The Optics of Virtue in Boyle, Cowley, and Behn
This chapter reads Aphra Behn’s farcical play, The Emperor of the Moon (1687), as a sustained and engaged critique of the figure of the experimentalist ‘virtuoso’ as he is presented in defences of the Royal Society circulating in Restoration London. It begins with a close reading of the language of virtue in a series of Royal Society apologetics before turning to Behn’s play in order to show how Behn exposes the ironies present in the virtuoso’s claim to transcend sensual pleasures in pursuit of intellectual ones when measured against the sexually charged language with which these same self-proclaimed virtuosos describe their own experimental practices. By bringing the conventional controlling father figure of Restoration comedy together with the figure of the virtuoso, Behn’s play reveals the extent to which the latter was dependent upon a gendered rhetoric of voyeurism and visual control. At the same time, she leverages the hypocrisy of the virtuoso’s claims to virtuous viewership in order to question other forms of patriarchal authority over women’s bodies and women’s desires. The chapter concludes with a reading of Behn’s poem ‘On a Juniper Tree’ (1684) as an imaginative work that presents a more ethical model of visual engagement with feminine and natural bodies.