Concluding Remarks

Author(s):  
Jan Westerhoff

This section summarizes three main conclusions about the Buddhist philosophical enterprise: 1. Assessing different parts of Buddhist literature according to the question whether this is ‘what the Buddha really taught’ is not very helpful. 2. Buddhist philosophy is intricately bound up with the performance of cognitive exercises or meditative techniques. 3. It is important to engage with the problems and concepts the Indian Buddhist texts are concerned with in a systematic manner.

2018 ◽  
Vol 35 (1-2) ◽  
pp. 293-300
Author(s):  
Peter Harvey

Reflections on Eviatar Shulman’s Rethinking the Buddha: Early Buddhist Philosophy as Meditative Perception


Author(s):  
Reiko Ohnuma

This book focuses on the imagery and roles of nonhuman animals in premodern South Asian Buddhist literature. Part I examines the animal realm of rebirth in Buddhist doctrine and cosmology and shows that early Buddhist literature depicts the animal rebirth as a most “unfortunate destiny” (Skt. durgati), won through negative karma and characterized by violence, fear, suffering, and a lack of wisdom, moral agency, or spiritual potential. It also shows that although animals are capable of being reborn in heaven, the means by which this occurs are passive in nature, highly dependent upon the physical presence of a buddha, and categorically inferior to the spiritual cultivation unique to human beings alone. In contrast, Part II looks at the thinking, speaking, and highly anthropomorphized animals that populate many previous-life stories of the Buddha (jātakas). Not only do these animals exhibit wisdom and moral agency, they also use their powers of speech to condemn humanity for its moral shortcomings and expose humanity’s rampant abuse and exploitation of the animal world. Part III examines the roles played by major animal characters within the life-story of the Buddha, arguing that certain animal characters can be seen as “doubles” of the Buddha, illuminating the Buddha’s character through comparison with an animal “other.” Throughout the book, the author shows that humanity’s relationship to the animal is forever characterized by a simultaneous kinship and otherness, identity and difference, attraction and repulsion—and that discourse surrounding animals is primarily aimed at illuminating the nature of the human.


MANUSYA ◽  
2008 ◽  
Vol 11 (3) ◽  
pp. 84-92
Author(s):  
Santi Pakdeekam

This article studies and analyzes the literary elements of the Sāstrā Lbaeng. The “Sāstrā Lbaeng” or “Lbaeng Story” is a genre of medieval Khmer literature, which was composed to provide pleasure and entertainment for its readers. The literary elements of the Sāstrā Lbaeng include nine elements: 1) The eulogies of the Sāstrā Lbaeng classified into three types based on the language used, namely, Pāli, Khmer and Pāli-Khmer eulogies; 2) The date of composition, written after the eulogy; 3) The poet’s critical remarks about his work giving information about the author’s name, identity and career; 4) The purpose of the Sāstrā Lbaeng as being mostly to maintain Buddhism; 5) The source in Buddhist literature which inspired the composition; 6) The opening and setting, which are influenced by the “Story of the present” of the Jātaka literature; 7) The content which reflects the influence of Buddhist concepts; 8) Prachum Jātaka or Samodhāna explains the identity of the characters during the life time of the Buddha; 9) Some of the Sāstrā Lbaeng includes the aspiration of the poet or the audience to attain Nirvana. More than one topic may be included in the postscript.


2008 ◽  
Vol 51 (2) ◽  
pp. 137-185
Author(s):  
Jonathan A. Silk

AbstractOf the myriad tales found in Indian Buddhist literature, the story of Dharmaruci is, from many points of view, among the more interesting, engaging as it does iconic themes of incest and patricide. A great deal may be said about this story, particularly in comparison with the tale of Mahādeva, the schismatic monk blamed by some for the initial rupture in the Buddhist monastic community roughly a century after the death of the Buddha. Any detailed study of this story, as of any such story, however, naturally requires the best possible textual sources. The present contribution, therefore, is dedicated in the first place to an effort to establish the textual basis for the Dharmaruci story in Indian sources in Sanskrit, as found in the Divyāvadāna collection, and upon that basis in Kemendra's Bodhisattvāvadānakalpalatā.


T oung Pao ◽  
2019 ◽  
Vol 105 (3-4) ◽  
pp. 357-400
Author(s):  
Kevin Buckelew

AbstractAccording to many recent scholars, by the Song dynasty Chan Buddhists had come to identify not primarily as meditation experts—following the literal meaning of chan—but rather as full-fledged buddhas. This article pursues a deeper understanding of how, exactly, Chan Buddhists claimed to be buddhas during the eighth through eleventh centuries, a critical period in the formation of Chan identity. It also addresses the relationship between Chan Buddhists’ claims to the personal status of buddhahood, their claims to membership in lineages extending back to the Buddha, and their appeals to doctrines of universal buddhahood. Closely examining Chan Buddhists’ claims to be buddhas helps explain the tradition’s rise to virtually unrivaled elite status in Song-era Buddhist monasticism, and illuminates the emergence of new genres of Chan Buddhist literature—such as “discourse records” (yulu)—that came to be treated with the respect previously reserved for canonical Buddhist scriptures.


1983 ◽  
Vol 103 (4) ◽  
pp. 812
Author(s):  
James P. McDermott ◽  
Lucien Stryk

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