Methodologies and Models in Military Innovation Studies

2020 ◽  
Vol 40 (1) ◽  
pp. 110-134
Author(s):  
Burke ii Laurence M.
Keyword(s):  
Network Theory ◽  
Science And Technology Studies ◽  
Science And Technology ◽  
Cultural Models ◽  
Actor Network Theory ◽  
The Political ◽  
Military Innovation ◽  
Innovation Studies ◽  
Actor Network ◽  
New Models

Barry Posen’s 1984 book, The Sources of Military Doctrine, is considered to have kicked off the field of military innovation studies. While historians have made contributions to the field, it is the political scientists who have created new models of military innovation, likely because historians avoid the predictive connotations of “model”. This article first reviews the dominant models in the field that rely on the actions and decisions of individuals (as opposed to more diffuse cultural models) and places them in dialogue with each other. Second, it argues that historians should be less leery of “models”, since they create or use implicit models in their own work. Finally, this article proposes that the various models laid out in the first part of the article may be seen as specific cases of a methodology from science and technology studies, “Actor/Network Theory”, which is a promising new tool for analyzing military innovation.

scholarly journals What makes a robot ‘social’?

2017 ◽  
Vol 47 (4) ◽  
pp. 556-579 ◽  
Author(s):  
Raya A Jones
Keyword(s):  
Social Interactions ◽  
Network Theory ◽  
Science And Technology Studies ◽  
Science And Technology ◽  
Actor Network Theory ◽  
Humanoid Robots ◽  
Social Robotics ◽  
Actor Network ◽  
Social Agents ◽  
Level Of Analysis

Rhetorical moves that construct humanoid robots as social agents disclose tensions at the intersection of science and technology studies (STS) and social robotics. The discourse of robotics often constructs robots that are like us (and therefore unlike dumb artefacts). In the discourse of STS, descriptions of how people assimilate robots into their activities are presented directly or indirectly against the backdrop of actor-network theory, which prompts attributing agency to mundane artefacts. In contradistinction to both social robotics and STS, it is suggested here that to view a capacity to partake in dialogical action (to have a ‘voice’) is necessary for regarding an artefact as authentically social. The theme is explored partly through a critical reinterpretation of an episode that Morana Alač reported and analysed towards demonstrating her bodies-in-interaction concept. This paper turns to ‘body’ with particular reference to Gibsonian affordances theory so as to identify the level of analysis at which dialogicality enters social interactions.

scholarly journals ¿Distanciamiento social o distanciamiento de lo social? Un enfoque no antropocéntrico en antropología

2021 ◽  
Vol 24 ◽  
Author(s):  
Cristian Terry
Keyword(s):  
Network Theory ◽  
Science And Technology Studies ◽  
Science And Technology ◽  
Actor Network Theory ◽  
Actor Network ◽  
Technology Studies

Los Estudios de Ciencia y Tecnología (Science and Technology Studies [STS]) y la Teoría del Actor-Red (Actor-Network Theory [ANT]), junto con la antropología “más allá de lo humano”, promueven un enfoque no antropocéntrico en las ciencias sociales, donde las entidades no humanas hacen parte del mundo social. Desde dicha perspectiva no antropocéntrica, este artículo tiene como objetivo cuestionar el uso de “distanciamiento social” como un término preciso, donde el calificativo “social” se asocia únicamente a seres humanos. Si el distanciamiento es un concepto clave para prevenir el contagio de COVID-19 entre seres humanos, sería más correcto hablar de distanciamiento físico o corporal. Al hablar de distanciamiento social, en realidad estamos distanciando lo social, reduciendo su complejidad, ya que está compuesto por entidades que no son necesariamente humanas o incluso visibles a nuestros ojos, como el nuevo coronavirus. Este artículo invita a buscar términos alternativos al concepto de “distanciamiento social” que nos permitan expresar mejor la complejidad de lo social de una manera menos antropocéntrica.

scholarly journals Writing Nature

2016 ◽  
Vol 2 (1) ◽  
pp. 4 ◽  
Author(s):  
Kristin Asdal ◽  
Gro Birgit Ween
Keyword(s):  
Network Theory ◽  
Science And Technology Studies ◽  
Science And Technology ◽  
Actor Network Theory ◽  
Special Issue ◽  
Actor Network ◽  
Technology Studies ◽  
Clear Cut

<div>This special issue of the Nordic Journal of Science and Technology Studies is interested in how nature, in different versions and forms, is invited into our studies, analyses, and stories. How is it that we “write nature”? How is it that we provide space for, and actually describe the actors, agents, or surroundings, in our stories and analyses? The articles in the issue each deal with different understandings of both the practices of writing and the introduction of various natures into these. In this introduction to the issue the editors engage with actor-network theory as a material semiotic resource  for writing nature. We propose to foreground actor-network theory as a writing tool, at the expense of actor-network theory as a distinct vocabulary. In doing this and pointing out the semiotic origins to material-semiotics we also want to  problematize a clear-cut material approach to writing nature.</div>

scholarly journals Is Pokémon GO Feminist? An Actor-Network Theory Analysis

2018 ◽  
Vol 3 (3) ◽  
Author(s):  
Carina Assuncao
Keyword(s):  
Network Theory ◽  
Game Design ◽  
Science And Technology Studies ◽  
Actor Network Theory ◽  
Game Studies ◽  
Entertainment Media ◽  
Actor Network ◽  
Pokémon Go ◽  
Politics And Gender ◽  
And Gender

The Pokémon franchise has been targeted and has been successful with males and females (Tobin, 2004). In it, cute-looking creatures with superpowers fight each other for the fame and glory of their masters (the players). The franchise includes a plethora of entertainment media. This essay will focus on the recent release, Pokémon GO. This particular game and its location-based technology will be analysed using cyberfeminism and actor-network theory to explore the play space as a context for kinaesthetic awareness and embodiment. The cyberfeminism herein exploited is that of “the utopian tradition of imagining a world without gender” (Haraway, 2000, p. 292). Actor-network theory, a strong methodological tradition in science and technology studies, sees actors and the networks they create as completely ‘flat’ and non-hierarchical. ANT has been criticised for its lack of concern with politics and gender (Lagesen, 2012) but, in combination with a feminist lens, ANT has the potential to uncover issues that other approaches in game studies cannot. This original framework can help game studies scholars to see gameplay processes in a new light by following the many actors involved in game design and use.

scholarly journals Discursive Contextures of Science: Euro/West-Centrism and Science and Technology Studies

2016 ◽  
Vol 2 ◽  
pp. 193 ◽  
Author(s):  
Amit Prasad
Keyword(s):  
Network Theory ◽  
Science And Technology Studies ◽  
Science And Technology ◽  
Embryonic Stem ◽  
Modern Science ◽  
Actor Network Theory ◽  
Scientific Practices ◽  
Technology Studies ◽  
Knowledge And Practice

Science and Technology Studies (STS) by the very act of showing the multiplicity, contingency, and context-dependence of scientific knowledge and practice, provincialized modern science. Postcolonial interventions within STS have pursued this goal even further. Nevertheless, Euro/West-centrism continues to inflect not only scientific practices and lay imaginaries, but also sociological and historical analyses of sciences. In this article, drawing on my own training within STS – first under J.P.S. Uberoi, who was concerned with structuralist analysis of modernity and science, and thereafter under Andy Pickering, when we focused on material agency and temporal emergence and extensively engaged with Actor Network Theory - I emphasize the continuing role of Euro/West-centric discourses in defining the “self” and the “other” and in impacting epistemological and ontological interventions. More broadly, building on a concept of Michael Lynch’s, I call for excavation and analysis of discursive contextures of sciences. In the second section of the article, through a brief analysis of embryonic stem cell therapy in a clinic in Delhi, I show how with shifting transnational landscape of technoscience certain discursive contextures are being “deterritorialized” and left “stuttering.”

Ecological Democracy and the Co-participation of Things

2016 ◽  
Author(s):  
Lisa Disch
Keyword(s):  
Political Theory ◽  
Network Theory ◽  
Science And Technology Studies ◽  
Communicative Competence ◽  
Object Oriented ◽  
Actor Network Theory ◽  
Actor Network ◽  
Material Politics ◽  
Alternative Approach ◽  
Ecological Democracy

Is ecological democracy possible? If so, what would it entail? This chapter first reviews the literature based in deliberative democracy that proposes to extend communicative competence to non-humans, and then traces an alternative constructivist line of environmental political thinking from its beginnings in the strand of science and technology studies pioneered by Bruno Latour and others known as actor-network theory, through two actor-network theory-inspired approaches to political theory, “object-oriented democracy” and “material politics/participation.” Whereas this alternative approach solves some of the conundrums to which the communicative model gives rise, it is neither as radical a departure from politics as it is “normally understood,” nor aspoliticalas its proponents claim.

scholarly journals Art&science. Autoetnografia artystki realizującej projekty w laboratoriach biologicznych

2017 ◽  
Vol 61 (3) ◽  
pp. 103-126
Author(s):  
Karolina Żyniewicz
Keyword(s):  
Network Theory ◽  
Science And Technology ◽  
Actor Network Theory ◽  
Ethnographic Research ◽  
Art And Science ◽  
Science Field ◽  
Actor Network

The aim of the text is to present the use of the analytical autoethnographic method in studying the “art&science” phenomenon. It is attempt to show that the role of the artist can combine with the role of the ethnographer. The objects of study are the multilevel relations emerging during the realization of artistic projects in biological laboratories. These relations concern both humans (the artist, the scientists) and non-humans (laboratory organisms, equipment). On the basis of actor-network theory, the author presents how the liminal status of ethnographic research is modified when it connects with art. The form of conducting the research is both an example of activity in the art and science field and a new methodological proposal for the study of science and technology.

scholarly journals On Theory–Methods Packages in Science and Technology Studies

2021 ◽  
pp. 016224392110402
Author(s):  
Antti Silvast ◽  
Mikko J. Virtanen
Keyword(s):  
Case Studies ◽  
Review Essay ◽  
Network Theory ◽  
Science And Technology Studies ◽  
Science And Technology ◽  
Actor Network Theory ◽  
Theory Method ◽  
Technology Studies ◽  
Research Designs ◽  
Selection Of

Our review essay contributes to the long-standing and vibrant discussion in science and technology studies (STS) on methods, methodologies, and theory–method relationships. We aim to improve the reflexivity of research by unpacking the often implicit assumptions that imbue research conduct and by offering practical tools through which STS researchers can recognize their research designs and think through them in a new way. To achieve these aims, we analyze different compositions of theories, methods, and empirics in three different STS approaches—actor–network theory, the biography of artifacts and practices, and ethnomethodology—by employing the concept of a theory–methods package (TMP). A selection of theoretical cornerstone texts and case studies in infrastructure research from each tradition serves as our material. Our findings point, first, to differences between the TMPs of the reviewed approaches and to the internal diversity of theory–method relationships in each approach. Second, we found some intriguing similarities between the approaches and discuss potential complementarities of their theory–method fits.

scholarly journals The interface between political ecology and actor-network theories: exploring the reality of waste

2021 ◽  
Author(s):  
Swatiprava Rath ◽  
Pranaya swain
Keyword(s):  
Political Ecology ◽  
Network Theory ◽  
Environmental Issues ◽  
Actor Network Theory ◽  
Consumption Pattern ◽  
The Political ◽  
Special Focus ◽  
Rapid Urbanization ◽  
Human Environment ◽  
Actor Network

<p>Human-environment relationship is a prominent discourse in many academic disciplines. Initial studies in social sciences viewed nature being independent of society but gradually researchers proved that both are related and dependent upon each other. Current studies confirm the association between humans and the environment which changes with time and space. Waste is part of the human environment and is ubiquitous. Climate change, environmental pollution, and vulnerabilities associated with it have been major concerns for policymakers, activists, and academicians across the globe over the past couple of decades. The report of International Solid Waste Association (ISWA) and United Nations Environment Program (UNEP) in 2006 delineated waste management as an important part of urban infrastructure having close relation to issues of urban lifestyle, resource consumption pattern, income level, jobs, socio-economic and cultural factors. According to World Bank estimation in 2018, waste generation will increase from 2.01 billion tones in 2016 to 3.40 billion tones in 2050. However, despite its significance in the academic world, the waste remains under-theorized. The meaning and value of waste vary from person to person and also from culture to culture. Rapid urbanization and globalization have led to the social, economic and political crisis with an increased amount of waste. The multidimensional nature of waste creates the need for interpreting it in a distinct way. With the help of theoretical pluralism, this paper aims at explaining the concept of waste through the theoretical lens of political ecology and actor-network theory. The political ecology perspective aims at explaining the environmental issues by analyzing the political-economical causes and provides the alternative for solving the issue. The actor-network theory explains the environmental issues by studying the association among actors at various scales with a special focus on the power interest of the actors as the cause of such association. These two approaches can be integrated based on the pragmatic approach and can help in understanding the complex reality of waste. The paper views that societal problems like waste can be studied with the use of both these theories with a firm hold on the context as they tend to transcend the dualism between nature and society. </p>

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