Ideas in the Mind: Gender and Knowledge in the Seventeenth Century

Hypatia ◽  
2002 ◽  
Vol 17 (1) ◽  
pp. 183-196 ◽  
Author(s):  
Paula Findlen

“Neither doth our Sex delight or understand Philosophy.” (Margaret Cavendish, 1664)

2000 ◽  
Vol 95 (3) ◽  
pp. 803
Author(s):  
Sheila Ottway ◽  
Anna Battigelli
Keyword(s):  

1986 ◽  
Vol 16 (3) ◽  
pp. 503-513 ◽  
Author(s):  
Roy Porter

SynopsisGoodwin Wharton (1653–1704) was a nobleman's son and a Whig MP who played no small part in English public life. His manuscript journal shows, however, that he also lived a bizarre secret life of the mind of a kind which, in later generations, would have led to his confinement as suffering from mental illness. Above all, through the offices of his medium and lover, Mary Parish, he entered into elaborate relations both with the fairy world and with God and His Angels. This paper examines our records of Wharton's consciousness


Unfelt ◽  
2020 ◽  
pp. 24-68
Author(s):  
James Noggle

This chapter examines how the late seventeenth-century British philosophy of sensation, feeling, and selfhood responded to the challenges of mechanism with the idiom of the insensible. It shows how this idiom carries forward from John Locke and Robert Boyle to philosophers of the mid-eighteenth century, the age of sensibility, who use it to address a variety of problems. The consistent, Lockean element in these usages by David Hartley, Étienne Bonnet de Condillac and David Hume, Eliza Haywood and Adam Smith, is that they do not refer to mental contents. One does not hear of “insensible perceptions.” There are no “unconscious thoughts” or “unfelt sensations” in the British tradition surveyed here. Writers in this tradition rather describe insensible powers that affect the mind without themselves being mental. They are nonconscious, not unconscious. This is an implication carried by the idiom into articulations of quite a wide variety of other ideas. All of them indicate the persistent usefulness in philosophies of feeling of a stylistic gesture toward something beyond the reach of both feeling and philosophy.


Author(s):  
Todd Butler

As a tactic that sought to enable individuals to answer judicial interrogatories while simultaneously disguising the full substance and meaning of their answers, the Catholic doctrine of equivocation responded to the precarious position of Catholics in the late Elizabethan and early Jacobean eras. In providing a highly contested model for the shielding of one’s thoughts, equivocation also demonstrates the centrality of human cognition to the religious and political conflicts of the seventeenth century. Writers such as John Donne (Ignatius His Conclave) and Francis Bacon (Essays) evidence a similarly deep concern with the mind and its deliberative processes as marking boundaries for political citizenship and royal power. Viewed in these terms, mental reservation and equivocation become less a matter of theology than one of statecraft.


2020 ◽  
pp. 57-98
Author(s):  
Megan Kaes Long

Composers of homophonic partsongs developed formulaic text-setting schemas that translated poetic meter into musical meter: line lengths determine phrase lengths, poetic accents establish musical accents, and poetic form controls cadences and formal boundaries. Consequently, text-setting establishes an increasingly deep mensural hierarchy. At the same time, schematic text-setting codifies an organizational framework that parallels the way the mind constructs musical meter. According to dynamic attending theory, listener attention peaks in response to environmental regularities; this theory suggests that regular metrical frameworks like those in homophonic partsongs facilitate tonal expectation by drawing listener attention toward metrically accented harmonic events. Regular text-setting contributes to musical meter in a period when mensural structures are giving way to metrical ones. A new metrical style and a new tonal language emerge in tandem in the early seventeenth century, and the balletto repertoire highlights the close relationship between these evolving musical systems.


2019 ◽  
Vol 35 (3) ◽  
pp. 277-292
Author(s):  
Darren Oldridge
Keyword(s):  

Author(s):  
Alexander Wragge-Morley

This article concerns the use of rhetorical strategies in the natural historical and anatomical works of the seventeenth-century Royal Society. Choosing representative works, it argues that naturalists such as Nehemiah Grew, John Ray and the neuroanatomist Thomas Willis used the rhetorical device known as ‘comparison’ to make their descriptions of natural things vivid. By turning to contemporary works of neurology such as Willis's Cerebri Anatome and contemporary rhetorical works inspired by other such descriptions of the brain and nerves, it is argued that the effects of these strategies were taken to be wide-ranging. Contemporaries understood the effects of rhetoric in terms inflected by anatomical and medical discourse—the brain was physically altered by powerful sense impressions such as those of rhetoric. I suggest that the rhetoric of natural history could have been understood in the same way and that natural history and anatomy might therefore have been understood to cultivate the mind, improving its capacity for moral judgements as well as giving it knowledge of nature.


1999 ◽  
Vol 64 (4) ◽  
pp. 121
Author(s):  
Kevin Cope ◽  
Anna Battigelli
Keyword(s):  

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