Getting Creativity Back into Schools: How Teachers Can Adopt a Creative Pedagogy

2021 ◽  
pp. 11-22
Author(s):  
Sophie Cole
Keyword(s):  
Creative Pedagogy

Identify This…

2009 ◽  
Vol 2 (2) ◽  
pp. 209-228 ◽  
Author(s):  
Leslie Rebecca Bloom ◽  
Amanda Reynolds ◽  
Rosemary Amore ◽  
Angela Beaman ◽  
Gatenipa Kate Chantem ◽  
...  
Keyword(s):  
Higher Education ◽  
Life History ◽  
Graduate Students ◽  
Women's Studies ◽  
Essential Elements ◽  
Women's Voices ◽  
Readers Theater ◽  
Creative Pedagogy ◽  
And Gender ◽  
Selection Of

Readers theater productions are meaningful expressions of creative pedagogy in higher education. This article presents the script of a readers theater called Identify This… A Readers Theater of Women's Voices, which was researched, written, and produced by undergraduate and graduate students in a women's studies class called Intersections of Race, Class, and Gender. Section one of the article reproduces the script of Identify This that was based on life history interviews with a diverse selection of women to illustrate intersectional identities. Section two briefly describes the essential elements of the process we used to create and perform Identify This.

Utilizing Creative Pedagogy

2011 ◽  
Vol 4 (4) ◽  
pp. 1-10
Author(s):  
Brent Muirhead ◽  
Keyword(s):  
Creative Pedagogy

Perspectives: Guilt, Missed Opportunities, and False Role Models: A Look at Perceptions and Use of the First Language in English Teaching in Japan

2015 ◽  
Vol 37 (1) ◽  
pp. 29 ◽  
Author(s):  
Samantha Hawkins
Keyword(s):  
Language Learning ◽  
Role Models ◽  
Target Language ◽  
Ministry Of Education ◽  
Missed Opportunities ◽  
Resource Teachers ◽  
Sports Science ◽  
English Classes ◽  
Creative Pedagogy ◽  
Necessary Evil

At the start of the 2013 academic year, Japan’s Ministry of Education, Culture, Sports, Science and Technology (MEXT) implemented the guideline set forth in their latest Courses of Study, dictating that English classes “should be conducted principally in English in high school” (MEXT, 2009, p. 8). The new Courses of Study, although not imposing a strict target-language-only rule, are still reflective of the past dogma that takes what Macaro (2001) calls a maximal position wherein the L1 is a necessary evil rather than a pedagogical resource. Teachers and institutions espousing such a view undermine language learning progress by engendering undue guilt for responsive and responsible teaching decisions, inhibiting creative pedagogy, and discouraging teachers from acting as positive and realistic bi/multilingual role models. 日本の文部科学省は、現行版学習要領に記載された「高等学校の英語教育授業を原則として英語で教えること」（文部科学省, 2009, p. 8）という方針を2013学年度に施行した。対象言語のみの使用を徹底するという厳格な規則にはなっていないものの、新学習要領は、Macaro（2001）がmaximal positionと呼ぶ「母語（L1）の使用は教育上の必要悪である」とする考えを反映している。このような見解を広める教師及び教育機関は、柔軟かつ責任ある教育的決断に対して過剰な罪悪感を生み、独創的な教授法を抑制し、教師が積極的で現実的に対応できるバイリンガル・多言語が使いこなせる模範者として活躍することを阻害し、それによって外国語教育の進歩を妨害する。

Music Composition for Creative Thinking

2013 ◽  
pp. 364-378
Author(s):  
Maria Maddalena Erman
Keyword(s):  
Global Education ◽  
Music Composition ◽  
Creative Thinking ◽  
Educational Experiences ◽  
Reading And Writing ◽  
Static Culture ◽  
Original Musical ◽  
Creative Pedagogy ◽  
New Thinking ◽  
Teaching Learning

Music composition may be used as a tool for the development of creative thinking; it can be considered an “exercise of imagination,” and it can offer new operative ways to develop interdisciplinary processes and to promote communicative, cognitive, cultural, aesthetic, and emotional functions. The author of this chapter introduces a report of educational experiences of music composition with pupils in Primary School where, through socio-constructivist learning, the students acquire new ways of reading and writing music and begin to elaborate a different score for new and original musical compositions, written, composed, and performed directly by children. This musical experience has the goal of using a “creative” teaching/learning process that contributes to the individual’s global education. This musical work on music composition is considered an appealing open project because of its formative nature and various applications: it develops a creative pedagogy which doesn’t transmit a static culture, but rather provides new thinking processes and new interaction modalities.

scholarly journals Implications for school nurses using simulator dolls to manage unplanned teen pregnancy

2019 ◽  
Vol 14 (4) ◽  
pp. 177-188
Author(s):  
Humaira Hussain ◽  
Julie Jomeen ◽  
Mark Hayter ◽  
Ritah Tweheyo
Keyword(s):  
Sexual Health ◽  
Teen Pregnancy ◽  
School Nurses ◽  
High Fidelity ◽  
Relationship Education ◽  
Parenting Skills ◽  
Sexual Health Education ◽  
School Students ◽  
Study Evaluation ◽  
Creative Pedagogy

Background: School nurses are key professionals in the promotion of sexual and reproductive health. Aim: The aim of this study is to explore teenagers' perceptions of their practical parenting skills and their attitudes toward experiential learning through the use of high fidelity baby simulators. Methods: Virtual baby simulator dolls were used as part of sex and relationship education with school students (aged 15–16 years) to look after over a weekend. Students were recruited from a UK academy and completed a diary of their experiences while parenting, received quantitative feedback simulator reports and completed a post-study evaluation questionnaire. Findings: Students saw the virtual baby project as beneficial and important in schools and perceived an improvement in their understanding of practical parenting skills, sexual health and contraception. Conclusion: The implications of this paper are toward involving school nurses more actively in sexual health education in schools via the use of high-fidelity simulators as creative pedagogy in PSHE.

Principles of Creative Pedagogy

2011 ◽  
pp. 161-167
Author(s):  
Guerino Mazzola ◽  
Joomi Park ◽  
Florian Thalmann
Keyword(s):  
Creative Pedagogy
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