אצחצח דבר גבורות: The Discovery of the Opening Section of Shelomo Suleiman al-Sinjari’s Seder ha-ʿAvodah

Zutot ◽  
2021 ◽  
pp. 1-7
Author(s):  
Eden Menachem Hacohen
Keyword(s):  
Critical Edition ◽  
Correct Identification ◽  
Research Project ◽  
Hebrew Poetry ◽  
Cairo Geniza ◽  
Opening Section

Abstract This is the first publication of the beginning of one of the sidrei ʿavodah for the Day of Atonement by Shelomo Suleiman al-Sinjari, a prolific Palestinian paytan who lived in the second half of the 9th century. Although well known to researchers, this piyyut was incorrectly attributed to the greatest Palestinian poet: Eleazar b. Qallir. My consultation of a copy of the seder ʿavodah in a Cairo Geniza manuscript and the database of the Ezra Fleischer Geniza Research Project for Hebrew Poetry led to the correct identification of the author of אצחצח דבר גבורות as Shelomo Suleiman. The article contains a critical edition of the beginning of this seder ʿavodah with annotations and variants.

‘Golden Age’ Poetry in Contemporary Israeli and Palestinian Poetry

2008 ◽  
Vol 16 (1) ◽  
pp. 127-143 ◽  
Author(s):  
Ziva Ben-Porat
Keyword(s):  
Cultural Politics ◽  
Literary History ◽  
Contemporary Poetry ◽  
Short Introduction ◽  
Research Project ◽  
Hebrew Poetry ◽  
Cognitive Accessibility ◽  
Characteristic Features ◽  
The Many ◽  
Historical Trajectory

This article is a small part of a research project dealing with the presence of Hebrew poetry from al-Andalus in Israeli culture in general and in Israeli poetry in particular. In spite of its indisputably canonic status and 800-year history as a central model for the writing of poetry, this magnificent corpus is quite unknown to today’s readers, and its genres are obsolete. It is, as I shall explain, a ‘dinosaur-like’ canonic entity. The article contains some explanatory references to the historical trajectory of the poetry in question, from a central and active position to a marginal and passive presence – dealing with both the particular beneficial conditions in al-Andalus and current internal and external political situations. However, the paper is not about literary history or cultural politics. Rather, it focuses on the ways ‘dinosaur-like’ canonic status is revealed in the writing of contemporary poetry and in its readings. I begin with a short introduction concerned both with the poetry of al-Andalus and with the cognitive and inter-textual aspects related to the ‘dinosaur-like’ existence of texts and models. Owing to lack of space, I then deal with only three of the many characteristic features of this phenomenon: cognitive accessibility (illustrated by two readings of a Palestinian poem by Sami al-Kilani), manifested distancing (illustrated by Amnon Shamosh’s poem that converses with Yehuda Halevi), and modes of alluding (illustrated by a poem of Yehuda Amichai).

Vascular Biomaterial Banking in Academia

2019 ◽  
Vol 60 (1-2) ◽  
pp. 13-23
Author(s):  
Maani Hakimi ◽  
Markus Wortmann ◽  
Dittmar Böckler ◽  
Peter Schirmacher ◽  
Esther Herpel ◽  
...  
Keyword(s):  
Translational Medicine ◽  
Vascular Tissue ◽  
Correct Identification ◽  
High Quality ◽  
Research Project ◽  
Application Form ◽  
Online Application ◽  
Tissue Samples ◽  
Specimen Collection ◽  
Collection Data

Background/Purpose: To establish a high-quality vascular biomaterial bank to serve vascular research teams and act as a basis for translational medicine. The aim was to collect and store material so that investigation into the pathogenesis of vascular disease would be possible employing methods based on histopathology and/or molecular biology. Methods: The Vascular Biomaterialbank Heidelberg (VBBH) evolved as part of an established, partly accredited biobank complex at the University of Heidelberg (BioMaterialBank Heidelberg – BMBH). The BMBH provided infrastructure regarding legal and quality issues as well as safety, protocols for specimen collection, data management, and publication of results. Protocols were modified where necessary to accommodate specific needs of vascular tissue research. Correct identification of vascular biomaterial is controlled by certified vascular surgeons and pathologists at biobank entry and exit. Pseudonymized clinical data are attached to every specimen. Results: The VBBH provides standardized operating procedures (SOP) regulating the request, processing, and delivery of material to researchers, as well as project tracking. Tissue samples for a research project are requested by filling out an online application form. Within 3–5 working days, a scientific board, including a member of the VBBH and a member of the BMBH, decide upon acceptance or rejection of the research project. Criteria determining acceptance include whether enough samples are available for the particular investigation and whether planned methods are judged adequate to successfully complete the research project. Through tracking of all ongoing studies involving specimens from the VBBH, methods for tissue conservation are continually being optimized. The VBBH platform has supported numerous high-ranking publications involving diverse medical departments and reflects a gain in translational medicine. Conclusions: SOPs and controls by certified specialists ensure the high quality of specimens obtained through the VBBH. Research performed by vascular surgeons can be facilitated by using the VBBH.

Simeon Bar Megas: A Jewish Poet in Byzantine Palestine

AJS Review ◽  
1980 ◽  
Vol 5 ◽  
pp. i-xiii ◽  
Author(s):  
Joseph Yahalom
Keyword(s):  
Critical Edition ◽  
Spiritual Life ◽  
Cairo Geniza ◽  
Ancient Times ◽  
Academy Of Sciences

No hint of the existence of this poet was evident until Menahem Zulay discovered his poetry some forty years ago among remnants of the Cairo Geniza MSS. Because his work consists of weekly liturgical compositions written in accordance with the triennial cycle followed in Palestine in ancient times and because Byzantium is the ruling government mentioned in his poetry, Zulay considered him to be Yannai's “mate.” As shown in this study Simeon must indeed have known Yannai's work and even followed his example. However, Simeon himself introduced some structural developments in the form of the ‘Amidah composition known as Qedushta. Most interesting is the fifth poem in his Qedushta to Gen. 44:18 on the theme of Joseph and his brothers. In his dramatic exposition he even outdoes that of Yannai, his master, intended for the same week. A full critical edition of Simeon's poetry based on about fifty Geniza MSS which is now in print (Israel Academy of Sciences and Humanities) will be of importance for a better understanding of ancient Palestinian poetry and spiritual life. His poems are of great significance also in that they contain the oldest known parallels to ancient Palestinian midrash literature.

Simeon Bar Megas: A Jewish Poet in Byzantine Palestine [שמעון בידבי מגס — הפײטן ויצידחו]

AJS Review ◽  
1980 ◽  
Vol 5 ◽  
pp. H25-H37
Author(s):  
Joseph Yahalom
Keyword(s):  
Critical Edition ◽  
Spiritual Life ◽  
Cairo Geniza ◽  
Ancient Times ◽  
Academy Of Sciences

No hint of the existence of this poet was evident until Menahem Zulay discovered his poetry some forty years ago among remnants of the Cairo Geniza MSS. Because his work consists of weekly liturgical compositions written in accordance with the triennial cycle followed in Palestine in ancient times and because Byzantium is the ruling government mentioned in his poetry, Zulay considered him to be Yannai's “mate.” As shown in this study Simeon must indeed have known Yannai's work and even followed his example. However, Simeon himself introduced some structural developments in the form of the ‘Amidah composition known as Qedushta. Most interesting is the fifth poem in his Qedushta to Gen. 44:18 on the theme of Joseph and his brothers. In his dramatic exposition he even outdoes that of Yannai, his master, intended for the same week. A full critical edition of Simeon's poetry based on about fifty Geniza MSS which is now in print (Israel Academy of Sciences and Humanities) will be of importance for a better understanding of ancient Palestinian poetry and spiritual life. His poems are of great significance also in that they contain the oldest known parallels to ancient Palestinian midrash literature.

Reflections on the Cognitive Interviewing Reporting Framework

Methodology ◽  
2013 ◽  
Vol 9 (3) ◽  
pp. 123-128 ◽  
Author(s):  
Gordon Willis ◽  
Hennie Boeije
Keyword(s):  
Research Design ◽  
Cognitive Testing ◽  
Level Of Detail ◽  
Cognitive Interviewing ◽  
Research Groups ◽  
Research Project ◽  
Reporting Framework ◽  
Full Explanation ◽  
Key Steps

Based on the experiences of three research groups using and evaluating the Cognitive Interviewing Reporting Framework (CIRF), we draw conclusions about the utility of the CIRF as a guide to creating cognitive testing reports. Authors generally found the CIRF checklist to be usable, and that it led to a more complete description of key steps involved. However, despite the explicit direction by the CIRF to include a full explanation of major steps and features (e.g., research objectives and research design), the three cognitive testing reports tended to simply state what was done, without further justification. Authors varied in their judgments concerning whether the CIRF requires the appropriate level of detail. Overall, we believe that current cognitive interviewing practice will benefit from including, within cognitive testing reports, the 10 categories of information specified by the CIRF. Future use of the CIRF may serve to direct the overall research project from the start, and to further the goal of evaluation of specific cognitive interviewing procedures.

Collaboration, Power, Participation and Control on a Large Scale Research Team: Multiple Perspectives from the Oxford House Research Project

2001 ◽  
Author(s):  
Bradley Olson ◽  
Leonard Jason ◽  
Joseph R. Ferrari ◽  
Leon Venable ◽  
Bertel F. Williams ◽  
...  
Keyword(s):  
Large Scale ◽  
Research Team ◽  
Multiple Perspectives ◽  
Research Project ◽  
Oxford House ◽  
And Control
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