Globalizing adolescence: Digital music cultures and music therapy

2019 ◽  
pp. 217-224
Author(s):  
Michael Viega
Keyword(s):  
Music Therapy ◽  
Lived Experience ◽  
Digital Technology ◽  
Youth Culture ◽  
First Century ◽  
Digital Music ◽  
Digital Production ◽  
Health Related ◽  
Person Experience

Since the beginning of the twenty-first century, digital technology has connected adolescents to a global youth culture that subverts and bypasses traditional means of consuming music. In health-related contexts, adolescents can use digital tools to sample, edit, layer, manipulate, and record their own soundscapes, which allows them to have agency over their own narratives and share them with others. Concurrently, therapists acquire empathy for the lived experience of an adolescent by understanding the use of, and attuning to, the digital production components of songs used and created in therapy. Using the author’s first-person experience with digital technology and adolescents in music therapy, this chapter investigates the evolving role of digital music and media for both adolescents and therapists, exploring the ways it can (re)connect youth to a global community and have their voices heard.

scholarly journals Tarling Music Digitalization and Transformation in Network Society Era

2019 ◽  
Author(s):  
Khaerudin Imawan ◽  
Tribuana Sari
Keyword(s):  
Digital Technology ◽  
Historical Materialism ◽  
Marketing Strategies ◽  
Network Society ◽  
Music Production ◽  
Digital Production ◽  
Technological Developments ◽  
Media Channels ◽  
Music Recordings

Since its birth in the 1930s tarling music recordings have undergone many changes, depending on technological developments. Starting from recording types of vinyl, cassette tapes to Compact Disk technology. In fact, along with digital technology the production of tarling music recordings can be done indie in the form of document files. The process of digitizing tarling music production is also inseparable from the weak regulation of copyright, so that the results of massive tarling music production can spread through cyberspace. This qualitative study uses the Historical Materialism paradigm by analyzing how Tarling’s music undergoes transformation, distribution and consumption. As a result, the tactic of digitalization has contributed greatly to the changing transformation of Tarling’s music. The phenomenon of network society also forces the role of the agents behind Tarling’s music to contest by using digital production and marketing strategies through Youtube accounts that are disseminated through social media channels. Digital technology has revived tarling music, which was originally a classic-music that is almost extinct, is now able to stand side by side and even collaborate with various other popular music.

scholarly journals Music Technology Tools – A Therapist-in-a-box?

2021 ◽  
Vol 21 (2) ◽  
Author(s):  
Kjetil Høyer Jonassen
Keyword(s):  
Public Health ◽  
Mental Health ◽  
Music Therapy ◽  
Network Theory ◽  
Digital Technology ◽  
Actor Network Theory ◽  
Music Technology ◽  
Digital Music ◽  
Health And Wellbeing ◽  
Case Vignettes

The purpose of this paper is to contribute to the discussion of technology in music therapy and public health, focusing on the human–computer interaction and the cocreation of mental health. Foundational theory explaining the possible therapeutic dynamics that can occur when engaged in digital technology is presented, along with two case vignettes that illustrate how adolescents interact with digital music technology to promote mental health and wellbeing. The discussion includes reflections concerning actor-network theory, agency, and affordance-theory, and it argues that the iPad should be considered a valuable co-agent in the agent-network functioning to promote adolescents’ mental health.

scholarly journals Exit Music: The Experience of Music Therapy within Medical Assistance in Dying

Healthcare ◽  
2020 ◽  
Vol 8 (3) ◽  
pp. 331
Author(s):  
SarahRose Black ◽  
Lee Bartel ◽  
Gary Rodin
Keyword(s):  
Music Therapy ◽  
Lived Experience ◽  
Medical Assistance ◽  
Music Therapists ◽  
Music Therapist ◽  
Hermeneutic Phenomenological ◽  
Medical Assistance In Dying ◽  
Canadian Music

Since the 2015 Canadian legalization of medical assistance in dying (MAiD), many Canadian music therapists have become involved in the care of those requesting this procedure. This qualitative study, the first of its kind, examines the experience of music therapy within MAiD, exploring lived experience from three perspectives: the patient, their primary caregiver, and the music therapist/researcher. Overall thematic findings of a hermeneutic phenomenological analysis of ten MAiD cases demonstrate therapeutically beneficial outcomes in terms of quality of life, symptom management, and life review. Further research is merited to continue an exploration of the role of music therapy in the context of assisted dying.

The Multi-faith Paradigm in Policy and Practice: Problems, Challenges, Directions

2012 ◽  
Vol 11 (4) ◽  
pp. 577-587 ◽  
Author(s):  
Adam Dinham
Keyword(s):  
Lived Experience ◽  
Government Policy ◽  
Lived Experiences ◽  
Religious Faith ◽  
First Century ◽  
Policy And Practice ◽  
Policy Document ◽  
Face To Face ◽  
Faith Based

A significant infrastructure of multi-faith engagement grew and consolidated throughout the first decade of the twenty-first century in England, called forth, at least in part, by government policy. This arose in response to three narratives of religious faith: a policy narrative which constructs faith groups as repositories of resources; a faith narrative which is concerned with the lived experiences of faith; and a partnership narrative which reflects the growing role of faith groups in the mixed economy of welfare (see Dinham and Lowndes, 2008). It is inflected, too, by a fourth narrative located in the bundle of ‘Prevent’ policies which sought to address the risks of religious radicalisation and extremism. This article examines multi-faith policy in England, and the issues driving it, and explores its relationship to the faith-based practices which are imagined by it. It asks the question whether the multi-faith paradigm, as crystallised in the policy document ‘Face to Face and Side by Side: A Framework for Partnership in Our Multi Faith Society’ (CLG, 2008), engages with a real and lived experience or remains a policy chimera and a parallel world.

New International Factors of Twenty First Century

2019 ◽  
Vol 3 (11) ◽  
pp. 106
Author(s):  
Saif Nasrat Tawfiq Al - Haramazi
Keyword(s):  
International Relations ◽  
International Organizations ◽  
Digital Technology ◽  
Ease Of Use ◽  
First Century ◽  
International Context ◽  
New Concepts ◽  
Important Input ◽  
Twenty First Century ◽  
International Interaction

There are many non-traditional additions to the influential works in the international or international context, which have expanded and become very large.  Some of them have not entered into this field of international relations. Hence the need to supplement, renew and add new concepts There digital (electronic) factor, has become the key to the hard and soft domination of international units, and an important input in international relations, especially the twenty-first century. We have been able to explore the reality of the international interaction based on (cooperation, competition, conflict). In conclusion, the global system will remain state-based and international organizations. At the same time, it will continue to be born and no states in its interactions with the ease of use of digital technology by individuals on the planet..

ADAPTATION OF LABOUR MIGRANTS FROM CENTRAL ASIA IN CONTEMPORARY RUSSIA: THE ROLE OF DIGITAL TECHNOLOGY

2019 ◽  
pp. 122-144
Author(s):  
Vadim E. Vasilev ◽  
◽  
Julia I. Eremenkova ◽  
Alina N. Ermokhina ◽  
Alexander A. Nikiforov ◽  
...  
Keyword(s):  
Central Asia ◽  
Digital Technology

Thrombopoietin Receptor Agonists in Children with Immune Thrombocytopenia: A New Therapeutic Era

2020 ◽  
Vol 20 ◽  
Author(s):  
Giuseppe Lassandro ◽  
Valentina Palladino ◽  
Giovanni Carlo Del Vecchioa ◽  
Viviana Valeria Palmieri ◽  
Paola Carmela Corallo ◽  
...  
Keyword(s):  
Immune Thrombocytopenia ◽  
Treatment Options ◽  
Thrombopoietin Receptor Agonists ◽  
Receptor Agonists ◽  
Thrombopoietin Receptor ◽  
Related Quality ◽  
Health Related

Background and Objective: Immune thrombocytopenia (ITP) is a common bleeding disorder in childhood. The management of ITP in children is controversial, requiring personalized assessment of patients and therapeutic choices. Thrombopoietin receptor agonists (TPO-RAs), eltrombopag and romiplostim, have been shown to be safety and effective for the treatment of pediatric ITP. The aim of our research is defining the role of thrombopoietin receptor agonists in the management of pediatric ITP. Method: This review focuses on the use of TPO-RAs in pediatric ITP, in randomized trials and in clinical routine, highlighting their key role in management of the disease. Results: Eltrombopag and romiplostim appear effective treatment options for children with ITP. Several clinical studies have assessed that the use of TPO-RAs increases platelet count, decreases bleeding symptoms and improves health-related quality of life. Moreover, TPO-RAs are well tolerated with minor side effects. Conclusion: Although TPO-RAs long term efficacy and safety still require further investigations, their use is gradually expanding in clinical practice of children with ITP.

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