Gabinetes fonográficos in Valencia, 1899–1901

2021 ◽  
pp. 107-123
Author(s):  
Eva Moreda Rodríguez

This chapter focuses on the gabinetes fonográficos active between 1899 and 1901 in Valencia—which can be rightly considered as the second main pole of the Spanish recording industry at the time. It discusses the rivalries that Valencia gabinetes maintained with their Madrid counterparts, and analyses how the compactness and connectedness of the city gave rise to a vibrant, yet ephemeral, recording culture. The chapter also discusses briefly the gabinetes located in cities other than Madrid, Valencia, and Barcelona, of which few traces have survived.

Author(s):  
Travis D. Stimeling

Nashville Cats: Record Production in Music City, 1945–1975 is the first history of record production during country music’s so-called Nashville Sound era. This period of country music history produced some of the genre’s most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer, and marked the establishment of a recording industry that has come to define Nashville in the national and international consciousness. Yet, despite country music’s overwhelming popularity during this period and the continued legacy of the studios that were built in Nashville during the 1950s and 1960s, little attention has been given to the ways in which recording engineers, session musicians, and record producers shaped the sounds of country music during the time. Drawing upon a rich array of previously unexplored primary sources, Nashville Cats: Record Production in Music City, 1945–1975 is the first book to take a global view of record production in Nashville during the three decades that the city’s musicians established the city as the leading center for the production and distribution of country music.


Author(s):  
Maud S. Mandel

This chapter discusses how migration and settlement in Marseille in the 1950s and early 1960s illustrates the impact of colonial legacies in shaping the contours of Muslim–Jewish relations in the metropole. While Paris remained the main pole of attraction for both, Marseille's close proximity to North Africa, its Mediterranean climate, and its expanding economy meant that the city attracted thousands of repatriates and immigrants in the 1950s and 1960s. Shared cultural frameworks and the common experiences of migration and displacement meant that Muslim and Jewish newcomers often had much in common, creating the basis for convivial exchange in the mixed immigrant neighborhoods where many initially settled. Such commonalities did not, however, ensure similar processes of incorporation into French urban life. Differing relationships to the French state and levels of communal development meant that incoming Jews often not only had more resources available to them than Muslims arriving in the same period but also benefited from a local administration sympathetic to their concerns.


2020 ◽  
pp. 25-62
Author(s):  
Travis D. Stimeling

Country music was recorded in Nashville as early as the 1920s, but it was not until the mid-1950s that the city became a significant center for the production of recorded country music. This chapter traces the development of Nashville’s recording studio infrastructure from ad hoc facilities used in the decade following the end of World War II to the mid-1970s, when the city was home to several state-of-the-art permanent recording facilities. This chapter not only explores the business of recording in Nashville, but also examines how new technologies that were deployed within the city’s recording studios changed the ways in which musicians created their work (Horning 2013). Finally, this chapter considers how trade publications, the mainstream press, and films promoted Nashville as both a state-of-the-art recording center and a relaxed, small-town alternative to urban recording industries in New York, Chicago, and Los Angeles.


2021 ◽  
pp. 87-106
Author(s):  
Eva Moreda Rodríguez

The chapter focuses on the gabinetes fonográficos active in Barcelona from 1898 onward. It aims to analyze why Barcelona’s early recording industry remained more precarious and less successful than that in Madrid, and advances two reasons: the failure of the Barcelona gabinetes to position themselves within local discourses around science, technology, modernity, and Catalan national identity; and their increasingly peripheral location in the developing urban space of Barcelona. The chapter then discusses how Barcelona eventually came to lead the Spanish recording industry after the advent of the gramophone, with a subsidiary of Gramophone and a new generation of record shops opening in the city.


1999 ◽  
Vol 27 (2) ◽  
pp. 202-203
Author(s):  
Robert Chatham

The Court of Appeals of New York held, in Council of the City of New York u. Giuliani, slip op. 02634, 1999 WL 179257 (N.Y. Mar. 30, 1999), that New York City may not privatize a public city hospital without state statutory authorization. The court found invalid a sublease of a municipal hospital operated by a public benefit corporation to a private, for-profit entity. The court reasoned that the controlling statute prescribed the operation of a municipal hospital as a government function that must be fulfilled by the public benefit corporation as long as it exists, and nothing short of legislative action could put an end to the corporation's existence.In 1969, the New York State legislature enacted the Health and Hospitals Corporation Act (HHCA), establishing the New York City Health and Hospitals Corporation (HHC) as an attempt to improve the New York City public health system. Thirty years later, on a renewed perception that the public health system was once again lacking, the city administration approved a sublease of Coney Island Hospital from HHC to PHS New York, Inc. (PHS), a private, for-profit entity.


ASHA Leader ◽  
2013 ◽  
Vol 18 (7) ◽  
pp. 46-48

This year's Annual Convention features some sweet new twists like ice cream and free wi-fi. But it also draws on a rich history as it returns to Chicago, the city where the association's seeds were planted way back in 1930. Read on through our special convention section for a full flavor of can't-miss events, helpful tips, and speakers who remind why you do what you do.


ASHA Leader ◽  
2017 ◽  
Vol 22 (7) ◽  
Author(s):  
Sean Sweeney
Keyword(s):  

2009 ◽  
Author(s):  
Ferdinand Gregorovius ◽  
Annie Hamilton

2009 ◽  
Author(s):  
Ferdinand Gregorovius ◽  
Annie Hamilton

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