Popular literature for Scherpenheuvel's pilgrims at the turn of the nineteenth century: a successful but underestimated component of P.J. Brepols's early career

Quaerendo ◽  
2001 ◽  
Vol 31 (1) ◽  
pp. 26-84
Author(s):  
Karen Lee Bowen
Keyword(s):  
Nineteenth Century ◽  
The Netherlands ◽  
Publishing House ◽  
Popular Literature ◽  
Early Career ◽  
Business Operations ◽  
Publishing Strategy ◽  
Devotional Texts

AbstractP.J. Brepols (ca. 1778-1845), the founder of the Brepols publishing house, which is still active today, succeeded in establishing himself as a printer-publisher by focusing on the production of popular literature and prints and continually building up his clientele in the Netherlands. One lesser-known, but nonetheless important component of this initial publishing strategy and success are his editions pertaining to the devotion of the Virgin of Scherpenheuvel. In this article, I will focus on the popular devotional texts the Manier om godtvruchtelyk, en met profyt der zielen, te lezen het Heylig Roosen-kransken van Maria ... and Het nieuw Scherpenheuvels Trompetjen, editions of which were regularly printed by both Brepols and his contemporaries. Drawing upon an examination of extant copies of these books, as well as records of Brepols's business operations from ca. 1811 to ca. 1820, I will document the extent to which Brepols dominated the market for devotional publications for Scherpenheuvel, discuss his sales of these publications, and provide a detailed description of Brepols's editions of these texts in the concluding appendix. Although primarily a study of Brepols's publications, his approach to the printing and sale of these works offers an instructive example of how other printers in this period may have organized their operations.

New Sources for Social and Demographic History: The Belgian Population Registers

1978 ◽  
Vol 2 (2) ◽  
pp. 121-143 ◽  
Author(s):  
Myron P. Gutmann ◽  
Etienne van de Walle
Keyword(s):  
Nineteenth Century ◽  
The Netherlands ◽  
United Nations ◽  
Demographic History ◽  
European Countries ◽  
Population Register ◽  
Exact Match ◽  
German States ◽  
Belgian Population

In 1853, the First International Statistical Congress unanimously voted a resolution recommending the establishment of population registers in every country: It is indispensable to establish in each commune a population register. Each household will occupy one page. The first inscriptions will be entered according to the information provided by the general census, and all mutations that will occur in the composition of households will be noted successively and in order. Administrative measures will provide for the assessment of changes in legal residence, in order that there may be an exact match between the persons crossed out and the new inscriptions.Such a register has existed in Belgium since 1846. No other country except Sweden, Finland, and Hungary had much experience with such documents in 1853. The resolution was nevertheless ratified in successive International Congresses, but there was no rush to implement it. Several European countries followed suit, including small German states, the Netherlands in 1856, and Italy in 1864. According to a recent United Nations survey, eleven European countries have population registers that trace their origins to the nineteenth century or before: Belgium, Czechoslovakia, Finland, Germany, Hungary, Italy, Luxemburg, the Netherlands, Spain, Sweden, and Switzerland.

DRIEDIMENSIONAAL NIEUWS

2019 ◽  
Vol 3 (2) ◽  
pp. 128-152
Author(s):  
Tessel X. Dekker
Keyword(s):  
Nineteenth Century ◽  
The Netherlands ◽  
Mass Medium ◽  
Three Dimensional ◽  
Reciprocal Relationship ◽  
Visual Medium ◽  
The Public ◽  
Wax Models

THREE-DIMENSIONAL NEWS The Amsterdam wax museum as a competitor of the illustrated newspaper, 1882-1919 The nineteenth-century wax museum can be viewed as a contemporary mass medium that showed people scenes from the news. The Nederlandsch Panopticum was the first of its kind in the Netherlands, located in Amsterdam between 1882 and 1919. As an informative visual medium, the Panopticum had to compete with other media, like the illustrated newspaper, for the attention of the public. At the same time, the wax museum also depended on photographs published in these same papers: wax models were often, and in the course of time almost exclusively, modelled after photos. This reciprocal relationship can be seen as an example of ‘intermediality’. In the end, the wax museum lost ground, foremost, to the new mass medium of the time, cinema, which took over both as an urban attraction and as a popular visual medium.

Rethinking the Print Object: Goethe and the Book of Everything

PMLA ◽  
2006 ◽  
Vol 121 (1) ◽  
pp. 124-138 ◽  
Author(s):  
Andrew Piper
Keyword(s):  
Nineteenth Century ◽  
Literary History ◽  
Print Media ◽  
Book History ◽  
Literary Work ◽  
The Novel ◽  
Technological Capabilities ◽  
Final Version ◽  
Publishing Strategy ◽  
Opening Up

This essay combines a consideration of the two-decades-long publishing strategy of Goethe's last major prose work, Wilhelm Meisters Wanderjahre (1808–29), with a reading of specific formal features unique to the final version of the novel. In doing so, it argues that Goethe's use of print and narrative work in concert to form what we might call a particular media imaginary–to reimagine the printed book not according to emerging nineteenth-century criteria of sovereignty, nationality, and permanence but instead according to values more in keeping with the technological capabilities of print media, such as transformation, diffusion, and connectivity. In his vigorous engagement with the material manifestations of his work as a key site of literary work, Goethe offers us an ideal place to explore the productive intersections that the disciplines of book history and literary history are opening up today. (AP)

scholarly journals The illustrative concept of the production of “City” by V.Pidmohylnuy

2018 ◽  
pp. 46-54
Author(s):  
N. Ivanova ◽  
А. Mykhailova
Keyword(s):  
Publishing House ◽  
Marketing Strategies ◽  
The Novel ◽  
Modern City ◽  
Avant Garde ◽  
New Meanings ◽  
Publishing Policy ◽  
Visual Text ◽  
Publishing Strategy ◽  
The City

The research is devoted to the analysis of the editorial and publishing policy of “Solomiia Pavlychko’s Publishing House “Osnovy”. One of the important tools of “Osnovy” publishing strategy at the present stage is the modernization of its product, which consists of the original visualization of the artistic text. In accordance with the new publishing policy, “Osnovy” launches the “Alternative Series of Ukrainian Classics” with the illustrations of young Ukrainian artists.The scientific novelty of our research is the conceptual comprehension of the publishing project “Alternative Series of Ukrainian Classics”. The visual version of the novel “The City” by V. Pidmohylnyi is of special attention. In the study, we suggest that the name “Alternative Series ...” is a successful marketing technique, as for many readers, classics is related to the official ones, sometimes boring and formalized “school” ideas about literature. So, it was planned that the concept “alternative” would become a modern slogan for the project and expand the audience of potential readers. Thus, the works of Ukrainian classics received an entirely new illustration for a modern Ukrainian.The analysis of the illustrative presentation of novel “The City” by V. Pidmohylnyi, published in “Osnovy” in 2017, affords the ground for the suggestion that the work became a truly alternative in the sense of avant-garde design. The article emphasises the idea that “The City” (2017), which is being investigated by us, is especially distinguished among other reprints of classical Ukrainian literature by the collision and dialogue of the verbal urban text of V. Pidmohylnyi (1927) with the avant-garde, postmodern, comic visual text of modern city by M. Pavliuk (2017). New meanings of the verbal text are born on the collision of two urban discourses. Thus, through the illustrative material, the modern city, described in the novel by V. Pidmohylnyi 90 years ago, becomes relevant and modern for the citizens of 2017. So, we are dealing with the postmodern illustrative design of the classical edition, which through the latest forms of visualization, creates new visions and contexts.The offered study states that “Osnovy” is not only a publishing house, creating a quality publishing product concerning the latest news, but also uses modern marketing strategies to implement its products.

scholarly journals Internal Business Factors for Business Sustainability: A Realistic View from Sustainability Managers

2021 ◽  
Vol 6 (18) ◽  
Author(s):  
Nur Syuhada Jasni ◽  
Haslinda Yusoff ◽  
Purwatiningsih Wibowo
Keyword(s):  
Sustainable Development ◽  
Comparative Analysis ◽  
Publishing House ◽  
Structured Interviews ◽  
Environmental Practices ◽  
Business Sustainability ◽  
Business Operations ◽  
Realistic View ◽  
International Publishing ◽  
Open Access Article

Sustainability has received a great deal of criticism, particularly the development of strategies, operationalization and implementation of those strategies. The study aimed to understand environmental practices in business operations and identify the internal business factors that influence the success of environmental practices. Semi-structured interviews were used to gather information from Malaysian Public-Listed Companies (PLCs) that significantly contributed to the advancement of sustainable development in the country. This study suggests a comprehensive set of data to investigate comparative analysis based on different industries for better insights. Keywords: Sustainability, environmental, social, internal business factors eISSN: 2398-4287© 2021. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians/Africans/Arabians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI:https://doi.org/10.21834/ebpj.v6i18.3015

scholarly journals “They Live in Indifference Together”: Marriage Mobility in Zeeland, The Netherlands, 1796–1922

2005 ◽  
Vol 50 (S13) ◽  
pp. 247-274 ◽  
Author(s):  
Hilde Bras ◽  
Jan Kok
Keyword(s):  
Nineteenth Century ◽  
Social Class ◽  
The Netherlands ◽  
Life Course ◽  
Urban Areas ◽  
Personal Relationships ◽  
Mixed Marriage ◽  
Government Report ◽  
Logistic Regressions ◽  
The Life Course

This article investigates developments in and antecedents of socially mixed marriage in the rural Dutch province of Zeeland during the long nineteenth century, taking individual and family histories, community contexts, and temporal influences into account. A government report of the 1850s said of Zeeland that farmers and workers lived “in indifference together”. However, our analysis of about 163,000 marriage certificates reveals that 30 to 40 per cent of these rural inhabitants continued to marry outside their original social class. Multivariate logistic regressions show that heterogamous marriages can be explained first and foremost by the life-course experiences of grooms and brides prior to marriage. Previous transitions in their occupational careers (especially to non-rural occupations for grooms, and to service for brides), in their migration trajectories (particularly moves to urban areas), and changes in the sphere of personal relationships (entering widowhood, ageing) are crucial in understanding marriage mobility.

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