scholarly journals Rediscovery of the horseshoe shrimp Lightiella serendipita Jones, 1961 (Cephalocarida: Hutchinsoniellidae) in San Francisco Bay, California, USA, with a key to the worldwide species of Cephalocarida

2020 ◽  
Vol 40 (5) ◽  
pp. 600-606
Author(s):  
Crystal Garcia ◽  
Isa Woo ◽  
D Christopher Rogers ◽  
Alison M Flanagan ◽  
Susan E W De La Cruz

Abstract Lightiella serendipita Jones, 1961 was first discovered in San Francisco Bay, California in 1953, but it had not been observed since 1988. In 2017, a total of 13 adult L. serendipita specimens were found as part of a study in central San Francisco Bay, nearly doubling the total number of specimens ever collected. We measured vertical distribution of macroinvertebrates and environmental variables, including grain size and chemical composition of sediment samples, to evaluate potential features associated with the habitat of the species. Specimens were generally found in sediments with low organic matter (1.7–3%), high sulfate concentrations (594.6–647 ppm SO4), fine grain size (12.8–36.2% sand, 35.6–58% silt, 22.8–37.6% clay) and were mostly found in deep core sections (4–10 cm). Specimens were also consistently observed in cores containing tube-forming Polychaeta (i.e., Sabaco elongatus (Verrill, 1873) and Capitellidae), suggesting L. serendipita may have a commensal relationship with sedentary polychaetes, as do other cephalocaridans such as Lightiella incisaGooding, 1963. We provide a scanning electron micrograph of L. serendipita and the first complete key to the species in class Cephalocarida to help elucidate the taxonomy of this rare crustacean taxon. The perceived absence of L. serendipita in previous surveys of the Bay may be attributable to its rarity; however, additional research is needed to fully understand habitat requirements and population size of this unique endemic species.

Author(s):  
R. Sinclair ◽  
B.E. Jacobson

INTRODUCTIONThe prospect of performing chemical analysis of thin specimens at any desired level of resolution is particularly appealing to the materials scientist. Commercial TEM-based systems are now available which virtually provide this capability. The purpose of this contribution is to illustrate its application to problems which would have been intractable until recently, pointing out some current limitations.X-RAY ANALYSISIn an attempt to fabricate superconducting materials with high critical currents and temperature, thin Nb3Sn films have been prepared by electron beam vapor deposition [1]. Fine-grain size material is desirable which may be achieved by codeposition with small amounts of Al2O3 . Figure 1 shows the STEM microstructure, with large (∽ 200 Å dia) voids present at the grain boundaries. Higher quality TEM micrographs (e.g. fig. 2) reveal the presence of small voids within the grains which are absent in pure Nb3Sn prepared under identical conditions. The X-ray spectrum from large (∽ lμ dia) or small (∽100 Ǻ dia) areas within the grains indicates only small amounts of A1 (fig.3).


Author(s):  
Sheigla Murphy ◽  
Paloma Sales ◽  
Micheline Duterte ◽  
Camille Jacinto

2020 ◽  
Vol 14 (2) ◽  
pp. 44-66
Author(s):  
José Ramón Lizárraga ◽  
Arturo Cortez

Researchers and practitioners have much to learn from drag queens, specifically Latinx queens, as they leverage everyday queerness and brownness in ways that contribute to pedagogy locally and globally, individually and collectively. Drawing on previous work examining the digital queer gestures of drag queen educators (Lizárraga & Cortez, 2019), this essay explores how non-dominant people that exist and fluctuate in the in-between of boundaries of gender, race, sexuality, the physical, and the virtual provide pedagogical overtures for imagining and organizing for new possible futures that are equitable and just. Further animated by Donna Haraway’s (2006) influential feminist post-humanist work, we interrogate how Latinx drag queens as cyborgs use digital technologies to enhance their craft and engage in powerful pedagogical moves. This essay draws from robust analyses of the digital presence of and interviews with two Latinx drag queens in the San Francisco Bay Area, as well as the online presence of a Xicanx doggie drag queen named RuPawl. Our participants actively drew on their liminality to provoke and mobilize communities around socio-political issues. In this regard, we see them engaging in transformative public cyborg jotería pedagogies that are made visible and historicized in the digital and physical world.


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