Women’s Fashions and Politics in Seventeenth-Century Spain: The Rise and Fall of theGuardainfante*

2015 ◽  
Vol 68 (1) ◽  
pp. 133-186 ◽  
Author(s):  
Amanda Wunder

AbstractWomen’s clothes were at the center of political debate in the Spain of Philip IV (r. 1621–65), and no garment inspired more controversy than the wide-hipped farthingale, or hoopskirt, known as theguardainfante. Considered scandalous with its reputation for hiding illicit pregnancies, theguardainfantewas banned in 1639. Nonetheless, theguardainfantebecame more popular than ever and turned into an enduring icon of Golden Age Spain during the reign of Philip’s second queen, Mariana of Austria (1649–65). Despite theguardainfante’s high level of visibility, most notably in court portraits by Diego Velázquez, very little is known about the historical experiences of the women who wore it. This article demonstrates that real women really did wear theguardainfantein a variety of contexts outside of portraiture and the theater. In Madrid and in cities throughout the Spanish empire, women of different stations and convictions participated in the political culture of their times by making, disseminating, and debating this controversial garment.

2014 ◽  
Vol 87 (4) ◽  
pp. 666-708 ◽  
Author(s):  
L. H. Roper

The English takeover of the Dutch colony of New Netherland in 1664 illustrates the enduring centrality of colonial agendas in the political culture of the seventeenth-century English Empire but also provided an occasion by which the metropolitan government and its perspective ironically assumed greater weight in colonial-imperial relations.


2018 ◽  
Author(s):  
Henk Nierop

Romeyn de Hooghe was the most inventive and prolific etcher of the later Dutch Golden Age. The producer of wide-ranging book illustrations, newsprints, allegories, and satire, he is best known as the chief propaganda artist working for stadtholder and king William III. This study, the first book-length biography of de Hooghe, narrates how his reputation became badly tarnished when he was accused of pornography, fraud, larceny, and atheism. Traditionally regarded as a godless rogue, and more recently as an exponent of the Radical Enlightenment, de Hooghe emerges in this study as a successful entrepreneur, a social climber, and an Orangist spin doctor. A study in seventeenth-century political culture and patronage, focusing on spin and slander, this book explores how artists, politicians, and hacks employed literature and the visual arts in political discourse, and tried to capture their readership with satire, mockery, fun, and laughter.


Author(s):  
Mattia Gambilonghi

During the 1970s, the Italian Socialist Party (PSI) initiated a redefinition process of its political culture, deeply inspired by libertarian and anti-statist themes having its fulcrum in the idea of “self-management”. The paper aims not only to examine the ways in which the ideal of self-management is translated concretely into two fundamental areas of the political debate of the time, but also to understand the role played by the idea of self-management in the PSI’s evolution in a neoliberal sense.


Author(s):  
Kit Heyam

This chapter discusses the continuing political relevance of Edward II’s narrative during the late sixteenth and seventeenth century in England and France. As the first English King to have been deposed, and a paradigmatic example of the dangers of overmighty favourites, Edward was a compelling precedent for writers across the political spectrum. Analysis of the ways in which writers deployed his example provides a valuable case study for investigating how historical examples functioned in early modern political discourse, and reveals the hermeneutic agency of political writers in the process of ‘using’ history, when examples such as Edward’s deposition could be interpreted as supporting either side of a political debate.


2019 ◽  
pp. 1-14
Author(s):  
Edoardo Campanella ◽  
Marta Dassù

A brief overview of the main topics discussed throughout the book, with a focus on the emotional roots of today’s geopolitical disorder. More and more countries are becoming trapped in a past that no longer exists. Nostalgia offers relief from socio-economic angst and becomes an emotional weapon in the political debate used by jingoist leaders. Although nostalgic nationalism is a global phenomenon, it is Brexit that epitomizes it in its purest form. Only in the United Kingdom is it possible to identify the three moments of a periodizing nostalgic narrative: the “golden days”; the “great rupture”; and the “present discontent”. The golden age is represented by the imperial era. The rupture came not only with the slow demise of the British Empire, but also with the decision to join the European project in 1973. The present discontent is caused by the unwillingness of many Britons to come to terms with Britain’s transformation into an ordinary nation-state. The rest of the chapter discusses the structure of the book. The first section looks at how nostalgia is abused to build national myths capable of mobilizing a country toward a common goal. The second dismantles some of the reality distortion created by Brexiteers’ nostalgic rhetoric.


2019 ◽  
Author(s):  
Henk Nierop

Romeyn de Hooghe was the most inventive and prolific etcher of the later Dutch Golden Age. The producer of wide-ranging book illustrations, newsprints, allegories, and satire, he is best known as the chief propaganda artist working for stadtholder and king William III. This study, the first book-length biography of de Hooghe, narrates how his reputation became badly tarnished when he was accused of pornography, fraud, larceny, and atheism. Traditionally regarded as a godless rogue, and more recently as an exponent of the Radical Enlightenment, de Hooghe emerges in this study as a successful entrepreneur, a social climber, and an Orangist spin doctor. A study in seventeenth-century political culture and patronage, focusing on spin and slander, this book explores how artists, politicians, and hacks employed literature and the visual arts in political discourse, and tried to capture their readership with satire, mockery, fun, and laughter.


1997 ◽  
Vol 16 ◽  
pp. 63-85 ◽  
Author(s):  
Maurus Reinkowski

In this paper I will discuss the options of political identity the Lebanese have at their disposal against the background of the German experience. Germany and Lebanon, states at first glance completely different from each other, show some similarity in their historical experience. In the context of this comparison I will discuss constitutional patriotism, a political concept in circulation in Germany over the last fifteen years or so, and its potential application in the Lebanese case. Constitutional patriotism, unlike many other concepts originating in the West, has yet not entered the political vocabulary of the Middle East. The debate on democracy and the civil society is widespread in the whole of the Middle East, including Lebanon. Lebanon's political culture, polity and national identity, however, show some peculiar traits that might justify the introduction of the term constitutional patriotism into the Lebanese political debate.


2007 ◽  
Vol 11 (4-5) ◽  
pp. 285-302
Author(s):  
Yolanda Rodríguez Pérez

AbstractThe Dutch Revolt fundamentally changed the Spanish image of the Dutch. From ideal subjects, they became a pack of rebels and heretics who wished to liberate themselves from the so-called Spanish yoke. Of course, the Dutch and the Spanish viewed the Dutch Revolt very differently. What for the Dutch was a matter of resistance against an oppressive prince was in Spanish eyes an "extraordinary rebellion" against a merciful king, who like a protective pelican, treated his subjects as his own children. This essay studies the origins of and changes in the Spanish image of rebelliousness and heresy during the sixteenth and the beginning of the seventeenth century, but also Dutch perspectives. Spaniards were well aware of the arguments put forth by the Netherlanders to defend their revolt, as we will see by analyzing Pedro Cornejo's Antiapología, written in response to Orange's Apology (1581).


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