Between Utopia and History
Chapter I draws on Lucian’s Portraits to envision composite iconic figures that readers construct from other literary portraits. Ten “snapshots” provide raw material for such composite images of Pythagorean women. The snapshots are drawn from Pythagorean acousmata; Plato’s dialogues, and the writings of Aristoxenus, Dicaearchus, Neanthes, and Timaeus of Tauromenium. These extracts cited in the works of Imperial writers are shaped by several competing ideologies that cannot be reduced to a single originary account about historical Pythagorean women. Next to testimonies praising Pythagorean women’s aristocratic pedigrees and traditional virtues are found others asserting their achievements as philosophers. It is possible to arrange these literary portraits into different modern narratives, documenting either the exclusion of women from Greek philosophical history or their exclusion. But second-century CE testimonies reveal an ancient reading practice that favored a narrative of inclusion.