Between Aphasia and Articulateness – Alien-Nation and Belonging: National/Ethnic Identities in Selected Black British Novels

2008 ◽  
pp. 331-347
2018 ◽  
Author(s):  
Jorge L. Giovannetti-Torres
Keyword(s):  

This comprehensive study brings together leading international scholars in a variety of disciplines to both revisit the Spaghetti Western genre's cultural significance and consider its ongoing influence on international film industries. The book provides a range of innovative perspectives on this discrete and perennially popular topic. The book consists of four sections: Trans-Genre Roots; Ethnic Identities, Transnational Politics; Asian Crossovers; and Routes of Relocation, Transition, and Appropriation. Its rigorous historical, cultural, and political enquiry engages with current scholarly trends and balances specialized contextual knowledge with recognition of the instability of national/local identities. The book provides fresh interrogations of the myriad ways in which the Spaghetti Western has influenced contemporary filmmaking practice across national industries.


1987 ◽  
Vol 83 (1) ◽  
pp. 52-58
Author(s):  
Kristin Couper
Keyword(s):  

Author(s):  
Jordanna Bailkin

This chapter asks how refugee camps transformed people as well as spaces, altering the identities of the individuals and communities who lived in and near them. It considers how camps forged and fractured economic, religious, and ethnic identities, constructing different kinds of unity and disunity. Camps had unpredictable effects on how refugees and Britons thought of themselves, and how they saw their relationship to upward and downward mobility. As the impoverished Briton emerged more clearly in the imagination of the welfare state, the refugee was his constant companion and critic. The state struggled to determine whether refugees required the same care as the poor, or if they warranted their own structures of aid.


Author(s):  
Gina Heathcote

Reflecting on recent gender law reform within international law, this book examines the nature of feminist interventions to consider what the next phase of feminist approaches to international law might include. To undertake analysis of existing gender law reform and future gender law reform, the book engages critical legal inquiries on international law on the foundations of international law. At the same time, the text looks beyond mainstream feminist accounts to consider the contributions, and tensions, across a broader range of feminist methodologies than has been adapted and incorporated into gender law reform including transnational and postcolonial feminisms. The text therefore develops dialogues across feminist approaches, beyond dominant Western liberal, radical, and cultural feminisms, to analyse the rise of expertise and the impact of fragmentation on global governance, to study sovereignty and international institutions, and to reflect on the construction of authority within international law. The book concludes that through feminist dialogues that incorporate intersectionality, and thus feminist dialogues with queer, crip, and race theories, that reflect on the politics of listening and which are actively attentive to the conditions of privilege from which dominant feminist approaches are articulated, opportunity for feminist dialogues to shape feminist futures on international law emerge. The book begins this process through analysis of the conditions in which the author speaks and the role histories of colonialism play out to define her own privilege, thus requiring attention to indigenous feminisms and, in the UK, the important interventions of Black British feminisms.


Journalism ◽  
2021 ◽  
pp. 146488492110017
Author(s):  
Omega Douglas

Over 100 British journalists of colour are signatories to an open letter demanding the US Ambassador to the UK condemns the arrest of African-American journalist, Omar Jimenez, on May 29th 2020, whilst he was reporting for CNN on the Minneapolis protests following the police killing of George Floyd. The letter is a vital act of black transatlantic solidarity during a moment when journalism is under threat, economically and politically, and there’s a pandemic of racism in the west. These factors make journalism challenging for reporters from racial minorities, who are already underrepresented in western newsrooms and, as this paper shows, encounter discrimination in the field, as well as within the institutions they work for. The letter speaks to how black British journalists are all too aware that the British journalistic field, like the American one, has a race problem, and institutional commitments to diversity often don’t correspond with the experiences of those included, impacting negatively on the retention of black journalists. Drawing on original interviews with 26 journalists of colour who work for Britain’s largest news organisations, this paper theoretically grounds empirical findings to illustrate why and how discriminatory patterns, as well as contradictions, occur and recur in British news production.


2021 ◽  
pp. 1-21
Author(s):  
Jessica White

Abstract Black British women's centres and groups evolved out of black women's combined exclusion from male-dominated anti-racist activism and the resurgent feminist movement of the late 1960s. And yet, despite their stable presence in many of Britain's inner cities, black women's centres and groups, and the lives of the women who forged them, have evaded historical interrogation. This article explores how black women's centres provided women with the space and time to nurture their personal experiences of sexism and racism, achieve a sense of self-sufficiency, and celebrate their heritage, which placed every member on a path towards self-discovery. This centring of the black female self was not, as black male activists believed, set on undermining the Black liberation movement, but was considered as a vital tool in the overarching mission to defeat white global supremacy. Drawing on a collection of oral history interviews, this article explores how black female activists constructed a sense of self that turned away from the homogenizing white gaze of post-war Britain. Teasing out the complexities around black female activism, selfhood, and memory, this article contributes substantially to the growing body of literature on late twentieth-century black British history.


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