Petitioning the Waqf Cases: Conflict over the Abū Madyan Waqf, Old City of Jerusalem, at the Beginning of the Twentieth Century

2021 ◽  
pp. 1-32
Author(s):  
Şerife Eroğlu Memiş
Keyword(s):  
Twentieth Century ◽  
Personal Gain ◽  
Early Twentieth Century ◽  
Old City ◽  
Common Interests ◽  
Council Of State

Abstract This article analyzes twenty-two petitions, held at the Ottoman Imperial Archives (boa) in Istanbul, submitted to the Council of State Registers (Şūrā-yi Devlet) at the beginning of the twentieth century by the mutawallīs (supervisors) of the Abū Madyan waqf, as well as by residents and representatives of the Maghāriba neighborhood in Jerusalem. These petitions concern the alleged mismanagement of the waqf by the mutawallīs, including the embezzlement of funds and violation of the conditions stipulated in the waqf’s endowment deed (waqfiyya). Through this analysis, the study aims to show how the waqf’s supervisors and the representatives of local political and religious authorities contributed to the confiscation of property, allocated to a waqf, for personal gain or to serve common interests, and, thus to the gradual disintegration of the waqf system in early twentieth-century Jerusalem. It also sheds light on the networks between local citizens (Maghribīs), waqf mutawallīs, local qāḍīs, and the central Ottoman administration and the sultan.

scholarly journals Il Palagio di Parte Guelfa a Firenze

2007 ◽  
Author(s):  
Sara Benzi ◽  
Luca Bertuzzi
Keyword(s):  
Twentieth Century ◽  
Sixteenth Century ◽  
Fifteenth Century ◽  
Fourteenth Century ◽  
Early Years ◽  
City Centre ◽  
Early Twentieth Century ◽  
Old City ◽  
Present Aspect ◽  
Restoration Work

Dating to the early years of the fourteenth century and enlarged in two successive phases during the fifteenth century, comprising works plausibly attributed to Brunelleschi, the Palagio di Parte Guelfa emerged as the seat of one of the most important magistracies of mediaeval Florence. From the mid sixteenth century, the building underwent numerous alterations which modified its original appearance, starting with the intervention of Vasari. It was not until the early twentieth century that the palazzo, having survived the demolition work entailed in the regeneration of the old city centre, was subjected to significant restoration work, entrusted to Alfredo Lensi, which eventually gave the building its present aspect. Damaged again by German mines in August 1944 and subsequently restored, the Palagio is now one of the most emblematic buildings in the old city centre of Florence.

Some Polish Composers of To-Day

Tempo ◽  
1948 ◽  
pp. 25-28
Author(s):  
Andrzej Panufnik
Keyword(s):  
Twentieth Century ◽  
Fertile Soil ◽  
Early Twentieth Century ◽  
Progressive Group ◽  
Karol Szymanowski

It is ten years since KAROL SZYMANOWSKI died at fifty-four. He was the most prominent representative of the “radical progressive” group of early twentieth century composers, which we call “Young Poland.” In their manysided and pioneering efforts they prepared the fertile soil on which Poland's present day's music thrives.

V1214: Edward Loughborough Keyes: An Early Twentieth Century Leader In Urology

2004 ◽  
Vol 171 (4S) ◽  
pp. 320-320
Author(s):  
Peter J. Stahl ◽  
E. Darracott Vaughan ◽  
Edward S. Belt ◽  
David A. Bloom ◽  
Ann Arbor
Keyword(s):  
Twentieth Century ◽  
Early Twentieth Century

New insights into the controversy surrounding marine biological laboratory (Marine Station) facilities in the Firth of Clyde in the early twentieth century

2015 ◽  
Vol 42 (1) ◽  
pp. 165-170
Author(s):  
P. G. Moore
Keyword(s):  
Twentieth Century ◽  
Early Years ◽  
Marine Biological Laboratory ◽  
Biological Station ◽  
Marine Biological ◽  
Biological Laboratory ◽  
Early Twentieth Century ◽  
Marine Station ◽  
Regius Professor ◽  
Adjacent Island

Three letters from the Sheina Marshall archive at the former University Marine Biological Station Millport (UMBSM) reveal the pivotal significance of Sheina Marshall's father, Dr John Nairn Marshall, behind the scheme planned by Glasgow University's Regius Professor of Zoology, John Graham Kerr. He proposed to build an alternative marine station facility on Cumbrae's adjacent island of Bute in the Firth of Clyde in the early years of the twentieth century to cater predominantly for marine researchers.

Revaluations through Dance: Friedrich Nietzsche's Thought in Isadora Duncan's Speech The Dance of the Future

2019 ◽  
Vol 37 (2) ◽  
pp. 206-219
Author(s):  
Meindert E. Peters
Keyword(s):  
Twentieth Century ◽  
The Body ◽  
Eternal Recurrence ◽  
Early Twentieth Century ◽  
Starting Point ◽  
The Future ◽  
The Mind

Friedrich Nietzsche's influence on Isadora Duncan's work, in particular his idea of the Dionysian, has been widely discussed, especially in regard to her later work. What has been left underdeveloped in critical examinations of her work, however, is his influence on her earlier choreographic work, which she defended in a famous speech held in 1903 called The Dance of the Future. While commentators often describe this speech as ‘Nietzschean’, Duncan's autobiography suggests that she only studied Nietzsche's work after this speech. I take this incongruity as a starting point to explore the connections between her speech and Nietzsche's work, in particular his Thus Spoke Zarathustra. I argue that in subject and language Duncan's speech resembles Nietzsche's in important ways. This article will draw attention to the ways in which Duncan takes her cues from Nietzsche in bringing together seemingly conflicting ideas of religion and an overturning of morality; Nietzsche's notion of eternal recurrence and the teleology present in his idea of the Übermensch; and a renegotiation of the body's relation to the mind. In doing so, this article contributes not only to scholarship on Duncan's early work but also to discussions of Nietzsche's reception in the early twentieth century. Moreover, the importance Duncan ascribes to the body in dance and expression also asks for a new understanding of Nietzsche's own way of expressing his philosophy.

Conformity and Idiosyncrasy: Jean Rhys

2018 ◽  
Author(s):  
Vike Martina Plock
Keyword(s):  
Twentieth Century ◽  
Social Change ◽  
Jean Rhys ◽  
Left Bank ◽  
Female Images ◽  
Image Construction ◽  
Political Modernity ◽  
Early Twentieth Century ◽  
Good Morning ◽  
Professional Mobility

By looking at Jean Rhys’s ‘Left Bank’ fiction (Quartet, After Leaving Mr Mackenzie, Good Morning, Midnight, ‘Illusion’, ‘Mannequin’), this chapter investigates how new operational procedures such as Fordism and Taylorism, which were introduced into the French couture industry at the beginning of the twentieth century, affected constructions of modern femininity. Increasingly standardized images of feminine types were produced by Paris couturiers while the new look of the Flapper seemingly advertised women’s expanding social, political and professional mobility. Rhys, this chapter argues, noted fashion’s ability to provide resources for creative image construction but she simultaneously expressed criticism of its tendency to standardize female costumes and behaviour. Ultimately, Rhys demonstrates in her fiction that the radically modern couture of the early twentieth century was by no means the maker of social change and women’s political modernity. To offset the increased standardization of female images that she witnessed around her, Rhys created heroines and texts that relied on an overt display on difference.  

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