challenging royal policy. At the same time, other readers plumbed their histories for empirical information, hoping that their mastery of foreign lands would earn them advancement within the regime.

Brabantia: decoding the main characters of Utopia

Moreana ◽  
2012 ◽  
Vol 49 (Number 187- (1-2) ◽  
pp. 151-182
Author(s):  
Maarten M.K. Vermeir
Keyword(s):  
Political Culture ◽  
Early Modern ◽  
Political System ◽  
Desiderius Erasmus ◽  
Parliamentary Democracy ◽  
Early Modern Europe ◽  
Thomas More ◽  
Home Town ◽  
Christian Humanism ◽  
Political Thinker

In this study, we propose a new understanding, according to the principles of ‘humanistic interpretation’, of a fundamental layer of meaning in Utopia. In the work of Thomas More, major references can be found to the particular genesis and a crucial purpose of Utopia. Desiderius Erasmus arranged the acquaintance of Thomas More with Peter Giles, a key figure in the development of Erasmus as political thinker. More and Giles together in Antwerp (Giles’s home town), both jurists and humanists, would lay the foundation of Utopia. With this arranged contact, Erasmus handed over to More the knowledge of a particular political system - the earliest form of ‘parliamentary democracy’ in Early modern Europe - embedded in the political culture of the Duchy of Brabant and its constitution, named the ‘Joyous Entry’. We argue that Erasmus, through the indispensable politicalliterary skills of More in Utopia, intended to promote this political system as a new, political philosophy: applicable to all nations in the Respublica Christiana of Christian humanism. With reference to this genesis of Utopia in the text itself and its prefatory letters, we come to a clear recognition of Desiderius Erasmus in the figure of Raphael Hythlodaeus, the sailor who had discovered the ‘isle of Utopia’ and discoursed, as reported by More, about its ‘exemplary’ institutions.

scholarly journals Cultural History, Ritual and Performance: George L. Mosse in Context

2021 ◽  
pp. 002200942094003
Author(s):  
Peter Burke
Keyword(s):  
Political Culture ◽  
Early Modern ◽  
Cultural History ◽  
Performance Studies ◽  
Early Modern Europe ◽  
History Of ◽  
Nineteenth And Twentieth Centuries ◽  
Modern Europe ◽  
And Performance ◽  
Cultural Turn

George L. Mosse took a ‘cultural turn’ in the latter part of his career, but still early enough to make a pioneering contribution to the study of political culture and in particular what he called political ‘liturgy’, including marches, processions, and practices of commemoration. He adapted to the study of nationalism in the nineteenth and twentieth centuries the approach to the history of ritual developed by historians of medieval and early modern Europe, among them his friend Ernst Kantorowicz. More recently, the concept of ritual, whether religious or secular, has been criticized by some cultural historians on the grounds that it implies a fixed ‘script’ in situations that were actually marked by fluidity and improvisation. In this respect cultural historians have been part of a wider trend that includes sociologists and anthropologists as well as theatre scholars and has been institutionalized as Performance Studies. Some recent studies of contemporary nationalism in Tanzania, Venezuela and elsewhere have adopted this perspective, emphasizing that the same performance may have different meanings for different sections of the audience. It is only to be regretted that Mosse did not live long enough to respond to these studies and that their authors seem unaware of his work.

scholarly journals Alternative Pasts and Colonial Engagements in the North: The Materiality and Meanings of the Pajala ‘Runestone’ (Vinsavaara Stone), Northern Sweden

2018 ◽  
Vol 28 (4) ◽  
pp. 613-628
Author(s):  
Vesa-Pekka Herva ◽  
Janne Ikäheimo ◽  
Matti Enbuske ◽  
Jari Okkonen
Keyword(s):  
Early Modern ◽  
Early Modern Period ◽  
General Level ◽  
Northern Sweden ◽  
Early Modern Europe ◽  
The Past ◽  
The North ◽  
Modern Period ◽  
Cosmological Context ◽  
Ancient Times

The unknown and exotic North fascinated European minds in the early modern period. A land of natural and supernatural wonders, and of the indigenous Sámi people, the northern margins of Europe stirred up imagination and a plethora of cultural fantasies, which also affected early antiquarian research and the period understanding of the past. This article employs an alleged runestone discovered in northernmost Sweden in the seventeenth century to explore how ancient times and northern margins of the continent were understood in early modern Europe. We examine how the peculiar monument of the Vinsavaara stone was perceived and signified in relation to its materiality, landscape setting, and the cultural-cosmological context of the Renaissance–Baroque world. On a more general level, we use the Vinsavaara stone to assess the nature and character of early modern antiquarianism in relation to the period's nationalism, colonialism and classicism.

Reviews: The Logic of History: Putting Postmodernism in Perspective, on the Future of History: The Postmodernist Challenge and its Aftermath, Modernism and the Ideology of History: Literature, Politics, and the Past, Postmodernism in History: Fear or Freedom?, Quoting Shakespeare: Form and Culture in Early Modern Drama, Early Modern Civil Discourses, ‘A moving Rhetoricke’: Gender and Silence in Early Modern England, Society and Culture in Early Modern England, the English Radical Imagination: Culture, Religion and Revolution, 1630–1660, An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727, Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain, the French Revolution and the London Stage, 1789–1805, Nationalism, Imperialism and Identity in Late Victorian Culture, Modernism, Male Friendship and the First World War, Bloody Good: Chivalry, Sacrifice, and the Great War, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940McCullaghC. Behan, The Logic of History: Putting Postmodernism in Perspective , Routledge, 2004, pp. viii + 212, £18.99 pbBreisachE., On the Future of History: The Postmodernist Challenge and its Aftermath , University of Chicago Press, 2003, pp. vii + 236, $16.00 pb.WilliamsL. Blakeney, Modernism and the Ideology of History: Literature, Politics, and the Past , Cambridge University Press, 2002, pp. 265, £40.SouthgateBeverley, Postmodernism in History: Fear or Freedom? Routledge, 2003, pp. xi + 211, £55, £16.99 pb.BrusterDouglas, Quoting Shakespeare: Form and Culture in Early Modern Drama , University of Nebraska Press, 2001, pp. 288, £35.50.RichardsJennifer (ed.), Early Modern Civil Discourses , Palgrave Macmillan, 2003, pp. 206, $65.00.LuckyjChristina, ‘A moving Rhetoricke‘: Gender and Silence in Early Modern England , Manchester University Press, 2002, pp. viii + 198, £40.CressyDavid, Society and Culture in Early Modern England , Variorum Collected Studies Series, Ashgate, 2003, pp. xii + 344, £57.50.McDowellNicholas, The English Radical Imagination: Culture, Religion and Revolution, 1630–1660 , Clarendon Press, 2003, pp. x + 219, £45.BurnsWilliam E., An Age of Wonders: Prodigies, Politics and Providence in England, 1657–1727 , Manchester University Press, 2002, pp. 218, £45.BergMaxine and EgerElizabeth (eds), Luxury in the Eighteenth Century: Debates, Desires, and Delectable Goods , Palgrave Macmillan, 2003, pp. xii + 259, 41 plates, £55.SweetRosemary, Antiquaries: The Discovery of the Past in Eighteenth-Century Britain , Hambledon & London, 2004, pp. xxi + 473, £25.TaylorGeorge, The French Revolution and the London Stage, 1789–1805 , Cambridge University Press, 2002, pp. x + 263, £45.AttridgeSteve, Nationalism, Imperialism and Identity in Late Victorian Culture , Palgrave Macmillan, 2003, pp. 229, £45.ColeSarah, Modernism, Male Friendship and the First World War , Cambridge University Press, 2003, pp. 297, £40FrantzenAllen J., Bloody Good: Chivalry, Sacrifice, and the Great War , University of Chicago Press, 2004, pp. 335, £24.50.BoydKelly, Manliness and the Boy's Story Paper in Britain: A Cultural History, 1855–1940 , Palgrave Macmillan, 2003, pp. x + 273, £60.

2005 ◽  
Vol 14 (1) ◽  
pp. 81-100
Author(s):  
Christopher Parker ◽  
David Watson ◽  
Alan Armstrong ◽  
Ben Lowe ◽  
Carrie Hintz ◽  
...  
Keyword(s):  
Eighteenth Century ◽  
Early Modern ◽  
Cultural History ◽  
French Revolution ◽  
Early Modern England ◽  
Modern Drama ◽  
Victorian Culture ◽  
Cambridge University ◽  
The Past ◽  
The First World War

Playing the Past: Approaches to English Historical Drama, 1385–1600. By Benjamin Griffin. Woodbridge, Suffolk: D. S. Brewer, 2001; pp. xiii + 193. $70 cloth.

2004 ◽  
Vol 45 (2) ◽  
pp. 307-309
Author(s):  
Paulette Marty
Keyword(s):  
Early Modern ◽  
Early Modern England ◽  
History Plays ◽  
Historical Drama ◽  
The Past ◽  
Dramatic Structure ◽  
Political Implications ◽  
History Of ◽  
The Subject ◽  
History Play

Benjamin Griffin takes an innovative approach to studying the history-play genre in early modern England. Rather than comparing history plays to their chronicle sources or interrogating their political implications, Griffin studies their relationships with other early modern English dramas, contextualizing them for “those who wish . . . to understand the history play by way of the history of plays” (xiii). He seeks to identify the genre's distinct characteristics by selecting a relatively broad spectrum of plays and examining their dramatic structure, their historical content, and their audiences' relationship to the subject matter.

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