Research on the Application of VR Technology in Clothing Design Teaching

2021 ◽  
Author(s):  
Na Hu
Keyword(s):  
Panggung ◽  
2014 ◽  
Vol 24 (1) ◽  
Author(s):  
Deni Setiawan ◽  
Timbul Haryono ◽  
M. Agus Burhan

ABSTRACTCostume, dress code, animation, comics, legends, and manga, are inseparable parts of the cosplay costume. Those parts give fantasy and digital world discourse through costume style. Its spiritual domain stands on Japanese culture by being cultured through clothing. One of them, cosplay ideo- logy, reflects the self-imaging through social communities, as an e?ort for group and self-existence. Cosplay entity bridges fantasy and real world, presents designers’ expressions through the costume designs to show. This writing will be analyzed by using the main theories based on Dewitt H. Parker point of view, in The Principles of Aesthetics, which divides principles of aesthetics into three, they are: Principle of Organic Unity, Principle of Dominant Element, and Principle of Balance. Principle of organic unity indicates that cosplay clothing is an accumulation of design elements, to refer and mark a figure. Principle of dominant element, is accentuation, or the center of interest of a cosplay clothing design. Principle of balance, see placement and setting ornamentation applied to cosplay clothing.Keywords: cosplay clothing, principles of aesthetics, costume style, YogyakartaABSTRAKPakaian, dress code, animasi, dan manga, merupakan unsur yang tidak terpisahkan dalam pakaian cosplay. Unsur-unsur tersebut merupakan wacana dunia digital dan fantasi pada dunia pakaian. Ranah spiritualnya berp?ak pada kebudayaan Jepang yang dibudayakan melalui pakaian. Ideologi cosplay salah satunya menggambarkan pencitraan diri komuni- tas sosial, sebagai usaha untuk aktualisasi diri. Entitas cosplay mampu menjembatani du- nia fantasi dan realita, yang membelenggu keinginan manusia untuk bergaya. Tulisan ini akan dianalisis dengan teori pokok berdasarkan pandangan Dewitt H. Parker, dalam The Principles of Aesthetics, yang membagi prinsip estetika menjadi tiga, yaitu: prinsip kesatu- an organik, prinsip unsur dominan, dan prinsip keseimbangan. Prinsip kesatuan organik menunjukkan, bahwa pakaian cosplay merupakan akumulasi dari unsur-unsur desain, un- tuk merujuk dan menandai tokoh. Prinsip unsur dominan, merupakan aksentuasi, atau pusat perhatian dari sebuah desain pakaian cosplay. Prinsip keseimbangan, melihat penem- patan dan pengaturan ornamentasi yang diaplikasikan pada pakaian cosplay.Kata kunci: pakaian cosplay, prinsip estetika, gaya pakaian, Yogyakarta


1962 ◽  
Vol 127 (3) ◽  
pp. 242-246 ◽  
Author(s):  
James H. Veghte ◽  
George Solli

2018 ◽  
Vol 14 (06) ◽  
pp. 4
Author(s):  
Shali Jiang ◽  
Qiong Ren

<p class="0abstract"><span lang="EN-US">In order to study the application of sensors in intelligent clothing design, the artificially intelligent cutting-edge technology -machine learning method was proposed to combine a variety of signals of non-contact sensors in several different positions. Higher accuracy was achieved, while maintaining the comfort brought by a non-contact sensor. The experimental results showed that the proposed strategy focused on the combination of clothing design technology and artificial intelligence technology. As a result, without changing the sensor materials, it enhances the comfort and precision of clothing, eliminates the comfort reduced by sensor close to the skin, and transforms inaccurate measurement into accurate measurement. </span></p>


2013 ◽  
Vol 10 ◽  
pp. 89-92
Author(s):  
Uwe Reischl ◽  
Gang Sun ◽  
Qazaleh Bahramian ◽  
Zhu Qing Xue

Thermal manikin tests were performed on selected protective garments to assess their heat transfer properties during exposure to infrared heat radiation. Comparing a newly developed Infrared (IR) Heat Radiation attenuatuion vest with a standard winter jacket, it could be seen that that the IR Vest provided a thermal comfort benefit above a heat radiation exposure level of 150 Watts while the winter jacket provided a thermal benefit above a 450 Watt heat radiation exposure level. The study identified important temperature cross-over points which define the thermodynamic properties and also characterize the heat radiation attenuation and heat insulation properties of garments. The evaluation method is seen as a new design tool for optimizing garment comfort and safety.


Slavic Review ◽  
1992 ◽  
Vol 51 (3) ◽  
pp. 485-496 ◽  
Author(s):  
Barbara Evans Clements

Much attention has been given lately to the utopianism that flourished in Soviet Russia during the civil war and NEP. Scholars have noted that the idea of women's emancipation figured as an important element in this utopianism, affecting diverse aspects of it—fictional portrayals of the communist society of the future, urban architectural plans, the character of public pageants, even clothing design. The names of the women who participated with men in creating these Utopian projects have been recorded. As yet, however, scholars have not asked whether the female Utopians of NEP shared the utopianism of their male comrades or whether women entertained a vision of their own, distinguishable from men's. If there are discernable differences, how do they compare to those which scholars have found between male and female Utopians elsewhere in Europe and in North America? Why did such diversity arise? What were its consequences?


Sign in / Sign up

Export Citation Format

Share Document