Indigenous student labour and settler colonialism at Brandon Residential School

2020 ◽  
Vol 64 (3) ◽  
pp. 461-474
Author(s):  
Alexandra Giancarlo
2018 ◽  
Vol 4 (4) ◽  
Author(s):  
Anna Cook

The Canadian Truth and Reconciliation Commission (TRC) has been mandated to collect testimonies from survivors of the Indian Residential Schools system. The TRC demands survivors of the residential school system to share their personal narratives under the assumption that the sharing of narratives will inform the Canadian public of the residential school legacy and will motivate a transformation of settler identity. I contend, however, that the TRC provides a concrete example of how a politics of recognition fails to transform relationships between Native and settler Canadians not only because it enacts an internalization of colonial recognition, but because it fails to account for what I call “settler ignorance.” Work in epistemologies of ignorance and epistemic oppression gives language to explain sustained denial and provide tools to further understand how settler denial is sustained, and how it can be made visible, and so challenged. For this task, Mills’s articulation of white ignorance should be expanded to a consideration of white settler ignorance. Over and above an account of white ignorance, such an account will have to consider the underlying logics of settler colonialism. This characterization of settler ignorance will show that the denial of past and ongoing violence against Indigenous peoples, through the reconstruction of the past to assert the primacy of settlers, is not explainable in terms of a lack of recognition but is rather structural ignorance.


Author(s):  
Natalie Cross ◽  
Thomas Peace

Focusing on Huron College, Shingwauk Residential School, and Western University, this article considers how common social and financial networks were instrumental in each institution’s beginnings. Across the Atlantic, these schools facilitated the development of networks that brought together settlers, the British, and a handful of Indigenous individuals for the purposes of building a new society on Haudenosaunee and Anishinaabe Land. Looking specifically at the activities of Huron’s principal, Isaac Hellmuth, and Shingwauk’s principal, Rev. Edward F. Wilson, the article demonstrates how ideas about empire, Christian benevolence, and resettlement entwined themselves in the institutions these men created.  Specifically, Anglican fundraising in both Canada and England reinforced the importance of financial networks, but also drew upon and crafted an Indigenous presence within these processes. Analyzing the people, places, and ideologies that connected Huron, Western, and Shingwauk demonstrates how residential schools and post-secondary education were ideologically—and financially—part of a similar, if not common, project. As such, the article provides a starting point for considering how divergent colonial systems of schooling were intertwined to serve the developing settler-colonial project in late nineteenth-century Ontario.


Author(s):  
Bridget Cauthery ◽  
Shawn Newman

As part of efforts across Canada to address and reconcile the nation-state’s violent colonial histories, the Royal Winnipeg Ballet (RWB) premiered Mark Godden’s newest work, Going Home Star: Truth and Reconciliation, in 2014. The work narrates one element of settler colonialism in Canada: the Indian Residential School System. With no Indigenous dancers in the company, and few Indigenous people involved in the production overall, the project has received criticism as yet another non-Indigenous endeavor speaking for Indigenous peoples. In this chapter, we approach Going Home Star in ways that question the appropriateness of contemporary ballet as a medium for negotiating contemporaneous reconciliation between Indigenous and settler peoples in Canada and its checkered history of Indigenous representation.


Author(s):  
Jane Griffith

This article uses two short, mid-twentieth century documentaries produced by the National Film Board of Canada as an entry point into charting popular and scholarly representations of Indian residential schools. The article begins with a close reading of one 1958 film followed by an overview of how scholarship has changed over the last fifty years, particularly alongside and sometimes because of the Truth and Reconciliation Commission of Canada. The article advocates centring survivor testimony and provides major turns in considering as well as teaching about residential schooling and settler colonialism in Canada as well as ways of how to teach about and learn from it. The article concludes with a close reading of a second film, produced in 1971 by Abenaki filmmaker Alanis Obomsawin, which offers a decidedly different perspective from the film discussed at the beginning of the article.RésuméCet article utilise deux courts documentaires produits par l’Office national du film à l’époque du centenaire de la Confédération comme point de départ permettant d’étudier les représentations populaires et universitaires des pensionnats indiens. L’article s’amorce sur une lecture attentive d’un film de 1958, puis propose un aperçu des changements survenus dans la littérature académique au cours des cinquante dernières années, en particulier grâce à la Commission de vérité et réconciliation du Canada. Il met l’accent sur le témoignage des survivants et propose des changements importants, à la fois dans la façon de comprendre le système des pensionnats et le colonialisme canadien, de même que sur les façons de l’enseigner et les leçons à en tirer. L’article se termine par l’analyse d’un second film produit en 1971par la cinéaste Abénaquis Alanis Obomsawin, qui offre une perspective très différente de celui tourné en 1958.


2019 ◽  
Vol 41 (4) ◽  
pp. 7-35
Author(s):  
Andrea Lynn Smith

The centerpiece of New York State’s 150th anniversary of the Sullivan Expedition of 1779 was a pageant, the “Pageant of Decision.” Major General John Sullivan’s Revolutionary War expedition was designed to eliminate the threat posed by Iroquois allied with the British. It was a genocidal operation that involved the destruction of over forty Indian villages. This article explores the motivations and tactics of state officials as they endeavored to engage the public in this past in pageant form. The pageant was widely popular, and served the state in fixing the expedition as the end point in settler-Indian relations in New York, removing from view decades of expropriations of Indian land that occurred well after Sullivan’s troops left.


Sign in / Sign up

Export Citation Format

Share Document