Looking Back on the 20th Century

1999 ◽  
Vol 111 (3) ◽  
pp. 76-80
Author(s):  
Oliver Leaman
Keyword(s):  
2002 ◽  
Vol 153 (7) ◽  
pp. 249-250
Author(s):  
Fritz Marti

Looking back on the last quarter of the 20th century, we see that the most striking changes in forest management have come about following large and frequent catastrophes. Management– concerned solely with wood production in former times – is oriented more towards retaining stability of the stands nowadays. In addition, the aspect of tending and improving the environment continues to gain ground. The growing gap between expenditure and profit is particularly acute in Glarner mountain forest areas. The extension of promotional silvicultural measures, which widely determines today's management, is to be seen as a logical consequence.


2013 ◽  
Vol 8 (9) ◽  
pp. 464-464
Author(s):  
Matthew Bradby
Keyword(s):  

2012 ◽  
Vol 94 (888) ◽  
pp. 1349-1379 ◽  
Author(s):  
Valérie Gorin

AbstractThe purpose of this article is to suggest some historical milestones for a retrospective reflection on the photographic archives of the International Committee of the Red Cross (ICRC). This collection is little used by researchers, although the 120,000 photographs which it contains have helped to forge the symbolism and identity of the institution and to document its operations in accordance with a memory preservation policy which gradually emerged in the course of the 20th century. The photographs shown in this article are divided into three main themes (the ICRC delegate, the context of action, suffering and the victims), in order to make it easier to discuss the key aspects of this tremendous visual heritage which looks at humanitarian action, its protagonists and its beneficiaries from an anthropological and ethnological point of view.


1999 ◽  
Vol 110 (12) ◽  
pp. 384-389
Author(s):  
Ian Markham
Keyword(s):  

Tekstualia ◽  
2020 ◽  
Vol 4 (63) ◽  
pp. 49-68
Author(s):  
Iwona Przybysz

The article focuses on the construction of the narration about the end of 19th and the beginning of the 20th century in the daily newspaper „Kurier Warszawski”. Its crucial manifestation was the „contest of the century”, a questionnaire addressed to representatives of the world of science and the arts evaluating the most important Polish scientifi c and artistic achievements of 19th century. A key assumption of the narration thus shaped was the recapitulation and appreciation of the past and the idea of a long passing of the history. Such an idea served as an answer to the catastrophic atmosphere and the fear of the unknown.


Author(s):  
Sanja Grakalić Plenković

Although verses as a form are rarely chosen by autobiographers, the history of Croatian autobiography shows that some writers have had the inclination towards writing autobiographies in verses. The form of a poem can be linked with the beginnings of writing autobiographical texts and with the autobiographical discourse in the works of Croatian writers. Even though it has not been in the focus of interest of autobiographical theory, the autobiographical elements can be found in the period spanning from the 15th- and 16th-century Croatian poetry in the works of the Croatian Latinists up to the present time which represents the golden period of autobiographic writing. Focusing on the autobiographers’ inclination to write in verse (from heterogenous autobiographies, where verses are incorporated into the text itself, to autobiographies poems), this paper shows the marginal place that the form of a poem occupies in the field of researching and defining autobiography as a genre. The fact has been corroborated by providing an outline of verses in autobiographies and autobiographies in verses throughout the history of Croatian literature. Special attention is given to two autobiographies-poems, written by two contemporary writers of Croatian Moderna ‒ Ivana Brlić-Mažuranić (Autoportrait from Rogaška Slatina; 1932) and Vladimir Nazor (Autobiography; 1927). Having in common the form and some themes and motifs (such as looking back at their lives, the author, the narrator and the main character being one and the same person, retrospective perspective), these two autobiographies show how placing emphasis on intimate elements, the form of a poem can be used to write an autobiography. Without putting into question the theme, the place of the narrator/poet in telling about or taking attitude towards the reality or experiences lived, factographic elements which dominate the early 20th century autobiographies, here are largely overshadowed by the more personal and emotional elements.


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