Production and Experience

2021 ◽  
pp. 228-262
Author(s):  
Ellen Swift ◽  
Jo Stoner ◽  
April Pudsey

The chapter assesses the tools used for spinning fibre that survive in the Petrie Museum collection and how these artefacts shaped the daily experiences of their users. It first discusses spinning whorls, with data on the materials, diameters, and weights of these artefacts. The chapter identifies a correlation between different decorative designs and different weights, which would have helped spinners to select the most appropriate tool. There is also discussion of the apotropaic functions of whorl decoration. The chapter goes on to discuss pendants in the shape of weaving combs, which appear to be a distinct artefact type from Roman and late antique Egypt. This leads onto discussion of the cultural and religious function of spinning, through its association with the Virgin Mary and her cult in Egypt. A newly identified finger distaff in the Petrie Museum is presented in terms of its social and functional value, with reference to examples found elsewhere in the empire. Analysis of wear on the object suggests that it was a functional tool, rather than symbolic possession. The chapter also assesses the daily reality of spinning compared to that represented by cultural traditions, the role of women in spinning, and the complicated relationship between professional and domestic labour.

Author(s):  
Judith Herrin

This chapter discusses the place of icons in worship, their character, and the way they came to symbolize the holy and mediate between earth and heaven. In particular, as icons became a vivid focus of devotion, they began to embody human relations with God the Creator and Ruler of the entire Christian world. It is argued that women played a notable part in this developing cult of icons. The chapter concentrates on some features of Late Antique Mediterranean culture, shared by Jews and Gentiles, pagan and Christian alike. These provided a common social experience within which the artistic evolution of the Christian church took place. In particular, the first part of this chapter is devoted to a discussion of funerary art, for this represents one of the most striking ways whereby Christians transmitted pagan rituals and artistic forms to their new faith. The second part examines some of the reasons for the preservation of these forms, once assimilated to a Christian mode, when they came under attack in the East. It asks how much that response informs us about the role of women in the cult of icons.


2020 ◽  
Vol 24 (2) ◽  
pp. 232-250
Author(s):  
Stephanie Dropuljic

This article examines the role of women in raising criminal actions of homicide before the central criminal court, in early modern Scotland. In doing so, it highlights the two main forms of standing women held; pursing an action for homicide alone and as part of a wider group of kin and family. The evidence presented therein challenges our current understanding of the role of women in the pursuit of crime and contributes to an under-researched area of Scots criminal legal history, gender and the law.


2019 ◽  
Vol 22 (2) ◽  
pp. 27-32
Author(s):  
Khurshida Tillahodjaeva ◽  

In this article we will talk about the scale of family and marriage relations in the early XX century in the Turkestan region, their regulation, legislation. Clearly reveals the role of women and men in the family, the definition of which is based on the material conditions of society, equality of rights and freedoms and its features.


2020 ◽  
Vol 2020 (11-1) ◽  
pp. 132-147
Author(s):  
Dmitry Rakovsky

The main purpose of this article is to study the role of the Russian Museum in the formation of the historical consciousness of Russian society. In this context, the author examines the history of the creation of the Russian Museum of Emperor Alexander III and its pre-revolutionary collections that became the basis of this famous museum collection (in particular, the composition of the museum’s expositions for 1898 and 1915). Within the framework of the methodology proposed by the author, the works of art presented in the museum’s halls were selected and distributed according to the historical eras that they reflect, and a comparative analysis of changes in the composition of the expositions was also carried out. This approach made it possible to identify the most frequently encountered historical heroes, to consider the representation of their images in the museum’s expositions, and also to provide a systemic reconstruction of historical representations broadcast in its halls.


Author(s):  
Marijana Vidas-Bubanja ◽  
◽  
Snežana Popovčić-Avrić ◽  
Iva Bubanja ◽  
◽  
...  

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