Surpassing Certainty with Janet Mock: A Dialogue

MELUS ◽  
2020 ◽  
Vol 45 (1) ◽  
pp. 185-200
Author(s):  
Timothy S Lyle

Abstract Janet Mock—writer, activist, television host, director—has become a leading voice for transgender women of color in the twenty-first century. In 2014, Mock published Redefining Realness with Atria Books. Shortly thereafter, Mock became a New York Times best-selling writer and garnered the critical praise of folks such as bell hooks, Melissa Harris-Perry, Oprah Winfrey, and more. Hooks described Mock’s work as a guide to transformation, Harris-Perry situated her work in the deep tradition of life writing in African American literature, and Winfrey called her a “fearless new voice” who “changed my way of thinking.” In 2017, Mock published her second memoir, Surpassing Certainty, marking a rare moment in which a transgender woman-of-color writer released a second book with a major publisher. During our conversation at Babbalucci, a restaurant in her beloved Harlem neighborhood, Mock reflected on her first book in light of the writing of her sophomore release. She also shared insight about writing love and dating storylines for transgender women of color, an amplified focus in Surpassing Certainty, and she discussed the dynamics of disclosure in narrative and life. Further, she ruminated about what constitutes home for her and how to write about space and place. Such remarks importantly center her Hawaiian roots and her multi-ethnic identity. Finally, Mock offered her most recent thoughts on being a trans woman of color in the public sphere in a turbulent national climate—particularly for folks on the margins of the already-marginalized.

2021 ◽  
Author(s):  
Martin Franchi

Public Space is a photographic and video project examining the relationship between the public sphere and private corporations. The project explores various sites throughout Toronto and New York that are on private property but have been built with the intention of allowing the general public to have unrestricted access to these areas. These spaces are referred to as Privately Owned Public Space or “POPS”. The goal of the project is to question and document, through photographic and video practice, these spaces within the urban environment and to challenge others to consider whether these spaces are effective in achieving their intended use and if they are truly accessible to the general public. Loss of the public space is an ongoing issue that faces cities and developers often receive concessions to bylaw zoning requirements in exchange for incorporating POPS. This thesis project is a personal exploration of how these spaces are changing the urban environments of North American cities in the twenty first century.


Author(s):  
Timo Müller

This chapter traces the emergence of the sonnet in African American literature to the pervasive influence of genteel conventions. These conventions have widely been regarded as conservative or even stultifying, but they provided black poets with various opportunities for self-assertion in the public sphere. The sonnet was a favourite genre among the genteel establishment, and poets pushed the boundaries of black expression by appropriating the form to subvert racial stereotypes, develop a black poetic subjectivity, and participate in the debate over the memory of the Civil War. In tracing these developments, the chapter repositions the outstanding poets of the period, Paul Laurence Dunbar and James Weldon Johnson, alongside their less-known contemporaries, Samuel Beadle, William Stanley Braithwaite, Joseph Seamon Cotter Jr., T. Thomas Fortune, and Henrietta Cordelia Ray.


2012 ◽  
Vol 29 (2) ◽  
pp. 64-89
Author(s):  
Seyed Mohammad Marandi ◽  
Zeinab Ghasemi Tari

Several novels have appeared after the September 11 attacks which deal directly or indirectly with the effect of the event on individuals, both inside and outside the United States. Though, the novels often claim to deal with the posttraumatic aftermath of the incident, the writers regularly use Orientalist stereotyping, and it seems that after September 11 these attitudes toward Muslims and Arabs have hardened and even strengthened the old Orientalist discourse. This paper shall focus on Don Delillo’s Falling Man and John Updike’s Terrorist because both novels were New York Times bestsellers and both novelists are prominent figures in American literature. It attempts to examine the way in which the novelists have responded to the September 11, 2001 attacks and how Muslims and their ideologies are represented. The significant point is that though these novels have been written in the twenty-first century, where there has been an increase in contacts and information about Muslims, the writers often use the same cliches and stereotypes about Muslims that have existed since the Middle Ages.


2012 ◽  
Vol 29 (2) ◽  
pp. 64-89
Author(s):  
Seyed Mohammad Marandi ◽  
Zeinab Ghasemi Tari

Several novels have appeared after the September 11 attacks which deal directly or indirectly with the effect of the event on individuals, both inside and outside the United States. Though, the novels often claim to deal with the posttraumatic aftermath of the incident, the writers regularly use Orientalist stereotyping, and it seems that after September 11 these attitudes toward Muslims and Arabs have hardened and even strengthened the old Orientalist discourse. This paper shall focus on Don Delillo’s Falling Man and John Updike’s Terrorist because both novels were New York Times bestsellers and both novelists are prominent figures in American literature. It attempts to examine the way in which the novelists have responded to the September 11, 2001 attacks and how Muslims and their ideologies are represented. The significant point is that though these novels have been written in the twenty-first century, where there has been an increase in contacts and information about Muslims, the writers often use the same cliches and stereotypes about Muslims that have existed since the Middle Ages.


2011 ◽  
Vol 4 ◽  
pp. 88-105
Author(s):  
Jurgita Matačinskaitė

This paper considers the theory of the Internet becoming part of the “public sphere”. The first part of the paper looks at how the concept of the public sphere was used by different scholars and how they defined the theory of the “public sphere”. The second part of the paper analyses how the theory about the public sphere defined by different scholars works on the practical level.Keywords: internet, network society, newspaper, public sphere, New York Times, virtuality, website.


2021 ◽  
Author(s):  
Martin Franchi

Public Space is a photographic and video project examining the relationship between the public sphere and private corporations. The project explores various sites throughout Toronto and New York that are on private property but have been built with the intention of allowing the general public to have unrestricted access to these areas. These spaces are referred to as Privately Owned Public Space or “POPS”. The goal of the project is to question and document, through photographic and video practice, these spaces within the urban environment and to challenge others to consider whether these spaces are effective in achieving their intended use and if they are truly accessible to the general public. Loss of the public space is an ongoing issue that faces cities and developers often receive concessions to bylaw zoning requirements in exchange for incorporating POPS. This thesis project is a personal exploration of how these spaces are changing the urban environments of North American cities in the twenty first century.


Sleep Health ◽  
2021 ◽  
Vol 7 (2) ◽  
pp. 153-154
Author(s):  
Dustin T. Duncan ◽  
John A. Schneider ◽  
Asa Radix ◽  
Salem Harry-Hernandez ◽  
Denton Callander

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