Cross-Disciplinary Collaboration
This chapter reflects on the function of shared items, shared objectives (activity objects and epistemic objects), and shared agents in the book’s collaborations. Shared items included scores, notation, poetry, Mahler’s sketch fragment, Bartók’s letter to the Kolisch Quartet, and recordings. The pursuit of shared objectives (book chapters, interpretive insights) gave rise to “experimental systems” and the “problem spaces” of differing disciplinary approaches. Shared agents entailed both Leong’s identity as theorist-pianist (underlying joint performing and rehearsing experiences) and the multidisciplinary identity of several of her collaborators. Issues of representation and voice in scholar-performer collaborations are raised. Institutional and disciplinary factors affecting scholar-performer collaborations (particularly in the United Kingdom and in North America) are discussed.