The use of popular culture as a stimulus to motivate secondary students' English learning in Hong Kong

ELT Journal ◽  
2001 ◽  
Vol 55 (1) ◽  
pp. 55-61 ◽  
Author(s):  
C-K Cheung
2019 ◽  
Vol 7 (1) ◽  
Author(s):  
Hoi Wing Chan

Learner autonomy can be referred as an individual’s ability and responsibility to take charge of his or her own learning, which is important to language learning. In Hong Kong, English is more like a foreign language. It is considered as the high variety and speaking the language in a non-required situation is always associated with a negative connotation of being arrogant. To most local people, it is a language learned in a classroom and is seldom used for communicative purposes. Meanwhile, Hong Kong classrooms are featured with teacher-centred, examination-oriented teaching, and passive learning. These factors make the taking up of chances of practising the language with Cantonese-speaking peers in outside of class situations and the development of learner autonomy very difficult. However, out-of-class learning is essential to language learning and learner autonomy. In this multiple-case study, the case participants were asked to reveal their approaches to overcoming challenges, engaging in collaborative English learning practices, and developing greater autonomy. In this paper, their ways to tackle the difficulties of participating in out-of-class English practices with peers and develop learner autonomy, will be discussed.


2010 ◽  
Vol 10 (1) ◽  
pp. 71-87
Author(s):  
Ruth Wong

This paper publishes the results of a study of Hong Kong Chinese upper secondary students (Form 4 and Form 6) regarding their motivation orientations for learning English. The study analysed male and females student groups using Gardner and Lambert's (1972) 'extrinsic and intrinsic motivation' theoretical framework in order to elicit the most revealing results from the data. Findings will have meaningful implications for pedagogy, helping educators identify strategies more appropriate to distinct Chinese-speaking second-language student groups.


2004 ◽  
Vol 21 (2) ◽  
pp. 143-161 ◽  
Author(s):  
Wai-Chung Ho

This article argues that changes of gendered attitudes towards IT among students may be related to recent educational reforms focusing on incorporating computers into the classroom. Data are drawn from an interview survey with 430 students attending 26 primary and secondary schools in Hong Kong. The results reveal no significant differences between females and males in three aspects: (1) their belief in the effectiveness of using technological facilities; (2) their confidence in handling technology when learning about music; and (3) their motivation towards learning about music with the help of information technology (IT). Primary boys and girls in this study reported obtaining a higher degree of motivation for learning about music with the help of IT than secondary students of both sexes. The potential implications of these findings for educational policy in Hong Kong are to find out how to motivate students' musical learning with the help of IT, and to make technology relevant to the content of the music programmes of primary and secondary schools.


2018 ◽  
Vol 43 (6) ◽  
pp. 824-841 ◽  
Author(s):  
Peter Kutnick ◽  
Rosanna Yuen-Yan Chan ◽  
Cecilia Ka Yuk Chan ◽  
David Good ◽  
Betty Pok-Yee Lee ◽  
...  

Author(s):  
Yiu-Wai Chu

Throughout the 1980s, superstars such as Leslie Cheung, Alan Tam, and Anita Mui surpassed their predecessors by developing Cantopop into a multi-media business that also straddled the borders of neighbouring regions. These superstars staged hundreds of concerts in the newly built Hong Kong Coliseum, with a seating capacity of more than 10,000; concerts thus became a highly profitable business. Cantopop successfully helped Hong Kong establish its leading role in the multi-billion dollar idol business of popular culture. Whilst Cantopop was orchestrating a spectacle of consumerism, it was not hopelessly standardised; although it was unabashedly commercial it was also vigorously hybridised. Not unlike Hong Kong, which assimilates different cultures, Cantopop’s renditions of Euro-American, Japanese, Mandarin, and even Korean songs made it a vibrant hybrid of different music cultures.


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