Music Therapists’ Preparation for Song Discussion: Meaning-Making With the Music

2019 ◽  
Vol 37 (2) ◽  
pp. 205-212
Author(s):  
James Hiller

Abstract Songs are powerful catalysts and resources for change processes in music psychotherapy. Not surprisingly, music therapists often invite clients to listen to recordings of popular songs. A common song listening method is song discussion, in which a therapist selects a relevant song to explore with a client or group and facilitates the listening and subsequent verbal processing. In the relevant music therapy literature, lyrics assume a primary focus (i.e., lyric analysis), and yet, the music of a song, as integrated with its lyrics, impacts both client’s and therapist’s meaning-making and is therefore crucial to take into account. The purpose of the present investigative essay is to encourage music therapists to give attention to the music of recorded songs as they plan to facilitate song discussion. Herein I present a conceptualization of recorded popular songs and consider how one makes meaning from song listening processes. I urge therapists to prepare for song discussion through careful phenomenological listening and introspective interpretation. Finally, I describe procedures of a developing model for aural song analysis and interpretation based on Bruscia’s Improvisation Assessment Profiles (IAPs) with an abbreviated example viewed through multiple theoretical perspectives.

2005 ◽  
Vol 10 (1) ◽  
Author(s):  
H G Pretorius ◽  
N Goldstein ◽  
A D Stuart

With the primary focus of disease specific studies on the medical and biological transmission and progression of HIV/AIDS, the lived experience and meaning-making of individuals who live with this disease, is a literary scarcity. Opsomming Met die primêre fokus van siektespesifieke studies op die mediese en ook biologiese oordrag en progressie van MIV/VIGS, is daar ‘n literêre skaarste oor die geleefde ondervinding en betekenisgewing van individue wat met hierdie siekte leef. *Please note: This is a reduced version of the abstract. Please refer to PDF for full text.


Author(s):  
Joshua Hunter

This ethnographic account examines the perceptions of a group of outdoor educators or naturalists in a mid-western state park in regards to memory construction and how early memories impact their practice of interpretation. Findings show that early personal memories are not only fundamental to their eventual life as a naturalist but further; these memories motivate their work within the park. Of primary focus is highlighting the intersubjective continuity between the memories of naturalists and what they hope for others and the eventual goal of meaning making by way of affective memories. By describing and interpreting their perceptions of experience and memory we can examine how these processes are invested with significance and what role this plays in their subsequent practice. Since there is little ethnographic research concerning naturalists, this form of cultural analysis provides an important lens that permits an intimate account of naturalists’ own awareness as a way to understand their unique contributions as educators.


2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Newton Melo ◽  
Débora Dourado ◽  
Jackeline Andrade

Purpose This paper aims to present a model of how cognitive and behavioral crafting practices relate, reconciling the two dominant and conflicting job crafting theoretical perspectives. Design/methodology/approach Starting by examining the role of cognition and cognitive practices in job crafting, this paper reconstitutes the theorizing path that led to the exclusion of cognitive crafting from job crafting theory, explores existing theorizing efforts to (re)integrate cognitive crafting back into job crafting and proposes a new job crafting model (re)integrating behavioral and cognitive practices. Findings By conceiving cognitive crafting practices as a sensemaking layer that spans across and reciprocates with all behavioral crafting practices, the proposed model specifies the role of behavior and cognition (and the mutual relations between them) in job crafting, while resuming its meaning-making orientation. Originality/value This paper offers novel insights on underspecified aspects of the job crafting theory, improving its heuristic value. It clarifies how meaning is assembled and enacted by people in work environments, allowing for more integrated and comprehensive explanations about how people relate to work.


2019 ◽  
Vol 56 (4) ◽  
pp. 348-380 ◽  
Author(s):  
Katherine Myers-Coffman ◽  
Felicity A Baker ◽  
Brian P Daly ◽  
Robert Palisano ◽  
Joke Bradt

Abstract Music therapy research with youth who are grieving often reports on a combination of interventions, such as lyric analysis, improvisation, and/or songwriting. Unfortunately, the lack of theoretical transparency in how and why these interventions affect targeted outcomes limits interpretation and application of this important research. In this exploratory study, the authors evaluated the impact of an 8-session, theory-driven group songwriting program on protective factors in adolescent bereavement, and also sought to better understand adolescents' experiences of the program. Using a single-group, pretest-posttest convergent mixed methods design, participants were enrolled from three study sites and included 10 adolescents (five girls and five boys), ages 11–17 years, who self-identified as grieving a loss. Outcomes measured included grief, coping, emotional expression, self-esteem, and meaning making. Qualitative data were captured through in-session journaling and semi-structured interviews. There were no statistically significant improvements for grief, self-esteem, coping, and meaning making. Individual score trends suggested improvements in grief. The majority of the participants reported greater inhibition of emotional expression, and this was statistically significant. Thematic findings revealed that the program offered adolescents a sense of togetherness, a way to safely express grief-related emotions and experiences verbally and nonverbally, and opportunities for strengthening music and coping skills. These findings suggest that engaging in collaborative therapeutic songwriting with grieving peers may decrease levels of grief, enhance creative expression, and provide social support. More research is needed on measuring self-esteem, emotional expression, coping, and meaning making outcomes in ways that are meaningful to adolescents.


1997 ◽  
Vol 11 (2) ◽  
pp. 36-44 ◽  
Author(s):  
Gary Ansdell

In this article I review some of the latest books in what has been called the ‘New Musicology’. I also ask why music therapists and musicologists seem until now to have taken so little notice of each other's work, but suggest that this situation is changing. Developments in critical thinking about music represented by the ‘New Musicology’ may be of particular relevance to music therapists searching for theoretical perspectives on their work. But equally the theorists of the ‘New Musicology’ could learn much from music therapy – which can be seen in many ways as a ‘laboratory’ for new thinking about the nature of music and its place in society.


2018 ◽  
Vol 2 (1) ◽  
pp. 16-38
Author(s):  
Sandra Fylkesnes ◽  
Sølvi Mausethagen ◽  
Anne Birgitta Nilsen

Cultural diversity is assumed to be a central component of Western education and even though it has been extensively investigated in international research on teacher education, little knowledge exists about its usage and meaning making in teacher educator discourses. This article provides insights into the usage and meaning making of the term cultural diversity based on semi-structured individual interviews with a total of twelve teacher educators from two Norwegian teacher education institutions. Drawing on the theoretical perspectives of discourse theory and critical Whiteness studies, we find that the term cultural diversity is used in a double meaning making pattern: Cultural diversity is presented as desirable and positive by teacher educators, yet it is also aligned with the notion of otherness. We discuss some possible methodological tools with which teacher educators can detect meaning making patterns and thus counter the production and reproduction of socially unjust discursive patterns.   


2021 ◽  
pp. 002188632110195
Author(s):  
Bradley J. Hastings ◽  
Gavin M. Schwarz

Change processes, the activities that enable change, and change leadership, meaning how to lead change processes, both influence the success of change. However, a surprising omission from this knowledge is how do leaders choose between change processes? This article explores leaders’ choices between two orientations of change processes—illustrated by dialogic and diagnostic organizational development—in 79 cases of organizational change. It identifies that change is successful when leaders choose to oscillate between these two processes as change unfolds. Developing a model that explains this evolution, the article describes how the change leadership practice of concurrent inquiry interacts with the two representations of knowledge described by diagnostic and dialogic theories to inform a choice to oscillate. For scholars, this model further integrates the theoretical perspectives of dialogic and diagnostic theories. For practitioners, it provides a means to navigate between extant theories and, as such, ameliorate outcomes.


Author(s):  
Molly Catherine Driessen

Many researchers have focused on documenting the consequences of campus sexual assault (CSA), but there is a dearth of research on students' post-assault lived experiences. Specifically, there is a lack of scholarship exploring how student victim-survivors of CSA may view, understand, resist, or experience resilience as they navigate their post-assault life on campus. The purpose of this conceptual paper is to explore the question, "How is resilience described and defined in the literature of CSA?" To respond to this question, I explore other related but distinct concepts that appear in the literature around resilience, including posttraumatic growth, meaning-making, and recovery. Although the focus is on CSA literature, I also include scholarship broadly related to trauma, as well as related populations and topics, given the limited research specific to resilience and CSA. Finally, I briefly introduce two theoretical perspective that have informed and guided the conceptualization of this paper, including socio-ecological and intersectional feminist theoretical perspectives. This conceptual paper and discussion of resilience was a result of preparation for my doctoral dissertation study in social work that aimed to explore the phenomenon of resilience among undergraduate students who had experienced CSA, through a qualitative inquiry that used post-intentional phenomenological methods.


Author(s):  
Jane Edwards

Music therapy is an evidence-based profession. Music therapy research aims to provide information about outcomes that support music therapy practice including contributing to theoretical perspectives that can explain why changes occur during treatment. Music therapy research has been conducted in a range of health, education, and community contexts throughout the world. Initially many music therapy developments in the university sector occurred through the establishment of training programmes that were developed and delivered by music therapists with professional experience in leading services in education and health care. Now many music therapy training programmes are led by people with practice experience along with research qualifications, and some universities offer music therapy doctoral pathways. Music therapy research capacity has expanded through a notable increase in PhD graduates as well as an increase in funded research in music therapy. This chapter covers: (1) traditions, (2) trends, and (3) contexts for music therapy research.


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