The Teaching of History at the Center of the Cold War: History Textbooks in East and West Germany

1961 ◽  
Vol 69 (4) ◽  
pp. 461-487
Author(s):  
Mark M. Krug
2020 ◽  
Vol 53 (2) ◽  
pp. 275-293
Author(s):  
Karen Hagemann ◽  
Konrad H. Jarausch ◽  
Tobias Hof

AbstractThe introduction discusses the state of the current research on the post-1945 history of East and West Germany, explains the agenda of the special issue and discusses its main topics. The focus is the politics of survival in the chaos of collapse and the controversial debates about the agenda of the reconstruction. In these discussions different visions competed, from the restoration of traditions to efforts of a post-fascist modernization. The introduction questions the postwar success narrative by discussing the “burdens” of the Nazi past, such as Nazi perpetrators, displaced people, expellees and refugees, including the returning German-Jewish survivors. It also engages with the problems of the Cold War division by exploring the “new beginnings”, which were debated in relation to the past of Nazi, Weimar, and Imperial Germany, among them: cultural diplomacy, welfare policy and eldercare, family policy and gender roles, and popular culture. The essay calls for more comparative and transnational research of the postwar era, especially in the areas of the integration into the Cold War blocs, the postwar shifting of borders and peoples, narratives of victimhood, and memory tropes about the war and postwar.


2018 ◽  
Vol 11 (1) ◽  
pp. 75-100
Author(s):  
Marlene Schrijnders

Twenty-five years ago, just as the Cold War ended with the fall of the Berlin Wall in 1989, the suitably-titled West German goth fanzine Glasnost announced that a festival called Wave-Gotik-Treffen was to be held in the East German city of Leipzig. Today, the Wave-Gotik-Treffen is the biggest such festival in the world. Initially, however, its significance lay in allowing East and West German goths to meet and dance together, revealing differences in their respective experiences and understanding of the dark subculture. This article will examine two inter-related questions. First, what was the relationship between ‘goth’, as a music and aesthetic, across the frontier of the cold war? Second, to what extent were the goth subcultures of East and West Germany informed by and understood in relation to the original goth subculture emergent within the UK? The article will feed into the debate on the politics of youth culture, but also on the ways by which subcultural meanings and identities are transmitted and redefined across national borders.


2020 ◽  
Vol 53 (2) ◽  
pp. 372-392
Author(s):  
Lorn Hillaker

AbstractIn the early years of the FRG and GDR, cultural diplomacy was largely defined by each country's need to establish a role for itself within its respective Cold War bloc. In the sphere of foreign policy, competition between East and West Germany to achieve recognition both from Western states and the so-called Third World was heightened by the FRG's Hallstein Doctrine (1955–1970). Cultural diplomacy offered a route outside traditional channels of diplomacy to convince foreign politicians to support or at least have favorable views of either German state. The cultural diplomatic media of this early period focused on each state's rebuilding and adherence to international treaties as well as on countering the legacy of the Second World War. As division continued into the 1950s, cultural diplomacy on each side of the iron curtain worked to cultivate an image of a peaceful, friendly state superior both to its Nazi predecessor and to its rival across the German-German border, setting the terms for an image-building contest that would continue throughout the Cold War.


Author(s):  
Katrin Schreiter

The histories of East and West Germany traditionally emphasize the Cold War rivalries between the communist and capitalist nations. Yet, even as the countries diverged in their political directions, they had to create new ways of working together economically. This book examines the material culture of increasing economic contacts in divided Germany from the 1940s until the 1990s. Trade events, such as fairs and product shows, became one of the few venues for sustained links and knowledge between the two countries after the building of the Berlin Wall. The book uses industrial design, epitomized by the furniture industry, to show how a network of politicians, entrepreneurs, and cultural brokers attempted to nationally re-inscribe their production cultures, define a postwar German identity, and regain economic stability and political influence in postwar Europe. What started as a competition for ideological superiority between East and West Germany quickly turned into a shared, politically legitimizing quest for an untainted post-fascist modernity. This work follows products from the drawing board into the homes of ordinary Germans to offer insights into how converging visions of German industrial modernity created shared expectations about economic progress and living standards. The book reveals how intra-German and European trade policies drove the creation of products and generated a certain convergence of East and West German taste by the 1980s.


1998 ◽  
Vol 138 (2) ◽  
pp. 376-376
Author(s):  
Schäfer ◽  
Krämer ◽  
Vieluf ◽  
Behrendt ◽  
Ring

2019 ◽  
Vol 50 (1) ◽  
pp. 1-6
Author(s):  
Katja Corcoran ◽  
Michael Häfner ◽  
Mathias Kauff ◽  
Stefan Stürmer

Abstract. In this article, we reflect on 50 years of the journal Social Psychology. We interviewed colleagues who have witnessed the history of the journal. Based on these interviews, we identified three crucial periods in Social Psychology’s history, that are (a) the early development and further professionalization of the journal, (b) the reunification of East and West Germany, and (c) the internationalization of the journal and its transformation from the Zeitschrift für Sozialpsychologie to Social Psychology. We end our reflection with a discussion of changes that occurred during these periods and their implication for the future of our field.


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