A New Electorate? Explaining the Party Preferences of Immigrant-Origin Voters at the 2017 Bundestag Election

Immigrants now constitute a sizeable and rapidly growing group among many Western countries' electorates, but analyses of their party preferences remain limited. Theoretically, immigrants' party preferences might be explained with both standard electoral theories and immigrant-specific approaches. In this article, we rigorously test both perspectives against each other using the most recent data from Germany. Applying the Michigan model, with its three central explanatory variables – party identification, issue orientations and candidate evaluations – to the party preferences of immigrant-origin and native voters, we find that this standard model can explain both groups well. In contrast, we find no direct effects of the most prominent immigrant-specific variables, and neither do these meaningfully moderate the Michigan variables. However, we find strong formative effects on the presence of political attitudes and beliefs: immigrants with a longer time spent in Germany, a stronger German identity and less experience of discrimination report significantly fewer item non-responses for the Michigan model's main explanatory variables.

Imaginer une Allemagne socialiste : le rôle du cinéma dans la construction de l’identité nationale est-allemande

"DEFA, the company responsible for film distribution and production in the Eastern part of Germany, was founded in 1946, three years before the GDR. This shows the central place of cinema in the GDR, which seeks to build a socialist German identity in the ruins of post-war and fascism while asserting itself against the neighboring FDR. The DEFA’s cinema first served the official socialist ideology by proposing historical productions depicting communist heroes fighting against fascism. Whether the film directors agree with this ideology or not, their films also illustrate the flaws that characterize East German identity until the fall of the wall in 1989."

The Politics of Rammstein’s Sound

Germany’s premier rock music export Rammstein has been controversial since its formation in 1994. This article analyzes Rammstein’s sonic signature from the perspective of the “art of record production.” It decodes the politics of Rammstein’s sound, which is inextricably linked to the exaggeration of German attributes and the associations attached to them. The findings suggest that although Rammstein productions emphasize some specific German stereotypes in their sound, their overall aesthetic is international. This carefully crafted fine line between exotic otherness and conformity to pop standards has made Rammstein successful on the global pop music market for more than two decades. The production aesthetic must be understood against the background of the band’s experience of German reunification. Rammstein were founded as a means for the band members to come to terms with their new “German” identity. Initially, the band dealt with the shock of reunification and the realities of Western capitalist societies. Later the band pursued two further goals: to improve the history of their country in foreign perception and to help the Germans make peace with their nation’s past. These goals are achieved by adopting strategies of industrial music for their course, such as provocation, ambiguity, contrast, recontextualization, and humor.

Intertextualities in Elfriede Jelinek’s Rein Gold: Ein Bühnenessay

Elfriede Jelinek’s postdramatic stage essay Rein Gold (2012) interweaves countless texts including Richard Wagner’s operas from the Ring cycle, Karl Marx’s The Capital, and Marx and Friedrich Engels’s The Communist Manifesto as well as contemporary writings and news articles. Scholarship has so far examined the play in comparison to Wagner’s Rheingold opera, which serves as the base for the dialogue between the father Wotan and daughter Brünnhilde. This article examines intertextualities with the story of the National Socialist Underground, an extremist right-wing group that committed hate-crime murders and bank robberies, and with the exploitative history of workers, particularly women, in capitalist systems. Jelinek compares the National Socialist Underground’s attempt to violently rid Germany of non-ethnic Germans with Siegfried’s mythical fight as dragon slayer in the Nibelungenlied that created a hero who has been cast as a German identity figure for an ethnonational narrative and fascist ideas in twenty-first-century Germany.

Symbol of Reconciliation and Far-Right Stronghold?

In the eastern German city of Dresden, populist and nativist far-right groups, such as the homegrown pegida and the AfD, enjoy particularly robust support among the population, even though Dresden is presented as a symbol of peace and reconciliation. Many residents base their personal and social identity on Dresden’s long-established narrative as an iconic baroque city that suffered an unparalleled loss and victimization in the 1945 Allied bombings, prior to its post-reunification revival. However, this narrative includes a blind spot about the Nazi context of the destruction, opening it up to various political appropriations from the gdr era to today. I suggest that the strength of the far right in Dresden is caused by a seamless linking of Dresden’s perception as a victim due to cultural losses and the far right’s fear of losing a unique German identity and homeland. As examples, I analyze discourse patterns of remembrance during the bombing anniversaries in 2015 and 2020.

Epilogue

The book closes with a short glimpse into the history of Jewish veterans after 1945, as the survivors of the camps returned to Germany, outlining ruptures and continuities in comparison with the pre-Nazi period. Jewish veterans imposed different narratives on their experiences under National Socialism. As the past receded into the distance, it became a concern for the survivors to engage with the past, which they variously looked back on with nostalgia, disillusionment, or bitter anger. Although National Socialism threatened to erase everything that Jewish veterans of World War I had achieved and sacrificed, sought to destroy the identity they had constructed as soldiers in the service of the nation, as well as bonds with gentile Germans that had been forged under fire during the war, threatened to sever their connections to the status they had earned as soldiers of the Great War and defenders of the fatherland, their minds, their values and their character remained intact. Jewish veterans preserved their sense of German identity.