Introduction

Author(s):  
Charlotte Jones

The Introduction sets synthetic realism in the context of late nineteenth- and early twentieth-century culture and aesthetics to show why literary realism needs to be grasped in metaphysical terms. Ranging across contemporary periodical culture and works of literature, philosophy, and science, it examines the ways in which realist theory and practice grapples with the recalcitrance of ‘reality’ as a shifting referential cipher. The Introduction also considers previous critical approaches and suggests that the effects of these encounters between realist aesthetics and philosophical discourse were more various, ambiguous, and complex than we might have thought. It concludes with brief overviews of the book’s five main chapters and elucidates the overarching arguments that are developed within them.

2020 ◽  
Vol 1 (1-2) ◽  
pp. 86-98
Author(s):  
Phil Chilton

Abstract Many analysts of the ‘terrorism’ phenomena locate the desire to cause terror as a key definitional concept: terrorists seek to cause terror. Such a conception risks obscuring the motivations for the act of terrorism, it is committed purely to terrorise. The idea that this type of political violence is an act of ‘propaganda by the deed’, however, is one commonly applied by the perpetrators themselves. The anarchist ‘terrorists’ of the late nineteenth and early twentieth century and contemporary ‘jihadists’ both understood their acts, at least in part, as propaganda by the deed. Beyond just the creation of terror propaganda by the deed can be used as an alternative conceptual vantage point to examine and understand the motivations that lie behind acts of terrorism and the material conditions that give rise to these acts.


2019 ◽  
Vol 49 (2) ◽  
pp. 290-303
Author(s):  
Richard Howard

Irish science fiction is a relatively unexplored area for Irish Studies, a situation partially rectified by the publication of Jack Fennell's Irish Science Fiction in 2014. This article aims to continue the conversation begun by Fennell's intervention by analysing the work of Belfast science fiction author Ian McDonald, in particular King of Morning, Queen of Day (1991), the first novel in what McDonald calls his Irish trilogy. The article explores how McDonald's text interrogates the intersection between science, politics, and religion, as well as the cultural movement that was informing a growing sense of a continuous Irish national identity. It draws from the discipline of Science Studies, in particular the work of Nicholas Whyte, who writes of the ways in which science and colonialism interacted in late nineteenth and early twentieth-century Ireland.


Author(s):  
Jonathan D. Teubner

The ‘Historiographical Interlude’ presents a brief overview of the cultural, social, and political changes that occur between Augustine’s death in 430 CE and Boethius’ earliest theological writings (c.501 CE). When Augustine, Boethius, and Benedict are treated together in one unified analysis, several historiographical challenges emerge. This Interlude addresses several of these challenges and argues that trends within late nineteenth- and early twentieth-century scholarship established some unfounded interpretive biases. In particular, this section will discuss the contributions of Adolf von Harnack and Henri Irénée Marrou, focusing on how they contributed, in diverse ways, to the neglect of sixth-century Italy as a significant geographical site in the development of the Augustinian tradition.


2018 ◽  
Vol 46 (2) ◽  
pp. 27-46 ◽  
Author(s):  
Matthew Himley

In Peru, development dreams have not infrequently been hitched to the expansion of mining and other extractive activities. While the Peruvian state pursued strategies to stimulate mining expansion during the late nineteenth and early twentieth centuries, the geography of capitalist mining that emerged mapped poorly onto the national development imaginaries of the country’s elites. State-led efforts to mobilize subsurface resources in the service of national-level development conflicted with the tendency for extractive economies to exhibit uneven and discontinuous spatialities. Attention to the long-run unevenness of extractive investment in global resource frontiers such as Peru promises to deepen understandings of both world environmental history and the contemporary politics of resource extractivism. En el Perú, los sueños de desarrollo han sido enganchados con frecuencia a la expansión de la minería y otras actividades extractivas. Mientras que el estado peruano siguió estrategias para estimular la expansión minera a fines del siglo XIX y principios del XX, la geografía de la minería capitalista que surgió no se proyectó bien en los imaginarios de desarrollo nacional de las élites del país. Los esfuerzos dirigidos por el estado para movilizar los recursos del subsuelo al servicio del desarrollo a nivel nacional contradijeron la tendencia de las economías extractivas a mostrar espacialidades desparejas y discontinuas. La atención al carácter desparejo a largo plazo de la inversión extractiva en las fronteras de recursos globales, como Perú, promete profundizar el entendimiento tanto de la historia ambiental mundial como de la política contemporánea del extractivismo de recursos.


2021 ◽  
Vol 21 ◽  
pp. 826-832
Author(s):  
Kizhan Salar Abdulqadr ◽  
Roz Jamal Omer ◽  
Ranjdar Hama Sharif

This paper examines the short poems of Ezra Pound, a group of works that have long been the subject of academic discussion in the field of literary analysis. Although Ezra Pound is typically considered a Modernist poet, some clear elements of Victorianism can be discerned within his revolutionary forms of poetry. The paper will offer a historical and biographical background to Pound's work before moving on to an analysis and discussion of the poet's short poems. While previous studies of Ezra Pound's poetry have adopted various critical approaches, we believe that this is the first study that compares the influence of Modernism and Victorianism on the work of this important figure in English verse of the early twentieth century.


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