Social Stratification in the New York Athletic Club: A Preliminary Analysis of the Impact of the Club on Amateur Sport in Late Nineteenth Century America

1976 ◽  
Vol 7 (1) ◽  
pp. 41-53 ◽  
Author(s):  
Richard Wettan ◽  
Joe Willis
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Social Stratification ◽  
Preliminary Analysis ◽  
Late Nineteenth Century ◽  
Nineteenth Century America ◽  
Amateur Sport ◽  
Late Nineteenth ◽  
The Impact ◽  
Athletic Club

scholarly journals GEORGE HENRY FOX'S Photographic illustrations of skin diseases and the clinical photograph in late nineteenth-century America

2021 ◽  
Author(s):  
Katherine E. A. Watson
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Skin Diseases ◽  
The Body ◽  
Late Nineteenth Century ◽  
Power Relationships ◽  
Nineteenth Century America ◽  
Late Nineteenth ◽  
Clinical Photograph ◽  
The Aesthetic

George Henry Fox was a New York physician and author in the late nineteenth century. His interest in collecting photographs of notable dermatological cases led to the publication of several photographically illustrated dermatology texts between 1879 and the early twentieth century. This thesis focuses on the fIrst and second editions of Fox's Photographic Illustrations of Skin Diseases, published in 1879 and 1885, respectively. The hand-coloured Artotype plates from these two editions are analyzed and contrasted in terms of the influence of studio portraiture, issues of patient anonymity and consent, and the aesthetic changes between editions. The power relationships and scientifIc classifIcation involved in depicting the body on ftlm are also considered. The books are on textualized with discussions of nineteenth-century American medical history, the use of clinical photographs as illustrations, photomechanical processes, late nineteenth-century dermatology texts, and Fox's biography.

scholarly journals GEORGE HENRY FOX'S Photographic illustrations of skin diseases and the clinical photograph in late nineteenth-century America

2021 ◽  
Author(s):  
Katherine E. A. Watson
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Skin Diseases ◽  
The Body ◽  
Late Nineteenth Century ◽  
Power Relationships ◽  
Nineteenth Century America ◽  
Late Nineteenth ◽  
Clinical Photograph ◽  
The Aesthetic

George Henry Fox was a New York physician and author in the late nineteenth century. His interest in collecting photographs of notable dermatological cases led to the publication of several photographically illustrated dermatology texts between 1879 and the early twentieth century. This thesis focuses on the fIrst and second editions of Fox's Photographic Illustrations of Skin Diseases, published in 1879 and 1885, respectively. The hand-coloured Artotype plates from these two editions are analyzed and contrasted in terms of the influence of studio portraiture, issues of patient anonymity and consent, and the aesthetic changes between editions. The power relationships and scientifIc classifIcation involved in depicting the body on ftlm are also considered. The books are on textualized with discussions of nineteenth-century American medical history, the use of clinical photographs as illustrations, photomechanical processes, late nineteenth-century dermatology texts, and Fox's biography.

The Modernities of H. Lawrence Freeman

2019 ◽  
Vol 72 (3) ◽  
pp. 719-779
Author(s):  
David Gutkin
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Reception History ◽  
Black Press ◽  
Late Nineteenth Century ◽  
Starting Point ◽  
History Of ◽  
Late Nineteenth ◽  
White Press ◽  
Grand Opera

H. Lawrence Freeman's “Negro Jazz Grand Opera,” Voodoo, was premiered in 1928 in Manhattan's Broadway district. Its reception bespoke competing, racially charged values that underpinned the idea of the “modern” in the 1920s. The white press critiqued the opera for its allegedly anxiety-ridden indebtedness to nineteenth-century European conventions, while the black press hailed it as the pathbreaking work of a “pioneer composer.” Taking the reception history of Voodoo as a starting point, this article shows how Freeman's lifelong project, the creation of what he would call “Negro Grand Opera,” mediated between disparate and sometimes apparently irreconcilable figurations of the modern that spanned the late nineteenth century through the interwar years: Wagnerism, uplift ideology, primitivism, and popular music (including, but not limited to, jazz). I focus on Freeman's inheritance of a worldview that could be called progressivist, evolutionist, or, to borrow a term from Wilson Moses, civilizationist. I then trace the complex relationship between this mode of imagining modernity and subsequent versions of modernism that Freeman engaged with during the first decades of the twentieth century. Through readings of Freeman's aesthetic manifestos and his stylistically syncretic musical corpus I show how ideas about race inflected the process by which the qualitatively modern slips out of joint with temporal modernity. The most substantial musical analysis examines leitmotivic transformations that play out across Freeman's jazz opera American Romance (1924–29): lions become subways; Mississippi becomes New York; and jazz, like modernity itself, keeps metamorphosing. A concluding section considers a broader set of questions concerning the historiography of modernism and modernity.

Theodore H. Friedgut, Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891, together with Israel Mandelkern, Recollections of a Communist (ed. and annotated Theodore H. Friedgut). Boston: Academic Studies Press, 2014. 199 pp.

2018 ◽  
Keyword(s):  
Nineteenth Century ◽  
New York ◽  
Life Experience ◽  
Late Nineteenth Century ◽  
Foster Mother ◽  
History Of ◽  
Late Nineteenth ◽  
Identity Transitions ◽  
Israeli Kibbutz

This chapter reviews the book Stepmother Russia, Foster Mother America: Identity Transitions in the New Odessa Jewish Commune, Odessa, Oregon, New York, 1881–1891 (2014), by Theodore H. Friedgut, together with Israel Mandelkern, Recollections of a Communist (edited and annotated by Theodore H. Friedgut). Stepmother Russia, Foster Mother America is a two-in-one volume that explores an obscure episode in the history of the Jews in the late nineteenth century while at the same time connecting much of its content to the author’s own life experience as a son of western Canada’s Jewish farming colonies and, later, as an ideologically driven halutz on an Israeli kibbutz. Stepmother Russia, Foster Mother America retells one branch of the mostly forgotten history of the Am Olam agricultural movement and brings a new layer into the discussion of global Jewish agrarianism, while Recollections of a Communist offers an edited and annotated version of a memoir written by Mandelkern.

scholarly journals Temperature, Disease, and Death in London: Analyzing Weekly Data for the Century from 1866 to 1965

2021 ◽  
pp. 1-41
Author(s):  
W. Walker Hanlon ◽  
Casper Worm Hansen ◽  
Jake Kantor
Keyword(s):  
Nineteenth Century ◽  
High Temperature ◽  
Mortality Data ◽  
Late Nineteenth Century ◽  
Infant Deaths ◽  
Digestive Diseases ◽  
Late Nineteenth ◽  
The Impact ◽  
The City

Using novel weekly mortality data for London spanning 1866-1965, we analyze the changing relationship between temperature and mortality as the city developed. Our main results show that warm weeks led to elevated mortality in the late nineteenth century, mainly due to infant deaths from digestive diseases. However, this pattern largely disappeared after WWI as infant digestive diseases became less prevalent. The resulting change in the temperature-mortality relationship meant that thousands of heat-related deaths—equal to 0.9-1.4 percent of all deaths— were averted. These findings show that improving the disease environment can dramatically alter the impact of high temperature on mortality.

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