Seeing the Unseen: The Politics and Privileges of Invisibility and Opacity in the Digital Archive

2016 ◽  
pp. 1-11
Keyword(s):  
Digital Archive

Archives of the Dance (21): Siobhan Davies Dance Online

2008 ◽  
Vol 26 (2) ◽  
pp. 244-257 ◽  
Author(s):  
SARAH WHATLEY
Keyword(s):  
Research Council ◽  
Research Community ◽  
Limited Resources ◽  
Digital Archive ◽  
Arts And Humanities ◽  
The Uk

In 2006, an Arts and Humanities Research Council (AHRC) grant was awarded to researchers at Coventry University to create a digital archive of the work of Siobhan Davies Dance. The award is significant in acknowledging the limited resources readily available to dance scholars as well as to dance audiences in general. The archive, Siobhan Davies Dance Online, 1 will be the first digital dance archive in the UK. Mid-way through the project, Sarah Whatley, who is leading the project, reflects on some of the challenges in bringing together the collection, the range of materials that is going to be available within the archive and what benefits the archive should bring to the research community, the company itself and to dance in general.

Formation of Inner University Use Digital Archive for Highly Qualified Specialists Training

2009 ◽  
pp. 117-119
Author(s):  
Ivan D. Kotlyarov
Keyword(s):  
Foreign Language ◽  
Philosophy Of Science ◽  
Digital Archive ◽  
Digital Archives ◽  
Highly Qualified

For the purpose of improving the training of highly qualified specialists the author suggests to create the inner university digital archives of translations of texts on a speciality (from within the exam candidate minimum foreign language) and reports on the history and philosophy of science.

Dos momentos en De Ánima de Juan García Ponce: Ecfrasis y apropiacionismo

2020 ◽  
pp. 101-120
Author(s):  
Mildred Castillo Cadenas
Keyword(s):  
Carl Jung ◽  
Digital Archive ◽  
De Anima ◽  
Edouard Manet ◽  
Juan Garcia Ponce

Este artículo analiza dos momentos en la novela De Ánima (1984) de Juan García Ponce, en los cuales se utiliza el recurso de la ecfrasis y el apropiacionismo. Me aproximaré a estas estrategias con el objetivo de observar su funcionamiento en la estructura narrativa, además del efecto de sentido que producen en una lectura que los considere. También pretendo detallar algunas cuestiones de la relación pintura-escritura para observar el tratamiento intermedial establecido por el autor. El primer momento revisa la relación de una obra del pintor Lucas Cranach el Viejo y el procedimiento narrativo utilizado por García Ponce para articular a Paloma, protagonista femenina. El segundo momento contempla el análisis de dos ecfrasis, cuyo origen es Le Déjeuner sur l'Herbe de Édouard Manet, desde dos perspectivas de la misma representación visual. Asimismo, prestaré atención al tratamiento apropiacionista y su efecto de sentido derivado. El artículo se apoya en la noción de ecfrasis de Luz Aurora Pimentel, Irene Artigas y James Heffernan; la estructura abismada de Helena Beristáin; el apropiacionismo de Juan Martín Prada; y el concepto ánima-animus de Carl Jung. Para las imágenes se hace referencia al Cranach Digital Archive.

Special Collections of Printed Music in the Digital Archive of the National Library of Estonia

2017 ◽  
Vol 64 (2) ◽  
pp. 175-192
Author(s):  
Heidi Heinmaa
Keyword(s):  
Digital Archive ◽  
National Library ◽  
Special Collections ◽  
Printed Music

scholarly journals Performance Practices and the Conflict of Memory in Colombia: Working Towards a ‘Decolonial’ Digital Archive and Epistemological Justice

2021 ◽  
Vol 31 (1-2) ◽  
pp. 172-190
Author(s):  
Melissa Blanco Borelli ◽  
Olga Lucía Sorzano
Keyword(s):  
Digital Archive ◽  
Performance Practices

scholarly journals Crafting New Narratives of Diasporic Resistance with Indo-Caribbean Women and Gender-Expansive People across Generations

Societies ◽  
2021 ◽  
Vol 11 (1) ◽  
pp. 2
Author(s):  
Arita Balaram
Keyword(s):  
Oral History ◽  
Digital Archive ◽  
Second Phase ◽  
Structured Interviews ◽  
Women And Gender ◽  
Digital Archiving ◽  
Caribbean Women ◽  
Gender Based ◽  
And Gender ◽  
Oral History Interviews

This study used participatory oral history and digital archiving to explore two interrelated questions: How do Indo-Caribbean women and gender-expansive people across generations experience processes of storytelling? What are the challenges and possibilities of oral history and digital archiving for constructing alternative histories and genealogies of resistance? In the first phase of the study, twelve Indo-Caribbean women and gender-expansive people across generations participated in an oral history workshop where they were introduced to oral history methods, co-created an interview guide, conducted oral history interviews of one another, and engaged in collective reflection about processes of storytelling. In the second phase, four co-authors of a community-owned digital archive participated in semi-structured interviews about their work to craft new narratives of diasporic resistance rooted in the everyday stories of Indo-Caribbean women and gender-expansive people. In this paper, I analyze how Indo-Caribbean women and gender-expansive people practice resistance by breaking silences in their communities around gender-based oppression, shift norms through producing analyses of their own stories, and reshape community narratives. Furthermore, I explore how oral history participants and co-authors of a digital archive understand the risks associated with sharing stories, raising the ethical dilemmas associated with conceptualizing storytelling as purely liberatory.

scholarly journals The Archive’s Moment

Histories ◽  
2021 ◽  
Vol 1 (3) ◽  
pp. 100-107
Author(s):  
Lila Caimari
Keyword(s):  
Buenos Aires ◽  
Digital Archive ◽  
Present Moment ◽  
The Impact

This article summarizes observations on the “archive question” as it manifests itself in Argentina at the present moment. Based on a presentation delivered in Buenos Aires, it opens with a general appraisal of the multiple dynamics (political, disciplinary, technological) converging on this issue. Then, it focuses on a particular dimension of this process—namely, the impact of the digital archive on the reconstruction of the Argentine past.

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