Humanism and the Invention of Homophony

2020 ◽  
pp. 203-248
Author(s):  
Megan Kaes Long
Keyword(s):  
Sixteenth Century ◽  
Rote Learning ◽  
Text Setting ◽  
Broad View ◽  
Philosophical Movement ◽  
Vernacular Poetry ◽  
Listening Strategies

This chapter takes a broad view of sixteenth-century homophonic genres to argue that homophony is a potent solution for several aesthetic problems motivated by the demands of humanism. The frottola reflects the transformation of an improvised tradition into a literate one: composers designed flexible musical frameworks that accommodated varied courtly poems but that sacrificed musical trajectories for poetic ones. Midcentury musique mesurée arose from a philosophical movement rather than a musical one; its rhythmic experimentation interacts in elegant ways with its harmonic trajectories. The Lutheran cantional brings homophony to the sacred realm; the demands of rote learning and the character of borrowed melodies overrode the development of a metrically motivated text-setting schemes. Though these repertoires set texts in three languages and span one hundred years, they share an interest in vernacular poetry and text comprehensibility. And they encourage the same kinds of listening strategies manifested in the balletto repertoire.

Halves Requiring Completion

2020 ◽  
pp. 99-139
Author(s):  
Megan Kaes Long
Keyword(s):  
Sixteenth Century ◽  
Early Development ◽  
Crucial Role ◽  
Harmonic Component ◽  
Phrase Structure ◽  
Text Setting ◽  
Listening Strategies

Sixteenth-century theorists did not describe phrase structure; they were concerned instead with counterpoint. But phrase was an unavoidable consideration in the fast-paced, syllabic environment of vocal homophony. Schematic text-setting ensured that homophonic phrases were concise and discrete, segmenting the musical surface into short, symmetrical units demarcated by efficient cadences. Melodic construction changed in turn, as composers focused on getting from cadence to cadence. These early experiments with phrase design had a strong harmonic component: through the analysis of over one thousand phrases, this chapter demonstrates how repertoire-wide norms privilege dominant–tonic relationships at the phrase level. Composers supported these harmonic trajectories with new melodic strategies that emphasized transposition and transformation of goal-directed motives. Ultimately, phrase structure—especially the nascent musical period—encouraged dynamic listening strategies that played a crucial role in the early development of tonality.

Medieval Vietnam and Cambodia: A Comparative Comment

1984 ◽  
Vol 15 (2) ◽  
pp. 315-319 ◽  
Author(s):  
Alexander B. Woodside
Keyword(s):  
Sixteenth Century ◽  
Southeast Asia ◽  
Social Theory ◽  
Political Systems ◽  
Rote Learning ◽  
Social Categories ◽  
Economic Diversity ◽  
Good People ◽  
The Social ◽  
Craft Guilds

Messrs. Chandler, Ebihara, Haines, and Whitmore have written thoughtful and stimulating essays. But they have not been overwhelmingly concerned with exposing any great differences between medieval Vietnam and its nearest Theravada Buddhist neighbour, Cambodia. No doubt unintentionally, the two societies have been made to seem rather similar to each other. After all, Vietnamese literati, like the authors of Cambodia's normative poems, also consecrated what David Chandler has called “the propriety of hierarchies, rote-learning, and tradition”. Vietnamese social theory, like that of the chbap, stressed “the teacher-pupil relationship”. May Ebihara's argument that Cambodian social strata were permeable, and were characterized by “fluidity of membership” rather than resembling “rigidly structured Indian castes”, could also be applied to Vietnam, as could, obviously, her theme of Cambodia's oscillation between periods of centralized and decentralized political power. Even the social categories the two societies used have similarities: the Vietnamese equivalent of the Khmer term neak chea (“good people”, meaning relatively free men) was also “good people” (lương dân) and referred to citizens like farmers, with morally valuable occupations, as opposed to people like actors who were thought to be “mean”. One is left with the impression that the countries of sixteenth-century Southeast Asia embraced much less social and economic diversity than the countries of sixteenth-century Europe, with all their sharp contrasts between Venetian patricians and Antwerp merchants, Italian rice fanners and Dutch market gardeners, conservative English craft guilds and revolutionary Flemish ones. Can any faith still be placed in Harry Benda's old suggestion that the “constant” clashes between Vietnamese and Khmers be “analyzed in terms of a basic polarization between different…social and political systems?”

La compositione lacrimosa: Musical Style and Text Selection in North-Italian Lamentations Settings in the Second Half of the Sixteenth Century

1993 ◽  
Vol 118 (2) ◽  
pp. 167-202
Author(s):  
John Bettley
Keyword(s):  
Sixteenth Century ◽  
Direct Consequence ◽  
Musical Style ◽  
Text Setting ◽  
Comprehensive Collection ◽  
Text Selection

In the autumn of 1564, the abbot of the Benedictine monastery of S. Giorgio Maggiore in Venice recounted his experience on a recent journey from Rome to Venice of hearing the Lamentations sung during Holy Week in Perugia and Arezzo. It was a source of considerable annoyance to the abbot that, instead of the anticipated refined, devout and pious rendition appropriate to the liturgical occasion, the performance had been a confused uproar owing to the large number of participating singers and the extensive use of ornamentation, with the result that the mournful character of the Lamentations text had not been comprehensible. The direct consequence of the abbot's criticisms was the published compilation, by the anonymous monk to whom the observations had been made, of a comprehensive collection of polyphonic settings by the Benedictine monk Paolo Ferrarese of the constituents of the Holy Week liturgy. The editor stresses that the settings demonstrate the required qualities of piety, devotion, gentleness and smoothness, as well as clarity of text setting in which each verbal emphasis and nuance is realized.

Maxims of Foreign Policy

Itinerario ◽  
2000 ◽  
Vol 24 (2) ◽  
pp. 62-79
Author(s):  
W.J. Boot
Keyword(s):  
Foreign Policy ◽  
Sixteenth Century ◽  
Foreign Relations ◽  
East Asian ◽  
Modern Period ◽  
Cultural Sphere ◽  
Japanese Identity

In the pre-modern period, Japanese identity was articulated in contrast with China. It was, however, articulated in reference to criteria that were commonly accepted in the whole East-Asian cultural sphere; criteria, therefore, that were Chinese in origin.One of the fields in which Japan's conception of a Japanese identity was enacted was that of foreign relations, i.e. of Japan's relations with China, the various kingdoms in Korea, and from the second half of the sixteenth century onwards, with the Portuguese, Spaniards, Dutchmen, and the Kingdom of the Ryūkū.

Sleep Consolidates Generalized But Not Rote Learning of Synthetic Speech

2008 ◽  
Author(s):  
Kimberly M. Fenn ◽  
Daniel Margoliash ◽  
Howard C. Nusbaum
Keyword(s):  
Synthetic Speech ◽  
Rote Learning
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