Making Bodies, Making History: Feminism and German Identity. Leslie AdelsonUnbearable Weight: Feminism, Western Culture, and the Body. Susan BordoBodies That Matter: On the Discursive Limits of "Sex.". Judith ButlerVolatile Bodies: Toward a Corporeal Feminism. Elizabeth Grosz

Signs ◽  
1996 ◽  
Vol 21 (3) ◽  
pp. 786-795 ◽  
Author(s):  
Jacquelyn Zita
2021 ◽  
Vol 5 (1) ◽  
pp. 11-26
Author(s):  
Ewan Clayton

Abstract Since Traube (1861-1907) paleography has been concerned primarily with methods for transcribing, dating and placing texts. This paper responds to two changes in perspective that have occurred within western culture over the last century: the arrival of a digital world which saw the transformation of computers from calculating devices into new tools for writing and reading and a cultural shift away from a Cartesian perspective that distinguishes between body and mind and privileges self aware rationality over felt experience. For the purposes of this paper the link between these trends is that both throw new emphasis on writing as an activity rather than a product. This paper looks at how insights from the digital, and body-based disciplines of document creation might then interact with the paleographical and each other. The influences all run both ways, the paleographical can effect the digital as much an understanding of the digital can bring new ways of seeing to the paleographical.


2002 ◽  
Vol 45 (4) ◽  
pp. 321-330
Author(s):  
Suhita Chopra Chatterjee

A meaningful discourse on death needs to take into account the various ways in which the body is “constructed” in different cultures. Biomedicine, which is rooted in western culture, places a great deal of importance on the body and this creates an anxiety over death. In contrast, the Indian science of medicine draws heavily from an ancient philosophical tradition in which metaphysical ideas about the soul have contributed to the relative insignificance of the body. Both disease and death have been understood in meta-body terms and there is a cultural embrace of death rather than its denial. The article concludes by suggesting the need to move away from sheer biological essentialism in understanding the human dimension of death in different cultures.


Horizons ◽  
2020 ◽  
Vol 47 (1) ◽  
pp. 24-45
Author(s):  
Krešimir Šimić

After the initial contextualization of the topic, by following Nancy's juxtaposition strategy, this article points to two senses of the body that, according to him, have defined the Western culture. The first one, logos (principle precedes the body and gives it meaning); the second, sarx (the meaning of the body comes from the body itself, so that the body comes out of itself, alienates itself, and deconstructs its own representative activities). Next, I give a more precise depiction of Nancy's deconstruction of the body through an analysis of Corpus because it is precisely with this work (in the chapter On the Soul, which is also the title of Aristotle's well-known treatise dealing first and foremost with the body, and in the chapter The Extension of the Soul) that Nancy most explicitly deconstructs hylomorphic somatology, which largely influenced the Christian theology of the body. Furthermore, I interpret Genesis 2:18–25 (in constant dialogue with Nancy) as a theological reaction on Nancy's deconstruction of the body. In other words, on the basis of biblical texts, the “mystery of the body” is depicted. Finally, the article ends with a comparison of Nancy's “inoperative community” (communauté désoeuvrée) and the Body of Christ (church).


1995 ◽  
Vol 24 (1) ◽  
pp. 42
Author(s):  
Mimi Nichter ◽  
Susan Bordo
Keyword(s):  

2010 ◽  
Vol 30 (44) ◽  
pp. 55
Author(s):  
Luiz Fernando Ferreira Sá

<p>Este artigo analisa o poema épico <em>O paraíso perdido </em>do escritor inglês John Milton, em suas relações de proximidade e distanciamento do que entendemos normalmente das idéias associadas aos jardins edênicos. Este artigo também passa em revista a alegoria do jardim na cultura ocidental até a Inglaterra do século XVII, relaciona o jardim de <em>O paraíso perdido </em>com as narrativas bíblicas e finaliza concluindo que, após “O jardim todo pesquisar”, nas palavras de Satã, não há jardim geo-gráfico, mas tão-somente o corpo que constrói um paraíso ditoso.</p> <p>This essay analyses John Milton’s <em>Paradise lost </em>with a view to establishing relations of proximity and distancing from what we ordinarily think of the ideas associated with edenic gardens. This essay also comments on the allegory of the garden in our Western culture up until 17th-century England, relates the garden depicted in the epic poem to biblical narratives, and ends by concluding, tentatively, that, after “This garden, and no corner leave unspied” (IV, 529), in Satan’s words, there is no geo-graphic garden, but only the body that makes up a Paradise within.</p>


PEDIATRICS ◽  
1982 ◽  
Vol 70 (4) ◽  
pp. 664-664
Author(s):  

The effects of the stethoscope on physicians were analogous to the effects of printing on Western culture. Print and the reproducible book had created a new private world for man. He could isolate himself with the book and ponder its messages. As the sociologist David Riesman comments: "As long as the spoken or sung word monopolized the symbolic environment, it is particularly impressive; but once books enter that environment it can never be quite the same again—books are, so to speak, the gunpowder of the mind. Books bring with them detachment and a critical attitude that is not possible in an oral tradition." Similarly, auscultation helped to create the objective physician, who could move away from involvement with the patient's experiences and sensations, to a more detached relation, less with the patient but more with the sounds from within the body. Undistracted by the motives and beliefs of the patient, the auscultator could make a diagnosis from sounds that he alone heard emanating from body organs, sounds that he believed to be objective, bias-free representations of the disease process.


2012 ◽  
Vol 16 (2) ◽  
pp. 134-143 ◽  
Author(s):  
Rachael A. Carmen ◽  
Amanda E. Guitar ◽  
Haley M. Dillon

Numerous studies have found that piercing and tattooing the body is an increasingly prevalent trend in modern popular culture; however, this is not only a modern practice. Evidence of various forms of body ornamentation has been found in human societies dating back thousands of years. Although prior research has focused on the potential relationships between various personality traits and the likelihood of piercing or tattooing the body, few have approached this topic from an evolutionary perspective. For instance, the general motivations for getting tattoos and piercings have tended to fall into the same three categories for hundreds of years: (a) a symbol of an important past event, love, or friendship, (b) group membership, and/or (c) a marker of individuality. We argue that these motivations are simply proximate behaviors for an ultimate evolutionary reason: the perpetuation of one's genes. In this article, we propose two new theories about the origins of body ornamentation. First, in our “human canvas” hypothesis, we propose a link between body ornamentation and the human species' historical use of symbolic thought. Second, in our “upping the ante” hypothesis, we suggest that the steady rise in popularity of tattooing and piercing in Western culture has come about due to larger population densities and advancements in healthcare, which has led individuals to seek new and unique displays of fitness (i.e., body ornamentation). We then conclude with proximate examples in popular culture to display the proposed ultimate evolutionary reasoning behind body ornamentation.


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