Fruitful collaborations: the Taylor White project in the Blacker Wood Natural History Collection

Author(s):  
Lauren Williams

As part of a themed print issue of Notes and Records dedicated to a research project surrounding the eighteenth-century Taylor White collection of animal paintings, this article provides context by describing the initial acquisition of the collection, and by situating it within the larger Blacker Wood Natural History Collection held at McGill University Library. Highlights of the Blacker Wood Collection are discussed, along with the collection's founder, Dr Casey Wood. The second part of the article provides a brief examination of the movement, in some academic administrative circles, towards the ‘de-professionalization’ of librarian work within academic libraries, and offers an outline of the specialized skills that librarians bring to the description, analysis and preservation of special collections. The Taylor White Project is then offered as an example of research collaborations between scholars and librarians; a description of the advantages of embedding a scholar within specific library collections to work with, rather than replace, a librarian is provided. The author suggests this strategy as one potential answer to the question of ‘de-professionalization’, to move away from divisive discussions towards a more symbiotic relationship between scholars and librarians.

Author(s):  
Victoria Dickenson

Taylor White (1701–1772) was by profession a barrister and judge, active in public life in London. His life as a jurist and as the long-serving treasurer of the Foundling Hospital is documented in the records of his public appointments and in his own official correspondence. This article reveals the other Taylor White, a Fellow of the Royal Society (1725), and an active participant in the practice of science in the mid eighteenth century. White accumulated a significant collection of specimens and drawings of plants, insects, birds and mammals. Over 900 of the zoological drawings are preserved in the Blacker Wood Natural History Collection at McGill University in Montreal. White's passions for natural history and collecting are revealed tangentially through the very few letters in his hand, the notes he made about his own collection, and infrequent references in the books and letters of his friends and fellow naturalists. This article seeks not only to document the sources of White's collection, but also to extract a narrative of acquisition, transport and exchange of specimens that reveals the informal networks of eighteenth-century naturalists, which included not only scientists but also sailors, merchants and curious lawyers. It also explores the work and motivations of the collector engaged in building a reference collection of animal portraits, painted in their true colours and ‘the size of life’. Close study of this collection positions Taylor White within the community of eighteenth-century naturalists and provides a deeply textured exploration of natural history and collecting in the age of Linnaeus.


Nuncius ◽  
2016 ◽  
Vol 31 (2) ◽  
pp. 439-483
Author(s):  
Elena Canadelli

The historical catalogs of the museum collections contain a wealth of information for historians seeking to reconstruct their contents, how they were displayed and the ways in which they were used. This paper will present the complete transcription of a draft catalog that was prepared in 1797 for the Museum of Natural History and Antiquities of the University of Padua. Conserved in the university’s Museum of Geology and Paleontology, the catalog was the first to be compiled of the museum, which was established in 1733 thanks to the donation by Antonio Vallisneri Jr. of his father Antonio Vallisneri Sr.’s collection of antiquities and natural history. The catalog was compiled by the custodian of the museum, the herbalist and amateur naturalist Bartolomeo Fabris. It is of great interest because it provides a record of the number and nature of the pieces conserved in the museum at a time when natural history and archeology collections were still undivided. It also provides indications as to how such collections were arranged for display in the public halls of a university at the end of the eighteenth century. Based on this catalog, with additional information drawn from other manuscript and published sources and museum catalogs from the 1830s conserved in various institutes at the University of Padua, it is possible to reconstruct the contents and layout of a significant late 18th-century natural history collection.


2003 ◽  
Vol 30 (1) ◽  
pp. 97-117 ◽  
Author(s):  
M. D. Eddy

In 1779 Revd Dr John Walker was appointed to be the University of Edinburgh's Professor of Natural History. Because of the institutional structure of the university, he took care to keep detailed class lists from 1782 to 1800. These are extant in the University of Edinburgh's Special Collections Department. As many of the students on the lists would go on to have a profound impact on the practice of nineteenth century natural history, I have compiled them into a table so that they can be used as a reference tool for those interested in the study of natural history in Edinburgh during the late eighteenth century. The table is arranged into columns that state the student's name, degree, year of attendance and geographic origin. To help the reader better understand the table, I have written a brief introductory essay that addresses Walker's organisation of the course and the types of students who attended the lectures. It also identifies the prominent role played by chemistry in Edinburgh's natural history community and discusses the foundation of the Student Natural History Society of Edinburgh.


Author(s):  
Emilienne Greenfield

Between the 1750s and 1770s Taylor White compiled over 750 manuscript notes to accompany his collection of animal portraits. These notes are written on individual unbound sheets of paper, and offer descriptions of the birds, mammals and fish that he commissioned to be painted. Examination of the structure and content of White's notes reveals that he chose and edited information from published sources while supplementing this with his own personal observations, that he wrote in both Latin and English, and that he obtained the help of an assistant to copy out many of his drafts in a more refined hand. This article discusses what White's purpose might have been in compiling these notes, what relationship they held to his collection of images, and how his note-taking practices aligned with the contemporary eighteenth-century culture of note-taking and information management in natural history.


2016 ◽  
Vol 43 (1) ◽  
pp. 57-75 ◽  
Author(s):  
John Edgington

During the first decades of the eighteenth century the wealthy Yorkshire naturalist Richard Richardson acquired a large library, particularly strong in natural history, medicine and antiquarianism. Virtually all the natural history component was dispersed before the library was catalogued, so its contents have been unknown. Richardson's unpublished correspondence with Sir Hans Sloane and William Sherard contains many references to his books and shows that they and other leading naturalists were the source of most of them, by donation and purchase. Of about 700 books in natural history that he possessed, 425 have been identified; an Appendix lists 300 of the more significant titles. Comparison is made with other natural history libraries, and the eventual fate of Richardson's is discussed.


Quaerendo ◽  
1985 ◽  
Vol 15 (2) ◽  
pp. 83-102 ◽  
Author(s):  
William Noblett

AbstractThis study attempts to show how the English entomologist, Dru Drury (1725-1804) exported his only published book, Illustrations of natural history, which appeared in three volumes between 1770 and 1782. Drury used three contacts on the European mainland: the Amsterdam bookseller, Jan Christian Sepp; the German botanist, Paul Dietrich Giseke and the Danish naturalist, Morten Thrane Brunnich. Drury's letters to these three men form the basis of the study. An examination of them reveal some of the problems encountered in the international book-trade in the eighteenth century (such as parcels going missing and the difficulties of payment) and show some of the formalities that had to be undertaken when exporting.


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