12. Dismantling The Defensive Wall Of The Colonized: The Veil And The French Law On Secularity And Conspicuous Religious Symbols In Schools

2010 ◽  
pp. 207-223
Keyword(s):  
French Law ◽  
Religious Symbols ◽  
The Veil

scholarly journals The politics behind the veil

2019 ◽  
Author(s):  
Ozan Aksoy ◽  
Diego Gambetta
Keyword(s):  
Natural Experiment ◽  
Religious Practices ◽  
Religious Ideology ◽  
Strategic Response ◽  
Religious Symbols ◽  
Justice And Development Party ◽  
Information Problem ◽  
The Veil ◽  
Politically Active

Using a natural experiment, we find that in provinces where Turkey’s Islamic Justice and Development Party (AKP) just won the election in 2004, women, including those who are weakly- or non-religious, now veil far more than in provinces in which AKP just lost, the more so the poorer they are. This effect, as we predict, does not occur for praying regularly which is a more costly and harder to observe practice. We argue that veiling is higher in AKP provinces not only because of a generic aim to conform to the stricter mores fostered by the victorious party. We find that those who veil, particularly those in AKP provinces who are not pious, are more politically active than those who do not veil. This may be an indication that veiling could partly be a strategic response to policies, which favour those who are or appear pious. Our study suggests that observable religious practices may have their independent dynamics driven by the pursuit of instrumental goals. Our results also suggest that parties with a religious ideology have an advantage over their secular counterparts in solving the clientelistic information problem, for they can rely on religious symbols for screening and signalling.

scholarly journals The Politics behind the Veil

2020 ◽  
Author(s):  
Ozan Aksoy ◽  
Diego Gambetta
Keyword(s):  
Natural Experiment ◽  
Religious Practices ◽  
Religious Ideology ◽  
Strategic Response ◽  
Religious Symbols ◽  
Justice And Development Party ◽  
Information Problem ◽  
The Veil ◽  
Politically Active

Abstract Using a natural experiment, we find that in provinces where Turkey’s Islamic Justice and Development Party (AKP) just won the election in 2004, women, including those who are weakly religious or non-religious, now veil far more than in provinces in which AKP just lost, the more so the poorer they are. This effect, as we predict, does not occur for praying regularly which is more costly and harder to observe practice. We argue that veiling is higher in AKP provinces not only because of a generic aim to conform to the stricter mores fostered by the victorious party. We find that those who veil, particularly those in AKP provinces who are not pious, are more politically active than those who do not veil. This may be an indication that veiling could partly be a strategic response to policies, which favour those who are or appear pious. Our study suggests that observable religious practices may have their independent dynamics driven by the pursuit of instrumental goals. Our results also suggest that parties with a religious ideology have an advantage over their secular counterparts in solving the clientelistic information problem, for they can rely on religious symbols for screening and signalling.

Caught in the Crosshairs

2020 ◽  
Vol 16 (1) ◽  
pp. 1-18
Author(s):  
Nadine Sinno
Keyword(s):  
Cultural Studies ◽  
Saudi Arabian ◽  
School Principal ◽  
Public Institutions ◽  
French Law ◽  
Religious Symbols ◽  
Saba Mahmood ◽  
Secular State

Abstract Directed by Saudi Arabian filmmaker Faiza Ambah, Mariam (2015) portrays the struggles of Mariam, a Muslim French teenager who decides to wear the hijab but must contend with her school’s enforcement of a 2004 French law banning religious symbols from public institutions. Mariam must also deal with her liberal father, who opposes the hijab because of his own internalization of Islamophobic narratives that have become widespread in France. Engaging with feminist and cultural studies by such scholars as Saba Mahmood, Mohja Kahf, Lila Abu-Lughod, and Sara Ahmed, this article offers an analysis of Mariam, focusing on the protagonist’s embodied encounters with her teacher, school principal, father, and fellow students. The article argues that by recounting Mariam’s gendered and racialized struggles with forced unveiling, Ambah shifts the discourse on the head scarf from one that focuses on the perceived oppression of Islam to one that highlights the violence of the secular state.

Banning the Burka? An Ethical Appraisal

2011 ◽  
Vol 5 (1) ◽  
pp. 86-103
Author(s):  
Jakobus (Koos) M. Vorster
Keyword(s):  
Human Rights ◽  
Gender Inequality ◽  
Freedom Of Expression ◽  
Cultural Symbols ◽  
Religious Symbols ◽  
Islamic Tradition ◽  
The Government ◽  
The Veil ◽  
Muslim Communities ◽  
Recent Action

AbstractThis ethical research paper was prompted by the French government’s recent action to ban the wearing of the burka by women of Islamic religious persuasion with legislature because the government regards the burka as a symbol of the inferiority of women in Muslim communities. According to president Sarkozy this symbol infringes on the fundamental human rights of women, and such a view of women should be renounced in the French Republic. Firstly, the article investigates the history and the meaning of wearing the burka and the veil. This investigation reveals that these symbols were cultural symbols that have no real bearing on gender inequality yet have become powerful religious symbols due to rising fundamentalism in the Islamic tradition Next, the article discusses the content and implications of two models of religious freedom: the active neutral model and the active plural model. Finally—with the active plural model as an angle of approach, and in view of the constitutional values of equality, freedom and the fundamental human rights of freedom of expression and freedom of religion—the investigation concludes that legislation against the wearing of these religious symbols violates the rights of Muslim women to wear the burka.

The illusions of the veil

1991 ◽  
Author(s):  
Glenn E. Meyer ◽  
James McMullen
Keyword(s):  
The Veil

Kecerdasan Emosi Mahasiswi Bercadar Serta Implikasinya Bagi Pelayanan Bimbingan dan Konseling di Perguruan Tinggi

2020 ◽  
Vol 3 (1) ◽  
pp. 1-9
Author(s):  
Rizky Andana Pohan ◽  
Dika Sahputra
Keyword(s):  
Emotional Intelligence ◽  
Sampling Technique ◽  
Female Students ◽  
Counseling Services ◽  
Guidance And Counseling ◽  
Tertiary Institutions ◽  
The Government ◽  
The Veil ◽  
Full Face ◽  
University Leaders

This study aims to determine the emotional intelligence of female students who wear the full face veil. This research uses a quantitative approach with descriptive methods. The sampling technique was carried out with a total sampling of 38 students who wore the veil from several universities in Indonesia. The research instrument uses a Likert-shaped Emotional Intelligence Scale owned by Dika Sahputra. Questionnaires are distributed online through the Google Forms application from November 2019 to January 2020. The results showed that in general the emotional intelligence of students who wore the full face veil was in the high category. These results can be used as a basis for making programs for guidance and counseling services in tertiary institutions, as well as being the basis for policy making for university leaders and the government towards female students and women who use the full face veil

Playing the Monster on Stage

2015 ◽  
Vol 45 (1) ◽  
pp. 81-89
Author(s):  
Thomas Kilroy
Keyword(s):  
Common Thread ◽  
The Veil ◽  
Double Cross

This essay explores theatre's power to take an audience beyond the veil of civilization into an encounter with the human as monstrous. Through the mythology and theatre of the Greeks, through Shakespeare, and into contemporary plays and productions by Bond, Albee, Osborne, and Bejart, the figure of the ‘overreacher’ emerges as a common thread. In extraordinary performances in his own Talbot’s Box and Double Cross, Kilroy traces the role of the actor in exteriorizing the disturbing paradox of the monster as violation and as beauty.

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