scholarly journals A Short Human History of the Ocean Floor

2020 ◽  
pp. 61-82
Keyword(s):  
Author(s):  
Jennifer Fay

`Siegfried Kracauer’s film and photographic theory along with cinematic records of early Antarctic exploration explain how this utterly inhospitable continent (Antarctica) and this media theory advance an alternative and denaturalized history of the present. Cinema has the capacity to reveal an earth outside of human feeling and utility without sacrificing the particularity that gets lost in scientific abstraction. And Antarctica, for so long outside of human history altogether, simply numbs feeling and refuses to yield to human purpose. It is also a continent on which celluloid encounters its signifying limits. Kracauer, this chapter argues, helps us to imagine an estranged and selfless relationship to an inhospitable or even posthospitable earth that may not accommodate us.


1993 ◽  
Vol 102 (6) ◽  
pp. 645-663
Author(s):  
Noriyuki NASU
Keyword(s):  

2020 ◽  
Vol 2 (1) ◽  
pp. 66-71
Author(s):  
Sachpatzidis D. Avraam

New language produces new thought. creativity, critical thinking, educational achievement, empathy towards others, and ability to decipher technology. The gap between looking and seeing can be bridged with observing– the process of building a catalogue of visual elements, a very important argument in front of the so called “narrowness of the education system.” The science of perception and the history of image through the ideas of Eratosthenes, Copernicus, Descartes, Aristotle, Confucius and many others, is to create meaning. Language is, and always will be, the ultimate form of communication. A book of illustrations and not with illustrations, could make complex arguments through that medium that he couldn’t with words alone. Words have been considered for many centuries of the human history, the superior currency of intellect. So, educators don’t know where to start when it comes to teaching visual literacy. Photos without captions can make us look only at the photo, and make judgments and inferences by ourselves. Teaching graphic design alongside poetry, could show that design it’s more than just lines and illustration. It a sophisticated way to grasp the procedure from an idea to a picture. The sooner teachers can really abandon the Learning Styles Theory and not label students as “visual learners”, since we all learn visually, the sooner students will be empowered to become visually literate. Not all serious ideas require words, and many are better off without them. Visual communication deserves its place, and can also serve education.


Rhetorik ◽  
2019 ◽  
Vol 38 (1) ◽  
pp. 72-93
Author(s):  
Julia Enzinger

Abstract The present article investigates the literary representation of biographical and geological coherence in Max Frisch’s narrative Der Mensch erscheint im Holozän (1979), a story about a pensioner suffering from dementia, who has to cope with both the erosion of his memory as well as the geological erosion in the Swiss Alps. On the basis of Hayden White’s tropics of discourse and Stephen Jay Gould’s study on Myth and Metaphor in the Discovery of Geological Time, the rhetorical strategies being used by Frisch are examined in order to articulate the tension between human history and the history of nature and earth. Focusing on the two main tropes in the text, synecdoche and irony, the analysis will show how the text tries to escape forms of anthropomorphism – especially by generating a ›transhuman‹ perspective – but ultimately confesses its failure to do so. Holozän thus can be seen as an ironical (self-)reflection on the limits of rhetoric and language in terms of depicting non-human history.


Author(s):  
John Marenbon

This chapter investigates Augustine's role in addressing the Problem of Paganism. After the Sack of Rome in 410 CE, Augustine set out to produce his most ambitious work, a Christian rethinking, not just of the history of Rome, but of the relationship between God and the course of human history. Written in the safety of North Africa, the City of God (CG), begun probably in 412 but not finished until about fourteen years later, is both an intellectual masterpiece and a foundational book for the Problem of Paganism. Although the problem has somewhat different contours for him from those it would take on in the Middle Ages, in the City of God and other works Augustine looks closely at three of the main strands of the problem — wisdom, salvation, and virtue — and takes positions which set the agenda for almost all subsequent discussion.


Daphnis ◽  
2019 ◽  
Vol 47 (1-2) ◽  
pp. 25-67
Author(s):  
Holger Böning

This study considers print media produced during the Thirty Years War, focusing on the fact – largely unknown by most historians of the war - that this was the first war in human history to be accompanied by newspapers printed on a regular weekly basis. It assesses the effectiveness of newspaper coverage of political, diplomatic and military affairs and the characteristics of war reporting. Little of what, in historiography, is generally counted among the arcana imperii remained hidden from the readers. A history of the war could be written on the basis of the newspaper reports alone. With very few exceptions, every battle and siege was covered in great detail. No other media shadowed the events of the war as closely as the newspapers, which present a unique narrative of the war and revealing insights into these historical events. They represent an indispensable historiographical source, constituting an initial draft historical narrative from a contemporary perspective.


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