Dominique Robert et Martin Dufresne, Actor-Network Theory and Crime Studies. Explorations in Science and Technology

Lectures ◽  
2015 ◽  
Author(s):  
Romain Juston
Keyword(s):  
Network Theory ◽  
Science And Technology ◽  
Actor Network Theory ◽  
Actor Network

scholarly journals Art&science. Autoetnografia artystki realizującej projekty w laboratoriach biologicznych

2017 ◽  
Vol 61 (3) ◽  
pp. 103-126
Author(s):  
Karolina Żyniewicz
Keyword(s):  
Network Theory ◽  
Science And Technology ◽  
Actor Network Theory ◽  
Ethnographic Research ◽  
Art And Science ◽  
Science Field ◽  
Actor Network

The aim of the text is to present the use of the analytical autoethnographic method in studying the “art&science” phenomenon. It is attempt to show that the role of the artist can combine with the role of the ethnographer. The objects of study are the multilevel relations emerging during the realization of artistic projects in biological laboratories. These relations concern both humans (the artist, the scientists) and non-humans (laboratory organisms, equipment). On the basis of actor-network theory, the author presents how the liminal status of ethnographic research is modified when it connects with art. The form of conducting the research is both an example of activity in the art and science field and a new methodological proposal for the study of science and technology.

scholarly journals What makes a robot ‘social’?

2017 ◽  
Vol 47 (4) ◽  
pp. 556-579 ◽  
Author(s):  
Raya A Jones
Keyword(s):  
Social Interactions ◽  
Network Theory ◽  
Science And Technology Studies ◽  
Science And Technology ◽  
Actor Network Theory ◽  
Humanoid Robots ◽  
Social Robotics ◽  
Actor Network ◽  
Social Agents ◽  
Level Of Analysis

Rhetorical moves that construct humanoid robots as social agents disclose tensions at the intersection of science and technology studies (STS) and social robotics. The discourse of robotics often constructs robots that are like us (and therefore unlike dumb artefacts). In the discourse of STS, descriptions of how people assimilate robots into their activities are presented directly or indirectly against the backdrop of actor-network theory, which prompts attributing agency to mundane artefacts. In contradistinction to both social robotics and STS, it is suggested here that to view a capacity to partake in dialogical action (to have a ‘voice’) is necessary for regarding an artefact as authentically social. The theme is explored partly through a critical reinterpretation of an episode that Morana Alač reported and analysed towards demonstrating her bodies-in-interaction concept. This paper turns to ‘body’ with particular reference to Gibsonian affordances theory so as to identify the level of analysis at which dialogicality enters social interactions.

scholarly journals ¿Distanciamiento social o distanciamiento de lo social? Un enfoque no antropocéntrico en antropología

2021 ◽  
Vol 24 ◽  
Author(s):  
Cristian Terry
Keyword(s):  
Network Theory ◽  
Science And Technology Studies ◽  
Science And Technology ◽  
Actor Network Theory ◽  
Actor Network ◽  
Technology Studies

Los Estudios de Ciencia y Tecnología (Science and Technology Studies [STS]) y la Teoría del Actor-Red (Actor-Network Theory [ANT]), junto con la antropología “más allá de lo humano”, promueven un enfoque no antropocéntrico en las ciencias sociales, donde las entidades no humanas hacen parte del mundo social. Desde dicha perspectiva no antropocéntrica, este artículo tiene como objetivo cuestionar el uso de “distanciamiento social” como un término preciso, donde el calificativo “social” se asocia únicamente a seres humanos. Si el distanciamiento es un concepto clave para prevenir el contagio de COVID-19 entre seres humanos, sería más correcto hablar de distanciamiento físico o corporal. Al hablar de distanciamiento social, en realidad estamos distanciando lo social, reduciendo su complejidad, ya que está compuesto por entidades que no son necesariamente humanas o incluso visibles a nuestros ojos, como el nuevo coronavirus. Este artículo invita a buscar términos alternativos al concepto de “distanciamiento social” que nos permitan expresar mejor la complejidad de lo social de una manera menos antropocéntrica.

Methodologies and Models in Military Innovation Studies

2020 ◽  
Vol 40 (1) ◽  
pp. 110-134
Author(s):  
Burke ii Laurence M.
Keyword(s):  
Network Theory ◽  
Science And Technology Studies ◽  
Science And Technology ◽  
Cultural Models ◽  
Actor Network Theory ◽  
The Political ◽  
Military Innovation ◽  
Innovation Studies ◽  
Actor Network ◽  
New Models

Barry Posen’s 1984 book, The Sources of Military Doctrine, is considered to have kicked off the field of military innovation studies. While historians have made contributions to the field, it is the political scientists who have created new models of military innovation, likely because historians avoid the predictive connotations of “model”. This article first reviews the dominant models in the field that rely on the actions and decisions of individuals (as opposed to more diffuse cultural models) and places them in dialogue with each other. Second, it argues that historians should be less leery of “models”, since they create or use implicit models in their own work. Finally, this article proposes that the various models laid out in the first part of the article may be seen as specific cases of a methodology from science and technology studies, “Actor/Network Theory”, which is a promising new tool for analyzing military innovation.

scholarly journals Writing Nature

2016 ◽  
Vol 2 (1) ◽  
pp. 4 ◽  
Author(s):  
Kristin Asdal ◽  
Gro Birgit Ween
Keyword(s):  
Network Theory ◽  
Science And Technology Studies ◽  
Science And Technology ◽  
Actor Network Theory ◽  
Special Issue ◽  
Actor Network ◽  
Technology Studies ◽  
Clear Cut

<div>This special issue of the Nordic Journal of Science and Technology Studies is interested in how nature, in different versions and forms, is invited into our studies, analyses, and stories. How is it that we “write nature”? How is it that we provide space for, and actually describe the actors, agents, or surroundings, in our stories and analyses? The articles in the issue each deal with different understandings of both the practices of writing and the introduction of various natures into these. In this introduction to the issue the editors engage with actor-network theory as a material semiotic resource  for writing nature. We propose to foreground actor-network theory as a writing tool, at the expense of actor-network theory as a distinct vocabulary. In doing this and pointing out the semiotic origins to material-semiotics we also want to  problematize a clear-cut material approach to writing nature.</div>

scholarly journals Revisión crítica desde la teoría del actor-red de los modelos de la comunicación de la ciencia y la tecnología / Critical review based on the actor-network theory of Models of Public Communication of Science and Technology

2018 ◽  
Vol 7 (2) ◽  
pp. 43-56
Author(s):  
Daniel Martínez-Sahagún ◽  
Alexandro Escudero-Nahón
Keyword(s):  
Network Theory ◽  
Critical Review ◽  
Conceptual Analysis ◽  
Industrial Revolution ◽  
Science And Technology ◽  
Actor Network Theory ◽  
Public Communication ◽  
Actor Network ◽  
Fourth Industrial Revolution ◽  
Communication Of Science

ABSTRACT Models of Public Communication of Science and Technology have not fulfilled their objectives. The problem originated when they inherited the anthropocentric and essentialist meanings of modern theories of communication. This paper explores the evolution of these theories and performs a conceptual analysis and a critical review or them. Results have shown that the theoretical explanations are not adapting to the scenarios generated by the fourth industrial revolution. Given these scenarios, the actor-network theory allows to redefine these concepts to democratize communication through a new model that interconnects the science with the technology.RESUMENLos Modelos de Comunicación Pública de la Ciencia y de la Tecnología no han logrado satisfacer sus objetivos. El problema se originó porque heredaron las acepciones antropocéntricas y esencialistas de las teorías comunicativas modernas. Este artículo explora la evolución de estas teorías al hacer un análisis conceptual y una revisión crítica de ellas. Los resultados muestran que estas explicaciones teóricas no se adaptan a los escenarios de la cuarta revolución industrial. Ante estos escenarios, la teoría del actor-red permite redefinir algunos conceptos para democratizar la comunicación a través un modelo comunicativo que interconecta la ciencia con la tecnología.

STRUCTURING A SUCCESSFUL INFORMATION TECHNOLOGY TRANSFER PROCESS: A CASE STUDY FROM THE PERSPECTIVES OF ACTOR NETWORK THEORY

2010 ◽  
Author(s):  
Huda Ibrahim ◽  
Hasmiah Kasimin
Keyword(s):  
Information Technology ◽  
Technology Transfer ◽  
Transfer Process ◽  
Network Theory ◽  
Actor Network Theory ◽  
Developed Countries ◽  
Local Market ◽  
Private Company ◽  
Actor Network ◽  
Technology Transfer Process

An effi cient and effective information technology transfer from developed countries to Malaysia is an important issue as a prerequisite to support the ICT needs of the country to become not only a ICT user but also a ICT producer. One of the factors that infl uences successful information technology transfer is managing the process of how technology transfer occurs in one environment. It involves managing interaction between all parties concerned which requires an organized strategy and action toward accomplishing technology transfer objective in an integrated and effective mode. Using a conceptual framework based on the Actor Network Theory (ANT), this paper will analyse a successful information technology transfer process at a private company which is also a supplier of information technology (IT) products to the local market. This framework will explain how the company has come up with a successful technology transfer in a local environment. Our study shows that the company had given interest to its relationships with all the parties involved in the transfer process. The technology transfer programme and the strategy formulated take into account the characteristics of technology and all those involved.  

The Action of Christian Buildings on their Chinese Environment

2017 ◽  
Vol 23 (2) ◽  
pp. 100-121
Author(s):  
Michel Chambon
Keyword(s):  
Network Theory ◽  
Actor Network Theory ◽  
Active Part ◽  
Architectural Style ◽  
Actor Network

This article explores the ways in which Christians are building churches in contemporary Nanping, China. At first glance, their architectural style appears simply neo-Gothic, but these buildings indeed enact a rich web of significances that acts upon local Christians and beyond. Building on Actor-Network Theory and exploring the multiple ties in which they are embedded, I argue that these buildings are agents acting in their own right, which take an active part in the process of making the presence of the Christian God tangible.

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